Cronicas

Crónicas is more than just another lame and wannabe provocative satire that wants to prove how the media and charismatic reporters are capable of influencing people's opinions and emotions. In fact, it does handle about that, but it's definitely not a dumb satire. It's a harsh and harrowing social drama, set in an ultimately depressing environment and focusing on the inhabitants of a country that the pubic opinion usually neglects. Here is one foreign film production that Hollywood isn't likely to remake any time soon, and even if some fancy producer would consider a remake, you can rest assured that the content and especially the whole denouement will be changed drastically. The story entirely takes place in a small village in Ecuador, where a feared psychopath has already sexually abused and killed nearly 150 innocent children. New mass graves are discovered almost on a weekly basis and the petrified community fears the murderer will never be caught. The acclaimed Miami TV-reporter Manolo Bonilla, on location with his crew to shoot a documentary on the issue, prevents a man from getting lynched by an angry mob when he causes a car accident involving a young boy. Whilst in prison, the man provides Bonilla with a lot of detailed information concerning the murders and the reporter quickly becomes obsessed with the idea of catching the killer himself. In exchange for further information, Bonilla promises the man to do an emotional TV-show about his wrongful imprisonment. "Crónicas" benefices from a powerful first half hour and especially the climax sequences are ultimately fascinating and shocking. Unfortunately the middle-section of the film is somewhat sluggish and dull, but at least you can admire the beautiful filming location and the genuinely moving acting performances of the overall unknown cast. The film contains several unsettling images of violence and human misery, but the unconventional ending is far more shocking & disturbing than on screen violence could ever be. And you can even despise the characters for their action, because deep down you realize you'd do exactly the same. This film isn't a masterpiece, but it's definitely a film you won't forget easily.

This film is one of the more important films of this age, especially for countries such as the United States where new stations such as Fox News dominate the airwaves. I am very surprised that a film with stars such as John Leguizamo giving great performances, and the support of Alfred Molina, that this film isn't receiving wide distribution in the United States.

The film exposes the fringes of Ecuador by setting the story in one of the country's poorest areas, the province of Los Rios in its filthy capital Babahoyo. Against this backdrop we see a group of journalists from a Mexican news station known for its program "Una Hora con la Verdad (An Hour with the Truth)" confront some of the harsh realities present in these areas. In their efforts to expose the life in los Rios, they learn how little they actually know about the people there and how difficult it can be to provide the Truth for their viewers.

Damián Alcázar (The Crime of Father Amaro, Lord Sopespian in Prince Caspian) gives a truly remarkable performance in a compelling film by young writer/director Sebastián Cordero.

There are two stories going on at the same time. One is a story of a vicious rapist/serial killer who preys on young boys and girls; and the other is about the role of the media in our society.

John Leguizamo plays a star reported that knows who the killer is and is trying to get the confession for a news story. In the meantime, events transpire that result in the killer's release before he accomplishes this.

Leonor Watling (La mala educación, Paris, je t'aime) plays the producer who wants to tell what they know, while Leguizamo fights to keep it a secret and play off the hero status he gained. Who will win? Will his conscience get the better of him? That is the real story here, as we debate the role of media. Are they reporting the news, and becoming part of the news.

The view of rural Ecuadorian life is also a big plus to the enjoyment of this film.

Compelling.

It's hard to rate a movie that you find intensely disturbing and a bit nauseating. I saw this at the Philadelphia Film Festival, and the friend who saw it with me was equally disturbed - we both wanted to give it a rating of F***ed Up. Then again, if you spend the next two hours talking about how much a movie bothered you, that means it was well acted and directed, right?

The reporter (Leguizamo) crosses the boundaries of morality and goes too far in pursuit of his story, and the movie ends on a very unsatisfactory note. Still, the bad guy is very good at being a psychopath, and the reporter and his crew are very good at being morally bankrupt. See Cronicas, but brace yourself for unpleasant subject matter.

"Crónicas" is an updated, Latinization of Billy Wilder's cynical 1951 film "Ace in the Hole (The Big Carnival)," where a tabloid reporter selfishly manipulated an emotional story of a trapped miner.

Where films like "Medium Cool" and "The China Syndrome" showed reporters as heroes getting radicalized by the stories they are covering, writer/director Sebastián Cordero effectively creates a hot, grimy, gritty environment for an ethically-challenged tabloid TV reporter who gets too mired in a serial murder investigation in the slums of Equador that recalls the hysteria and circus around the Atlanta child killings.

The irony of the power of today's ubiquitous media is shown to searing effect, including the power to manipulate it for personal purposes by all sides. The cat and mouse negotiations between the reporter and a questionable source (the enthralling Damián Alcázar) are as tense as those in "The Silence of the Lambs," and in an ugly environs that we can practically smell through the screen.

John Leguizamo is completely believable as a swaggering, self-promoting celebrity TV reporter for a popular show covering scandals across the southern hemisphere, flitting from his Miami base to drug lord hostages in Columbia to salacious murders, in and out of English. We are alternately sympathetic to his efforts and his bouts of conscience, then repelled by him.

He is flanked by somewhat stereotypes of a lanky, battle-hardened cameraman who eagerly focuses on close-ups of violence and gore and an ambitious woman producer who plunges into research and infidelity with equal verve, who utilize the most shiny, high tech communications gear to capitalize on their tunneling through the muck of human nature, though even they finally reach their ethical boundaries.

The focus is kept tightly on the reporter's responsibilities, as the producer comments ruefully: "We got the only honest cop in Latin America." The script and the camera certainly play with us, in edits of slowly revealed information that change our impressions of the facts, and as the reporter tensely tries to both get a scoop and do as much of the right thing as his ambitions allow.

As an intelligent thriller, this film certainly puts a brutal spin on the issue of a reporter protecting his sources, even as the worst of the implications happens off camera.

The background song selections fit the mood, though I have some feeling that the Spanish lyrics had significance.

The English subtitles had some errors.