Shaken by the recent, unexpected death of her twin sister, Jennifer travels to Buenos Aires to execute the will and claim her inheritance. There, she encounters her remarkably well-preserved... Read allShaken by the recent, unexpected death of her twin sister, Jennifer travels to Buenos Aires to execute the will and claim her inheritance. There, she encounters her remarkably well-preserved grandmother, who might be hiding something.Shaken by the recent, unexpected death of her twin sister, Jennifer travels to Buenos Aires to execute the will and claim her inheritance. There, she encounters her remarkably well-preserved grandmother, who might be hiding something.
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First, let me say that this movie is not a total waste of time. It has good visuals, strong atmosphere, and an effective musical score.
That said, it pains me to report that it falls apart because of really bad performances by the two leads. Faye Dunaway's bad performance was expected. When I saw MOMMIE DEAREST I knew she was sacrificing her career, and here she strictly shows up for the paycheck. But what happened to Gina Phillips? Her performance as Trish in JEEPERS CREEPERS was so strong, especially the reversal in her character as she boldly stood up to the Creeper in an attempt to protect her brother.
Here she seems even less interested in what's going on than Ms. Dunaway. Seeing that she's playing the title role, it would have been nice if she had tried to do something- anything- to develop a character we cared about. But she just sleepwalks through this.
My take on it is that acting is a job. If you're being directed by Sidney Lumet in an award winning screenplay or if you're being someone obscure in a script that seems more a series of scribbled notes isn't relevant.
What both Ms. Dunaway and Ms. Phillips need to remember is that Martin Scorsese might be channel surfing at two in the morning and watch JENNIFER'S SHADOW. Nothing either one of these usually dependable actresses does here is anything that would make any director want to cast them.
If you're cast in it and they're paying you, give it your best. If you feel that the project is beneath you, let someone who wants to play the part have a shot at it.
That said, it pains me to report that it falls apart because of really bad performances by the two leads. Faye Dunaway's bad performance was expected. When I saw MOMMIE DEAREST I knew she was sacrificing her career, and here she strictly shows up for the paycheck. But what happened to Gina Phillips? Her performance as Trish in JEEPERS CREEPERS was so strong, especially the reversal in her character as she boldly stood up to the Creeper in an attempt to protect her brother.
Here she seems even less interested in what's going on than Ms. Dunaway. Seeing that she's playing the title role, it would have been nice if she had tried to do something- anything- to develop a character we cared about. But she just sleepwalks through this.
My take on it is that acting is a job. If you're being directed by Sidney Lumet in an award winning screenplay or if you're being someone obscure in a script that seems more a series of scribbled notes isn't relevant.
What both Ms. Dunaway and Ms. Phillips need to remember is that Martin Scorsese might be channel surfing at two in the morning and watch JENNIFER'S SHADOW. Nothing either one of these usually dependable actresses does here is anything that would make any director want to cast them.
If you're cast in it and they're paying you, give it your best. If you feel that the project is beneath you, let someone who wants to play the part have a shot at it.
(2004) Chronicle Of The Raven
HORROR
Co-written and directed by Daniel de la Vega and Pablo Parés centers on twin sister, Jennifer Cassi (Gina Philips) inheriting a manor after her twin had currently died. Upon hanging around there, also lives her aunt Emma (Hilda Bernard) who just lies in bed with a paralyzed stance on her face and her suspicious granny, Mary Ellen Cassi (Faye Dunaway). As soon as Jennifer finally decides to sell the manor is when when she begin to receive nighmarish dreams about ravens, making her life rather difficult! Another interesting premised with a twist from an idea thought up by Edgar Allen Poe but with plot holes as the film progresses.
Co-written and directed by Daniel de la Vega and Pablo Parés centers on twin sister, Jennifer Cassi (Gina Philips) inheriting a manor after her twin had currently died. Upon hanging around there, also lives her aunt Emma (Hilda Bernard) who just lies in bed with a paralyzed stance on her face and her suspicious granny, Mary Ellen Cassi (Faye Dunaway). As soon as Jennifer finally decides to sell the manor is when when she begin to receive nighmarish dreams about ravens, making her life rather difficult! Another interesting premised with a twist from an idea thought up by Edgar Allen Poe but with plot holes as the film progresses.
The movie does fill the bill of a true horror movie in the old Gothic school of a haunted house slash conspiracy witchcraft theme.
The location and sets are spot on. The house itself lends it'self perfectly for what you would call a haunted house. It positively drips with a doom and gloom atmosphere which is what makes the movie worth seeing for this reason alone. I would love to own a house like this.
I did feel that the acting is a bit contrived leaving you with a feeling as if the actors are still rehearsing their parts instead of a leaving you with a polished performance.
I did enjoy the movie though. Maybe I'm just a sucker for this genre and that makes me bias.
The location and sets are spot on. The house itself lends it'self perfectly for what you would call a haunted house. It positively drips with a doom and gloom atmosphere which is what makes the movie worth seeing for this reason alone. I would love to own a house like this.
I did feel that the acting is a bit contrived leaving you with a feeling as if the actors are still rehearsing their parts instead of a leaving you with a polished performance.
I did enjoy the movie though. Maybe I'm just a sucker for this genre and that makes me bias.
I fell asleep halfway through. Ditto on the second attempt, though I did manage to catch a few scenes and the TWO annoying endings.
Jennifer annoyed me. By the end of the film, I didn't care what became of her.
Ms. Dunaway was once a great actress, but her lifted/filled/injected face just can't communicate emotion anymore. Guess that's why she resorted to near-comical melodrama for this part.
The ending (the second one) just made me wonder why the heck I bothered staying awake through (most) of the film.
If someone made it through the entire film and wants to explain just what the heck I missed, I'd appreciate it, since I'm not up to giving this bore-fest another run.
Jennifer annoyed me. By the end of the film, I didn't care what became of her.
Ms. Dunaway was once a great actress, but her lifted/filled/injected face just can't communicate emotion anymore. Guess that's why she resorted to near-comical melodrama for this part.
The ending (the second one) just made me wonder why the heck I bothered staying awake through (most) of the film.
If someone made it through the entire film and wants to explain just what the heck I missed, I'd appreciate it, since I'm not up to giving this bore-fest another run.
What few actors that were in the movie all had a good feel for this deep, psychological horror story. It involves a family curse, that takes members of a wealthy family to a place worse than death. Faye Dunaway sells this perverted material but is at times hilarious, with flashes of campy brilliance, (especially near the end). If you like simple, inspired horror stories, a la Rod Serling, then this is for you. Its too bad our American audiences don't care enough about intelligent, disturbing stories like this one. The bitchiness between sexy Gina Philips and hot older mama Faye Dunaway is wicked and classic.
Did you know
- TriviaThe raven was imported from Chile.
Details
Box office
- Budget
- $1,000,000 (estimated)
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
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