Spirtokouto

Spirtokouto is a really unique film, and takes guts and a great deal of patience to follow. The name, meaning matchbox, is probably meant to suggest the extreme temper of the head character. He actually reminds me a lot of my own father, so I believe the screenplay is fairly realistic. I think this movie is a really good try by the Greek director Giannis Ekonomidis, and it's a really interesting and different one. Everything's promising about it. Not exactly perfect, nothing like the masterpiece "Apo Tin Akri Tis Polis" which I think is the best Greek movie ever; but still pretty good and definitely watchable. I'm looking forward to seeing other movies featuring the cast and the director. Recommended! 7/10

Its a film about a non ordinary day of a non ordinary family that has maximum tense and zero tolerance for each other. The rhythm is furious and the shocking language keeps the interest to the highest degree. The family is totally non functional and clearly everyone has its own agenda and set of priorities A hot day in the middle of the summer is the perfect ignition for a non stop blame game between members of middle - low class family in an ugly Athenian suburb. Errikos Litsis is simply unforgettable in the role of the father as he has to cope with all members of the family without having any thing to lose any more. There are lines and scenes difficult to forget in this "slice of life" movie by Y. Economides. The language is totally sharp and some times goes to the limit but this is totally supported by the script and by the "stormy" rhythm of the film. Surely the best film of Y. Economides and one of the surprises of the Greek independent cinema.

Very rarely a film can capture the thin line between sanity and insanity in our daily lives. The director manages to detail the drama of a dysfunctional family without being overly dramatic, no good guys, no bad guys, just people on the verge of a nervous breakdown. His use of the anti-aesthetic works perfectly and adds to the built up of the storyline.

This is not a "Greek" movie. This family can be found anywhere where urban migration run amok. It could be south American, Mediterranean, or any other industrial country.

All in all a great film, not for everyone, but definitely worth watching!

"Spirtokouto" is a movie that is really hard to watch. From the very beginning till the very end, one can sympathize with the main character, who suffers diverse psychological deaths (as depicted by black-and-white stop shots).

"Spirtokouto" is the greek word for matchbox. People who resemble matches and only need some stimuli to be on fire.

Despite that it is a gripping movie from the very first scene, "Spirtokouto" is a bit excessive, as far as verbal violence is concerned. Also, the viewer can't figure out much about the characters' past, except perhaps for the part of Dimitris (Mitsos ;)) which is developed fairly well. Even so, the movie is more than a mere depiction of the miserable life of a Greek family which might very well exist.

The writers manage to discuss successfully several aspects of every day life in Greece and even discuss some social phenomena. While one cannot argue of course that what is presented is typical of a greek family, it might well be said that it is not a very distant reality for a part of the greek population.

Despite any disadvantages, the film a noticeably good try about society, it could be an example of realistic film-making that is definitely worth seeing. 7.5/10

I became interested in watching Spirtokouto after reading an interview with Yiannis Economidis. I was intrigued by his views on realism and on how films should, among other things, pull no punches when depicting the painfulness of dysfunctional families. In that respect, Spirtokouto is very much on the mark. However, I found the movie started grating on my nerves after about 30 minutes. As it progressed I felt like switching off my DVD, but I finally decided to give Economidis the benefit of the doubt. The movie does have some positive elements. Erricos Litsis (Dimitris) and Eleni Kokkidou (Maria) give very compelling performances and have all the venom you'd expect to see in a middle-aged couple trapped in their marriage. But, unfortunately, after a certain point the shouting and insults start appearing gratuitous. When the movie ended I heaved a sigh of relief, glad that it was over. Spirtokouto is not a good example of modern Greek cinema, despite the fact that Economids is capable of better things.