Boo

I hate using back-handed, "well it's better than the worst" compliments but, having seen my share of low budget horror movies of late, I must say that Boo! is certainly a cut above most of them.

It's well shot, creating an atmospheric and eerie feeling not generally found in the genre today. The effects are well done. The plot itself is solid and there are some clever laugh out loud moments.

On the downside, the pace drags at times and some of the dialog is weak in spots but not too much to be distracting. Also, there are a couple horror movie, "why the Hell are they doing that?" logic issues.

The biggest distraction came with some of the casting. Most of the actors are capable although not great, but I felt one of the main characters was weak. On the plus side, the villain is terrific. (Sorry about mixing my tenses)

Horror movies are a crap-shoot, usually more crap than anything else. But if you're looking for something better than most, I would recommend Boo! It's performance will make me keep an eye out for other Graveyard Filmworks productions.

A group of friends trapped in an abandoned building is hardly original, but this movie actually had a deeper story that was pretty good and would have served as a fine framework for a horror flick.

Parts of this movie were really good (like an 8), but unfortunately much of it was also a 4. It just wasn't consistent. Some of the horror elements and effects, for example, were very creative and creepy, but many were also bland, like a body on a gurney under a sheet sitting up. *Yawn. The acting too ranged from pretty good to pretty not good.

Overall, while a good story, it was a bit disjoint, skipping around a lot and hard to follow. Too much of it felt like someone walking through a haunted house going from one scare station to another and not really connected well to the story. Also, the dude-popping-up-behind-you scenes are okay in a handful or less, but I think there was about 20 of those.

In totality this probably isn't a 6, but it does have those few moments that were really well crafted and worth a watch. If those moments could have been consistent throughout and there had been another round of editing, this could have been really good.

I was happy to rent "Boo" after reading that it was from the same producer as "Dog Soldiers," which I found wonderfully relentless. While "Dog Soldiers" is on my list of films to buy, I soon found "Boo" to be tedious. It is the sort of movie I began to watch in bits for it was becoming too aggravating to sit through in one stretch. While I appreciate horror films made on a small budget (and therefore, it can be assumed, made out of a passion for the genre and not a mere eye on box office returns), recent films, such as "Boo," rely on SUDDEN LOUD NOISES to elicit their scare moments. (It's the new 'screeching cat leaping out' gimmick.) This film made me jump once. However, when a film uses a LOUD NOISE or sudden ghost/killer reveal a second time, the impact is usually lessened, and when this happens a THIRD time, and then again, the 'scares' become predictable for the audience now knows the rhythm of the film, that whenever there's a quiet moment, there will be a JOLT, or whenever a character is about to move out of frame, the ghost/killer will be standing there. And really, what suspense can be given to a film when there is an overuse of a creepy little girl suddenly, without actually moving, advancing toward another character, accompanied by A LOUD SOUND. The squeaking, slowly moving wheelchair was much more effective for then a sense of dread was built, a 'What's going to happen?' apprehension. JOLTS just become numbing, and then boring.

I can forgive bad acting but there are certain true reactions to which we can all relate and when a character does not REACT the way that we would, that is when the amateurish performance becomes distracting. If my girlfriend/boyfriend or best friend is murdered, my reaction is horror and anger; in this film, there is shock (and one character gets very upset and weepy) but then everyone just seems to gloss over this and resumes looking for a way to escape the hospital. The murder then becomes a mere plot device, another 'reanimated dead' complication for our remaining cast to soon deal with.

Great use of a particular costume however, and it's always wonderful to see Dee Wallace Stone on screen.

SCHLOCK would have been a better title for this absurd excursion into a poor excuse for a fright flick.

Nothing redeems it. Not the story, the sub-par acting from a mostly teen cast, the witless dialog, the tired old explanation for all the goings on, and the complete lack of logic.

Whenever things get dull, another fright scene with someone gurgling on blood or turning into a gooey monster of decomposing flesh, is supposed to provide the kind of shock appeal to target a young audience.

Let's hope the kids today are a bit more discriminating in their taste for horror. This one is below the mark all the way.

The only redeeming feature is the sleazy look of the abandoned hospital grounds. Enough to make your skin crawl, disgustingly dirty, rundown and evil looking.

But the story and the characters are an insult to anyone's intelligence, poorly acted and directed to make this a complete waste of time. A writer like Stephen King could have done something with the basic idea--but it's too late now.

The friends Emmett (Happy Mahaney), Freddy (Josh Holt), Marie (Nicole Rayburn), Kevin (Jilon Ghai) and his reluctant girlfriend Jessie (Trish Coren) decide to spend the Halloween night in an abandoned hospital. Meanwhile, the younger Allan (Michael Samluk ) meets the old friend of his father Arlo Ray Baines (Dig Wayne) and asks him to help to find his vanished sister Meg (Rachel Melvin) in the same spot. The two groups meet each other in the mental institution section on the haunted third floor and they find that they are trapped in the place. Jessie has visions from the past and discovers that the ghost of Jacob (M. Steven Felty), a former patient that raped a little girl and burned the hospital, is trying to escape possessing their bodies that melt down with his evil spirit.

"Boo" is a messy ghost story, with a confused screenplay and poor development of characters, especially Jessie. This lead character and her relationship with her mad mother are the key point of the story, but their stories are awfully disclosed. Further, the character Kevin acts like an annoying moron. The group using an old elevator that works in an abandoned building is ridiculous. However, I startled in some moments with the eerie atmosphere. My vote is five.

Title (Brazil): "Hospital Maldito" ("Damned Hospital")