Cat Soup

First of all, this movie is 34 minutes long, which means you could watch it three times in a row and still have spent less time than you would have watching most other movies. Second of all--you need to do this. This sensational short film explores the potential of animation through a world of playful or horrifying but always powerful images. Cats riding in and drinking out of a water elephant, a circus featuring a bird that has consumed the sky, and pigs eating their own fried flesh--that's only the beginning. The scenes and images, extraordinary on their own, flow together without obvious causal links in a way that demands re-watching. Furthermore, the DVD includes an amazing director's commentary, which, given the extremely spare dialog, only enhances the viewing. The commentary gives a few interpretations of scenes, but also provides priceless quotes on the crafting of Cat Soup, along the lines of: "well, the artists were asking what we should do in this scene, but I didn't know myself, so its hard to say why it turned out as it did" (that's a bad paraphrase by the way). Also, the sound throughout the film is very high quality, very precise, and very moody. In all, the absolute minimum viewing experience should go as follows:

First viewing: Watch the DVD without the commentary. Second viewing: Watch the DVD WITH the commentary. Third viewing: Rewatch without the commentary.

Once you've watched it three times, however, you're not going to stop there...

I wasn't expecting this half-hour-long Japanese animated film to be viscerally terrifying and likely to cause me nightmares, but here we are. I assumed Cat Soup would be cute, based on the title and the fact that the main characters had big eyes and looked kind of endearing. Turns out the cat soup, however, is literal, because the two main characters end up in some kind of variation of hell where everyone and everything wants to dismember and/or eat you (and the cats themselves do their fair share of dismembering and eating while in this world, on their quest to, I guess, get out?), and one of the beings they encounter tries to make a genuine cat soup.

I feel bad for any children who've watched this; I hope they're doing okay. There's something so unsettling about it, and I kind of hated how it made me feel. It's genuine discomfort and it sneaks up on you; real stealthy horror, and maybe that's on me for going into it not knowing anything about it. I haven't read what anyone else has said about it, either, so maybe I'm alone in finding this hellish, or maybe that's the consensus and I should've read up on it a little beforehand.

For as nightmarish as it was, I still kind of respect how it made me feel. It has a unique atmosphere and tone, and it'll probably stick with me and/or haunt my dreams, so that's got to be worth something.

Wow. A truly fantastic 'trip' movie that has tons of super-surreal imagery, dark intent and a black, pretty strange sense of how cartoon animals must see the world. It's populated with a very cute off-world bunch of characters that bend and flow with warped backgrounds.As with all cool fantasy, the wandering plot is secondary to the eye-popping visuals and we follow a little cat and his zombie sister as they encounter death, deluge, water elephants, samurai swordsmen and pigs that fish. I'd never heard of it, but now I love it - probably because it reminded me of the surreal pencil-work of American cartoonist; Bill Plympton. It's a demented delight for fans of odd, pretty things and it had me glued to the screen for fear I'd miss something amazing. Simply put, it's 'Hello Kitty' without the 'o'.

One thing film can do is trigger the imagination in ways impossible elsewhere.

What we apparently have here is a film based on a comic. There's what I call an "excuse story" about a half-lost soul. Such stories allow the filmmaker to simply noodle about as he or she wishes. It worked for me in "Mirrormask." But not here. I think its because I'm especially sensitive to coherence of image. If the images let me enter a world, I do deeply. But if they come from different minds and sketch different worlds, it just seems as if I am seeing unrelated billboards.

That's what happens here. Oh, there are many things to appreciate; the unexpected turns of reality which at first seem novel but soon become repetitive, mere chapter headings. Some of these are clever.

The one thing that absolutely hypnotized me wasn't in the film proper but was a small inset on the left as the credits rolled by on the right. An animated scene of perhaps two or three seconds is repeated over and over again, sometimes starting a bit earlier or later. Sometimes its backwards. Its of the two kitty children posing with their mother on the beach. The father is the photographer and we sometimes see his arm as he pushes one of the children into the shot where it stays for only a moment before grabbing the mother.

The music tinkles underneath as if automated. We watch this thing cycle and cycle, modulating in the cycles. Its so much more engaging; you develop a backstory that relates to the movie and is so much richer in depth and engagement than anything in the film.

A rather amazing experience, and it was worth watching the movie as setup for that.

Ted's Evaluation -- 3 of 3: Worth watching.

"Nekojiru-so" ("Cat Soup") is based in the manga of the same name by Nekojiru. I can't compare both for I have not read the manga, and only found out it was based on a manga after popping the disc in the DVD and watching the short.

This is described as "Hello Kitty on Acid", but I would describe it more as "Psychotic Lynchian Hello Kitty". Yes, that's more fitting. Plotwise, the short doesn't explain much, and it doesn't need to! With no dialogue what-so-ever, random cat noises here and there, and some pop-up speech balloons like in a comic book, the short needs nothing but its imagery to be understood. And this is supported by the fact that, "Nekojiru-so" is supposed to be understood differently by everyone. There's so much interpretation to be had, so many symbolisms and abstract imagery. And this is where it succeeds the most, it's such a personal experience!

The animation is amazingly fitting, sometimes very weird and abstract. The art and backgrounds are also equally superb. Sound is top notch, the soundtrack is so fitting it enhances the feeling of doom, despair and just down right weirdness. And happiness too! Even though it's a very weird happiness...

Opposite to what you may have thought from the cute-sy art, this is absolutely NOT a film for kids. Don't even think about popping this on for a kid. There are some very disturbing images / actions in these amazingly brilliant 30 minutes of art.

Only downside? Too short... but it's like Tatsuo Sato says in the interview, if it were any longer, people might go crazy! But hey... I just wanted this crazy experience to last a wee-bit longer. That's it. The only downside.

This is an absolutely incredible, stunning and dark short surreal animation that hooked me up from the beginning to the very end without letting go. It spoke so much to me, I had to watch it a second time almost immediately.

So, if you're into surreal / abstract animation / film / art, you should be watching this right now, getting freaked out and developing your own interpretation.

An amazing experience!

9 out of 10.