Rojo sangre

Paul Naschy is certainly a big contender for Spain's biggest ever horror star; with a great deal of cult films under his belt, most notably his "Homo Lobo" series. However, since the seventies his fame has dwindled somewhat; but on the evidence of this film, his acting and writing talent certainly hasn't! Rojo Sangre is a strange and wayward film that won't appeal to all tastes; but it's certainly an interesting cult film and the fact that it's a semi-autobiographical film for Paul Naschy makes it all the more interesting. The plot focuses on Pablo Thevenet; a down and out actor with nothing but bad luck. His daughter was murdered and his wife left him, and despite once being a big star; he now can't find any sort of acting work. He gets something of a break when he's offered a job as a 'living statue' at a Stag club, and although he finds the role demeaning; he takes it because the money is good and no other offers are coming his way. His hatred for the modern movie business is overwhelming, however, and it's not long before he begins a murderous tirade against all those that have stopped him from getting work.

The thing I liked most about this film is the way that the plot moves. It's never obvious where the film is going and Naschy's script always allows some surprises. The direction is taken up by Christian Molina, and I'm sure the last name will be familiar to Naschy fans as it's his son! Molina's direction is always assured and he manages several stylish moments. The film is perhaps a little too flashy, but everything in the direction bodes well with the way that the story is presented. The film is bolstered courtesy of an excellent performance by Paul Naschy; perhaps even the best of his career. The fact that the role reflects upon his own career aside, you can't fail but be impressed with Naschy here; he absolutely becomes the central character and you can never doubt him for a second. One of the many subplots of the film features the central character slashing up various people while dressed as historical characters and this provides the film with some of its best moments. The gore is actually quite restrained but it's still nice to see. There's not really a defining point to the film and the ending contains more questions than answers but it does at least bring some closure to the plot. Overall, Rojo Sangre is an excellent swan song for Naschy's career and I'm sure that fans of the great Spanish actor's career will appreciate it.

Paul Naschy for years was among the top John Belushi look alikes in the world. He of course was also a big horror star in Spain and re-edited versions of his best known werewolf films played on chiller theater TV packages as I, and many other horror fans grew up. Most of the stars of 60's horror films are gone sadly and now that horror films are again very popular they aren't around to enjoy a final film. Christopher Lee of course is alive and well, but has so far "only" been in non horror films during this new interest. Vincent Price was in some films for Tim Burton, but these too were small parts in non genre films. And lets not think too hard back a few years to Bela Lugosi going on working for Ed Wood or those last few lousy Boris Karloff Mexican productions.

So congratulations to Paul Naschy for being in what is a very creative horror film and showing that he's a better actor and still a very cutting edge writer all these years later. This is a slick film, gruesome and creative on many levels. It's a good and or better than anything he's ever been in or made. Though he's playing a character somewhat like himself, a former horror icon, there is little trace of self consciousness in his performance.

Naschy had recently been in two American Horror films, but let's admit that they are two lousy films from two lousy filmmakers. He also had a fun small role in a not so bad Spanish film SCHOOL KILLER a few years ago. But for him in his native land to get this film made,let alone for it to be a good film, it's just well almost unheard of triumph.

There is little nostalgia in my thoughts towards this film. It stands on it's own even if you aren't a Naschy fan, or if you think of him as sort of a camp figure from the past. If you haven't heard of him this would be a great introduction.

Most actors could only wish for a comeback film like this in any genre. Let's hope this isn't the final film for Naschy because he shows he's still got it in him to do cutting edge horror.

In "Rojo Sangre", that god of Eurohorror, Paul Naschy, plays a thinly veiled analogue of himself as an actor in the twilight of his career. At one stage he lists some of the movies he has made, and Naschy fans will instantly recognize many films from Naschy's own career. Sadly, as Naschy is here portraying an actor whose career has gone to seed, those titles aren't the only glaring reference to the actor's real life.

Pablo Thevenets is an actor who the world has sidelined due to his age. He is ridiculed by casting directors, all younger than him, who regard him as a relic of a bygone and embarrassing era. When he finally lands a role, it is humiliating, and doesn't even involve acting on stage or screen: rather, he is relegated to dressing as macabre historical figures in front of a restaurant - and generally in the pooring rain while passers-by jeer at him.

This job pays well, but for Thevenets - who has recently lost his daughter to murder and wife to another man - it is a final straw, and it begins to feel a bit like Naschy does "Death Wish", only with the criminals being puffed up showbiz hacks. Before we take Thevenets as a Paul Kersey clone, however, there is also the fact of his new boss, Mr Reficul, and what that name spells when reversed.

This is all, of course, a treat for Naschy fans, for whom "Rojo sangre" is unmissable. If you have never seen a Naschy film, this one might not sell you completely - there are a ton of films from his back catalogue that are required viewing for anyone who is interested, particularly "El Caminante", "Night of the Werewolf", "Inquisicion", "Panic Beats", "Horror Rises from the Tomb", "The People Who Own the Dark", "The Werewolf Woman Versus the Vampire Woman". "Rojo Sangre" is a fans-only must-watch, but is a must-watch, nonetheless.

Rojo Sangre is a Spanish full feature debut by Christian Molina. These kind of debutes are perfect measurements to see if there's any talent hidden inside the director. Writer and leading man Paul Naschy came up with a brilliantly confusing and quite frankly almost fantasy/dream-like story line based around an actor who has nothing going for him.

Veteran actor Pablo Thevenet has no luck: His daughter has been murdered, his wife has left him, he finds no job, his agent wants to leave him and directors will never give him a role. He hates current talent less stars on TV talk shows. Suddenly, he is hooked up for a job as a living sculpture in a whore house working for Mr. Reficul and his transsexual assistant Dora Grizzel. In the end. Pablo becomes an artistic murderer, searching for those he thinks responsible of his current state.

It's a great mish mash of extravagant characters and wildly over the top character development. The film can be very subtle and at the same time it will randomly burst into something rather unsubtle. It's definitely an unpredictable story line and above it all: an unpredictable leading role. There's something about the vibe that will draw your attention from the first to the very last minute. It really is something you can't accurately describe, but you'll find it amusing and disturbing at the same time... once you get into it.

The very first scene definitely sets the tone for what's yet to come. A pretty messed up conversation about shoving toy cars up your rectum isn't quite what I was expecting. It's a clear indication that this film is served with a dark sense of humor. It's one of the many qualities. Christian Molina dares to take risks story wise, as well as visually. He has some cool tricks up his sleeves. His scene transitions are amazingly creative.

Rojo Sangre is not really a slasher, nor is it anything else in particular. It's a surprisingly well made mixture of genres with great performances (Paul Naschy really knows how to put on a show) and the many twists will keep you guessing throughout the entire film. A must see!

Rojo Sangre (2004)

*** (out of 4)

Spanish horror film written and acted by the legendary Paul Naschy. In the film, which is semi-autobiographical, Naschy plays a horror legend who finds himself becoming a has been due to how the business is ran these days. He gets a break working in a club where he's paid to perform as various real-life serial killers but one day he starts to take the job too serious and begins to murder off the "new and cool" people of television. This film started out so well, unlike any other Naschy film but the director really blew things in the second half. The second half of the film is incredibly bad but I still enjoyed this for the terrific start. The opening hour is a brutal attack on current fame and current Hollywood, which rings all too true. Seeing the legend Naschy having to beg for work hits home quite strongly and Naschy's performance has never been better. His screenplay for this opening stuff dealing with a forgotten great is also the best he's ever done. The second half of the film really falls apart due to the director trying to be too stylish and there's an incredibly stupid twist in the story that doesn't work at all.