IMDb RATING
5.5/10
6.8K
YOUR RATING
Marcos lusts after his boss's promiscuous daughter, but after botching an extortion scheme, he becomes wracked with guilt.Marcos lusts after his boss's promiscuous daughter, but after botching an extortion scheme, he becomes wracked with guilt.Marcos lusts after his boss's promiscuous daughter, but after botching an extortion scheme, he becomes wracked with guilt.
- Awards
- 1 win & 3 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There are many redeeming qualities about this movie, and I think it's better than most people are making it out to be. I really hope the idea of a struggle for redemption comes through. It did for me. If it does, then the film, in my view, succeeds in telling the story that it should. I should mention, the opening scene really pulled me in. How could it not, being graphic and striking? Some people might think it was gratuitous. I think it was integral to the story.
Element after element, plot event after event set the tone for a story that is being told. I could really appreciate the commentary about the extremes some people may go to (kidnapping) in Mexico. It's not an ordinary topic, and it's treated very well. Very creative. Including the title which I thought was very suitable for the film.
Give this a try. It's good if you're in the mood to get a slice of life of Mexico. I think it does just that in a creative and entertaining way!
Element after element, plot event after event set the tone for a story that is being told. I could really appreciate the commentary about the extremes some people may go to (kidnapping) in Mexico. It's not an ordinary topic, and it's treated very well. Very creative. Including the title which I thought was very suitable for the film.
Give this a try. It's good if you're in the mood to get a slice of life of Mexico. I think it does just that in a creative and entertaining way!
It can be said with certainty that all students of cinema would be completely mesmerized by camera angles used in 'Battle in Heaven'. Watching its deft camera work, one can easily say that the film's DOP Diego Martínez Vignatti has been given complete freedom to capture all kinds of emotions from characters' faces as well as from items surrounding them. One important scene shows two actors busily copulating with excitement. It is interesting to observe how the next scene quietly takes viewers out from the bedroom's window to a neighboring area where a television antenna is being installed. This is one positive point about this film's technical prowess. One problem area concerns sex scenes which are not easy to watch. This has nothing to do with prudish attitudes but there is blatant de- glamorization of sex. In mainstream media, sex is glamorized to such an extent that viewers are foolishly led to believe that it looks good only when beautiful, handsome and smart people are engaged in sexual activities. This is one reason why there are not many viewers who would appreciate watching how fat as well as ugly people copulate ? As far as narration is concerned, it is unfortunate that characters have not been developed to a large extent. This might be viewed as a major disappointment by viewers as characters' motivations are not clear. Director Carlos Reygadas works hard to reveal the behavioral traits of people especially in depicting how do people behave especially outside the comfort of their homes. This is one reason why the rich versus poor angle is explored but at a superficial level. As a last work, in spite of its inherent weak points, Battle in heaven can still be considered an average viewing experience as it says a lot by using limited amount of words.
Having been led to believe by a listings magazine that this film had'outstanding naturalistic sound design', I should have realised i might be disappointed. I was expecting a slice of Mexican life, character development, perhaps a plot and I must admit a certain erotic content. The result was stunningly boring in every respect. Nothing is explained, we never learn why the event at the start of the film has taken place, the characters are almost totally impassive, deeply unappealing and the sexual encounters, apart from one, have no erotic appeal and indeed very little logic to them. Over the top music, a few symbols here and there, rolling up the flag, a little religion and superstition and such amusing touches as a leitmotiv of incontinence for no apparent reason, this truly was 90 minutes where paint drying would have seemed vastly more exciting. Do not see this film.
For two thirds of this film I was spellbound and then it suddenly span away from me. Listening to the director speaking afterwards, I think I know what went wrong and I shall have to view again some time to find out. It is all very watchable but slightly confusing towards the end, which is a shame and may be my fault, that of the director or even of Mexico itself. Whilst I have never been to the country it did seem that part of the lifeblood of this movie was the tangled city of contradictions itself. Even though not perfect in my eyes there was enough to show that this is a director of keen and original talent who will produce much more. His liking to work with non actors is welcome and his treatment of actual graphic sex is stunning. Very affecting, bitter sweet movie.
This film is about a man and wife, who kidnapped a friend's baby for ransom. However, the baby died, and they have to live with the consequences.
The plot outline describes a promising start of an emotional drama. It could have been a captivating story if it was elaborated well. However, the plot ends there. The filmmakers ran out of ideas of what to do, and hence film a car driving around the city for minutes, or film the urban apartment blocks from a rooftop. Or throw in some sex scenes to keep viewers interested.
There is almost no portrayal of Ana and Marco's states of mind after the kidnapping goes wrong. There is no description of the victim's family's grief. Instead, the film wanders around aimlessly and pointlessly. It fails to engage, captivate or evoke any emotions. "Battle in Heaven" describes no battles. It lacks any redeeming value, and I strongly suggest staying away from it.
The plot outline describes a promising start of an emotional drama. It could have been a captivating story if it was elaborated well. However, the plot ends there. The filmmakers ran out of ideas of what to do, and hence film a car driving around the city for minutes, or film the urban apartment blocks from a rooftop. Or throw in some sex scenes to keep viewers interested.
There is almost no portrayal of Ana and Marco's states of mind after the kidnapping goes wrong. There is no description of the victim's family's grief. Instead, the film wanders around aimlessly and pointlessly. It fails to engage, captivate or evoke any emotions. "Battle in Heaven" describes no battles. It lacks any redeeming value, and I strongly suggest staying away from it.
Did you know
- TriviaWriter/director Carlos Reygadas shot crowded street scenes in the middle of real crowds. Cameraman Diego Martínez Vignatti sat in a wheelchair and they just pushed him through everyone. Luckily, no one who passed by looked into the camera lens.
- GoofsDuring the scene where Ana and Marcos are making love, as the camera pans out, a crew member's reflection can be seen in the window.
- ConnectionsEdited into Samo je zemlja ispod ovog neba (2009)
- SoundtracksThe Protecting Veil
Written by John Tavener
Naxos Rights International
Chester Music Limited
Premiére Music Group
- How long is Battle in Heaven?Powered by Alexa
Details
Box office
- Budget
- €1,601,792 (estimated)
- Gross US & Canada
- $70,899
- Opening weekend US & Canada
- $20,351
- Feb 19, 2006
- Gross worldwide
- $258,227
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content