Aurora Borealis

i caught this at Tribeca 2005 and i was not expecting what i got - a realistic portrayal of a family in a drama film which wasn't melodramatic or preachy.

instead of distilling the personalities down to identifiable quirks, the cast and crew of aurora tackled the near impossible task of fully fleshing out the majority of the film's characters.

the result was a window into the life of a family that was fascinating to watch. this is also one of the few films I've ever seen which portrayed strong elderly characters. catch this when it hits theaters and video.

While at the Tri Be Ca Film Festival last week, I luckily happened into a screening of "Aurora Borealis" and left the theatre in tears and awe by the sheer range of humanity expressed in this film. When the movie ended I was upset because I wanted to keep following the life of Duncan. His character had captivated me with his honesty, innocence and good hearted approach to the world. The main character could be any one of us, lost in this world, looking for some meaning in our lives. A good soul, but without direction since his dad died mysteriously ten years earlier and no mother in the picture, Josh Jackson plays a young man trying to find himself as he floats from job to job until finds work in his grandparents' apartment building as an assistant to the super. There he befriends the residents of this "retirement" home and finds himself deeply entwined with the life struggle of his ailing, Alzheimer's afflicted grandfather, played brilliantly by Donald Sutherland. Louise Fletcher is perfect as the physically healthy, level headed, yet frustrated spouse to Sutherland's ornery and belligerent senior citizen. Every scene with Sutherland is exquisite and sad, yet beautiful, as he forces us to face our own mortality and that of our aging parents and grandparents. Jackson's character is seen as a failure by his financially successful, but fidelity-challenged brother and by his boyhood buddies with the usual jobs of twenty-somethings. Duncan shines, however, as he reluctantly, yet dutifully and lovingly cares for his needy grandfather all the while falling for his grandfather's nurse, played sweetly by Juliet Lewis. The direction and photography are beautiful with wonderful shots of Minneapolis/St. Paul and the film moves with a perfect pace. The score is incredible throughout, but the opening Bob Dylan song was amazing and is still playing in my head as an accompaniment in my life.

Aurora Borealis

The Indie film, "Aurora Borealis" directed by John C.E. Burke has created a fair and moving picture with sensitive undertones and subtle cultivation. The film tells the story of Duncan Shorter, a young twenty-something with poor work ethic, an underlying affliction, and an ill-conceived perception of life. Joshua Jackson or better known as "Pacey" portrays the young passive Duncan. Since the untimely death of his beloved father, Duncan has been quite engulfed and comfortable in his small town in Minnesota. A town where all your friends have been around since elementary school and everyone wallows in their entity and sheer irksome lifestyle with Duncan being no different. From adulterous brother that uses his apartment to his unsupportive circle of friends, Duncan is in no way progressing or moving forward to a dissimilar lifestyle that is destined to take over. The only sanctity of his life is his grandparents, Ronald and Ruth played exquisitely by Donald Sutherland and Oscar winner, Louise Fletcher. Ronald has grown ill over the years with his battle with Parkinson's disease and his steady decline of fragility. Ruth has been the sole caretaker of Ronald but as Ronald becomes more ailing and developing thoughts of suicide, the family must face the choice of a home for him or the inevitability of Ronald attempt at ending his existence. Duncan must now face not only the choice of losing another family member but past demons that surface throughout the film. The sheer tenacity that director Burke has to tackle such a sensitive subject as euthanasia and elderly anguish is electrifying and at times heartbreaking. The volume of humanity expressed throughout the film alone is worthy of viewing consideration. When Duncan meets the nurse of his grandfather, Kate (Juliette Lewis) we see Duncan's world start to be challenged for the first time. Only in the subtlety of sacrifice that the film shows could the film illuminate fully. Joshua Jackson breaks away from his television-type personality and gives a befitting performance. This is the first time he has taken am admirable first step into a leading character. His "Duncan" is tortured and multi-layered but during the approximate two hours of film length it's not always clarified. With perhaps a bit more research and shedding some insecurity, Jackson may have nailed the pivotal role. Louise Fletcher returns to glorious form as Duncan's grandmother, Ruth. Since her Oscar Win for 1975's "One Flew over the Cuckoo's Nest" she's been missed from the silver screen with exceptions of cameos in "Cruel Intentions" and "A Map of the World." Ruth is the champion of the family with her constant understanding of Duncan's insecurities, pain and misguided life to loyalty, passion and care for her feeble husband. There is excellent movie magic being made indeed for the veteran actress. The standout of the cast is coming from the too often ignored and phenomenal veteran actor, Donald Sutherland; who is just waiting for that little bit of buzz to hurtle him into serious contention for a supporting bid from critics. The film has been flying under the radar with the low budget and lack of advertisement but rest assure if enough people see the film Sutherland could be a threat to many men seeking Oscar gold this season. Sutherland's "Ronald" is hilarious, completely likable and a beautifully written character. The courage that Sutherland shows in his character is just cutthroat fire of the film. Leave no mistake, "Ronald" fragility may seem like his weakness but the vulnerability he leaves you after a riveting speech or antithesis will leave you absolutely enthralled. All technical aspects of the film are your average "Plain Jane" kind of independent film but Burke does capture the essence of the culture that we are thrown into. A beautiful musical score coming from Mychael Danna and a crisp clear cut editing style coming from Richard Nord known for his Oscar nominated editing in "The Fugitive." Burke gladly invites the audience into the screen along with a family of heartache and sorrow. I felt compelled and satisfied with the outcome when the credits started rolling. The "northern lights" are evident in "Aurora Borealis" and are gladly incontestable. Post-experience will leave you in disposition and wonderful serenity.

Grade:***/****

I saw this film at the Watefront Film Festival in Saugatuck, Michigan. Directed by James Burke, the film is about unemployable Duncan Shorter (played by Joshua Jackson, making an impressive break from his usual teen and college aimed roles) who gets a new job as a handyman so he can be near his grandparents Ronald and Ruth (Donald Sutherland and Louise Fletcher). Juliette Lewis plays Kate, the home assistant of the grandparents, helping Ronald deal with his Alzheimer's disease. Duncan and Kate meet and quickly form a relationship. Set in the winter of Minnesota, the film is a touching story about a man trying to cope with the death of his father and trying to break free from his fears of the past, present, and future.

I really enjoyed this movie, the acting was wonderful. Donald Sutherland gives a heartbreaking performance as the deteriorating grandfather, it's not over the top, it's just true and believable, proving again why he is one of the greatest actors working today. It's nice to see Louise Fletcher in this giving another one of her great role, even if she doesn't get much screen time. Juliette Lewis also does a nice job, even though it does seem like a typical Lewis performance. And I really enjoyed Joshua Jackson, this is the first adult role I've seen him play and was very impressed. I'm really looking forward to seeing Jackson's future roles, now that I know he has this kind of range.

Overall, it was a nice film, worth watching just for the performances. I wish everybody involved with the making of it the best of luck.

I had never heard of this movie because up until this year, I have been on protest of pop culture. I missed out on a lot; however, this movie has been an experience for me that has not been taken lightly and will perhaps stay with me for a very long time (maybe the rest of my life). It gives such great insight on how it must feel to grow old and also portrays the challenges that come when coming of age. This movie has given me and those I viewed it with, an honest perspective of what we have to look forward to and dread as we age. It reminds me too appreciate being young and look forward to the reflections I will have when I am old. It also is a tribute to the large population that has come to a point of their life where they again do not have control and must accept what life has given them. Above all, family is always consistent for those who are lucky enough to have family even if they forgot it was there. There is strength in it and we all must recognize that, no matter how tough it has been. I want to thank the cast for choosing such a lovely movie and to open the eyes and hearts to those of use who are so far removed from the elderly/disabled/sick population that are so often neglected.