IMDb RATING
6.0/10
1.1K
YOUR RATING
An experimental filmmaker takes a job as a driver for a foul-mouthed child actor and his ambitious stage mother.An experimental filmmaker takes a job as a driver for a foul-mouthed child actor and his ambitious stage mother.An experimental filmmaker takes a job as a driver for a foul-mouthed child actor and his ambitious stage mother.
- Awards
- 6 wins & 9 nominations total
Pamela Redfern
- Stewardess
- (as Pam Redfern)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10amble84
THis movie was comic genius, and is my favorite Canadian movie ever, Finally someone has made a film that manages to be thoughtful and funny at the same time. All of my friends loved it too, though some of them thought the ending was a bit incomplete. I disagree! It was fun, and touching, and never schlocky or stupid. And Don McKellar is hilarious! In fact, most of the actors were great, including the young boy (I forget his name) who plays the kid. I guess, as a Canadian, the film makes more sense. I hope Don Mckellar keeps making strange films like this and Last Night (his first one) because no one else is doing anything this interesting AND accessible, with the possible exception of Guy Maddin's last movie.
Don Mckellar is a comic genius, as long as dry wit with an accent is your kind of laugh-a-thon. It is mine, so I loved this movie.
Mckellar plays an endearing character who has just divorced the love of his life, for whom he has shot an independent film which has no backing as his on film love letter equates romantic love to ADHD images erratically juxtaposed against the nature. Since he has to put peanut butter on his bread, he begins working as a driver for a film being shot in his hometown. Thus, Mckellar's character meets 12 year old Taylor Bradford Burns, a teenage star whose fame is hanging on his ability to maintain "adorableness as a child" and thus, his film company and agents are pushing him to do another film whether it's worth doing or not (which is certainly debatable) before his "voice changes".
Jennifer Jason Leigh is exquisite as always in her cooler than ever way, as the mother of the child. She's just looking to "take care of Taylor" the best way she knows how - which includes getting him the largest salary possible, living in the poshest house the studio will foot the bill for, and ensuring that he has "a male role model" by turning her responsibilities over to the first available and passably attractive guy she runs into --- who is of course, our newbie driver.
It's a fun movie. Taylor Bradford Burns is played by a young man who is straddling the line between youth and a teenager with more experience than anyone under 18 should have. Worth renting. Enjoy it with popcorn.
Mckellar plays an endearing character who has just divorced the love of his life, for whom he has shot an independent film which has no backing as his on film love letter equates romantic love to ADHD images erratically juxtaposed against the nature. Since he has to put peanut butter on his bread, he begins working as a driver for a film being shot in his hometown. Thus, Mckellar's character meets 12 year old Taylor Bradford Burns, a teenage star whose fame is hanging on his ability to maintain "adorableness as a child" and thus, his film company and agents are pushing him to do another film whether it's worth doing or not (which is certainly debatable) before his "voice changes".
Jennifer Jason Leigh is exquisite as always in her cooler than ever way, as the mother of the child. She's just looking to "take care of Taylor" the best way she knows how - which includes getting him the largest salary possible, living in the poshest house the studio will foot the bill for, and ensuring that he has "a male role model" by turning her responsibilities over to the first available and passably attractive guy she runs into --- who is of course, our newbie driver.
It's a fun movie. Taylor Bradford Burns is played by a young man who is straddling the line between youth and a teenager with more experience than anyone under 18 should have. Worth renting. Enjoy it with popcorn.
This movie is pretty funny. It's absurd in many ways, but also very funny. It dosn't do anything that new, but the jokes are all good and the characters make me chuckle (aside from when I want to slap them).
The plot of the movie they are making within the film should be noted, that is, the (fictional) president getting captured by terrorists and his little rascal son taking over and rescuing his dad made me roll on the floor laughing. At least until I realized that someone probably was going to actually make a movie like that, which is BAD.
The characters are all funny, though as I said before, I often wanted to slap them. The bratty child-star is annoying, and the apparent sympathy towards them gets annoying.
Also, the characters act ridiculously. Why would the actress-model actually want a long term relationship with that little idiot....I mean the kid was 12 for crying out loud! This bugged me a lot. Oh, and the artsy director-legal guardian actually putting up with the child-star and his mom.
The plot of the movie they are making within the film should be noted, that is, the (fictional) president getting captured by terrorists and his little rascal son taking over and rescuing his dad made me roll on the floor laughing. At least until I realized that someone probably was going to actually make a movie like that, which is BAD.
The characters are all funny, though as I said before, I often wanted to slap them. The bratty child-star is annoying, and the apparent sympathy towards them gets annoying.
Also, the characters act ridiculously. Why would the actress-model actually want a long term relationship with that little idiot....I mean the kid was 12 for crying out loud! This bugged me a lot. Oh, and the artsy director-legal guardian actually putting up with the child-star and his mom.
Famous 12 year old TV star Taylor Brandon Burns arrives in Toronto with his manager mom Suzanne Burnbaum (Jennifer Jason Leigh) to do a big budget bombastic movie. Rick Shiller (Don McKellar) is the struggling indie filmmaker turned reluctant driver. Taylor is under tremendous pressure struggling to grow up in a grown up world. Suzanne is useless and having a fling with Rick. When Taylor goes missing with struggling actress Natalie, Rick has to go find him.
This actually got interesting. The most interesting is Taylor running away with Natalie. The movie needs to be about that. The other parts should be trimmed back. McKellar should really get out of the way of his own movie. It should not be his movie. It should be about the kid. It's risky to bet the whole project on a child actor but this kid has the skills to pull it off.
The moviemaking within the movie has one great section with Taylor in the fake cockpit. The fake CGI is a big mistake. The movie does not need it and it looks really fake. The only way to save that is to make sure that the audience knows the footage is rudimentary test footage. The main problem with that is the audience is unlikely to be smart enough to get it. All in all, I really like the kid's performance and his struggles.
This actually got interesting. The most interesting is Taylor running away with Natalie. The movie needs to be about that. The other parts should be trimmed back. McKellar should really get out of the way of his own movie. It should not be his movie. It should be about the kid. It's risky to bet the whole project on a child actor but this kid has the skills to pull it off.
The moviemaking within the movie has one great section with Taylor in the fake cockpit. The fake CGI is a big mistake. The movie does not need it and it looks really fake. The only way to save that is to make sure that the audience knows the footage is rudimentary test footage. The main problem with that is the audience is unlikely to be smart enough to get it. All in all, I really like the kid's performance and his struggles.
I just watched this for the first time on my cable companies free On-Demand. I would say, interesting...complicated...disjointed...but demanding a 2nd view. Jennifer Jason Leigh is somewhat under-stated in this, and the boy is believable at times, totally not at other times. Questions come up at the end of almost every scene, so that's why I probably will view this again. But, can't help feeling I'm watching a "E-True Hollywood Story" about "Family Ties" or "Growing Pains" (what with Alan Thicke in this) at times it feels like an entertainment documentary, with some added drama that I won't "spoil". The fact that this was filmed in Canada is kind of parody of itself in that they make fun of that fact, but yet are also filming in Canada. Ironic.
Did you know
- TriviaFilmed in 19 days.
- GoofsWhen Fresno and his band are rehearsing, we hear a vibraphone in the background. Assuming the keyboard player is using a synthesizer, playing that sound (which is unlikely since the keyboard looks more like a Fender Rhodes electric piano, which produces quite a different sound), his hand and finger movements don't match the vibraphone notes that we hear.
- Quotes
[Natalie and Taylor have snuck onto the White House set to have sex]
Taylor Brandon Burns: So where do you want to do it? The Oval Office, The Greenroom, the Lincoln Bedroom ?
Natalie: It's your fantasy; I'm Canadian.
- Crazy creditsThe audio from the film (called "The First Son") that they are making within this movie plays over the end credits.
- ConnectionsReferenced in I Like Movies (2022)
- SoundtracksC Minor Lament for Arnold and Willis
Performed by CookieDuster
Written by Bernard Maiezza and Brendan Canning (SOCAN)
Published by CookieDuster (SOCAN)
Courtesy of CookieDuster
Details
Box office
- Budget
- CA$5,000,000 (estimated)
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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