The Greatest Game Ever Played

The Greatest Game Ever Played loses points for having a terrible title. But it is an inspirational "true" story from Walt Disney studios and so every inch of melodrama is squeezed from it accompanied by appropriately "swelling" music. Which is not to say I didn't like the movie. I did enjoy it for what it was.

As a person who golfs it was both interesting and frustrating to see how golf was played in the early part of the century but much more could have been done with the game of golf itself in the film. (I think that non-golfers who don't know the game will find it hard to keep track of who is ahead in the matches which is a problem in the film's editing.) Instead, the story concentrates on two sub plots. The conflict between Shia LaBeouf and his father Elias Koteas. Shia is a natural golfer but his father is totally against it. The other sub plot is the desire to win back the US Open cup for England. This pits world famous champion Stephen Dillane against influential lords who are portrayed as gross, oyster-slurping, upper-class snobs. There is also a small love story aside between Shia and Payton List. A standout in the film is little Josh Flitter who plays Shia's plucky caddy in a comic relief role which I found amusing but other may find annoying.

As for the film-making, the colors of the film are muted which gives it a nice look and since it's a period piece the costumes are interesting. Since golf itself is not very visually exciting the director chose to use Matrix style visuals such as having the camera fly behind the golf ball as it sails to the hole accompanied by a really huge swishing sound. There is one shot as if taken underneath glass looking up at a putt.

If you can forgive the melodramatic musical swells, you can find this film an enjoyable 2 hours and if you have any interest in golf it's one of the few movies about golf. If you are in the mood for an underdog film this one makes par.

This movie gives golf a high mark, it was well acted and well directed. Giving you a view of history that some non-sports fans will enjoy. The historic factor alone gives it a high rating, the Brookline golf course was really done well. I am in the northeast and have seen Brookline as a fan, and as someone who loves the game. The movie was well done on all levels. A MUST SEE 5 stars. The acting was superb, Disney has another winner in its bag of Great movies. If for no other reason watch the film to give hope and encouragement to young people whom may not see the hope in their life. I would tell you that the setting, while in the late 1800's and early 1900's is very realistic. The costumes and dialect were right on the mark as well. Above and beyond the call of duty for a golf film. A Must see for fans and non-fans alike.

I saw this film in a sneak preview, and it is delightful. The cinematography is unusually creative, the acting is good, and the story is fabulous. If this movie does not do well, it won't be because it doesn't deserve to. Before this film, I didn't realize how charming Shia Lebouf could be. He does a marvelous, self-contained, job as the lead. There's something incredibly sweet about him, and it makes the movie even better. The other actors do a good job as well, and the film contains moments of really high suspense, more than one might expect from a movie about golf. Sports movies are a dime a dozen, but this one stands out.

This is one I'd recommend to anyone.

As a recreational golfer with some knowledge of the sport's history, I was pleased with Disney's sensitivity to the issues of class in golf in the early twentieth century. The movie depicted well the psychological battles that Harry Vardon fought within himself, from his childhood trauma of being evicted to his own inability to break that glass ceiling that prevents him from being accepted as an equal in English golf society. Likewise, the young Ouimet goes through his own class struggles, being a mere caddie in the eyes of the upper crust Americans who scoff at his attempts to rise above his standing.

What I loved best, however, is how this theme of class is manifested in the characters of Ouimet's parents. His father is a working-class drone who sees the value of hard work but is intimidated by the upper class; his mother, however, recognizes her son's talent and desire and encourages him to pursue his dream of competing against those who think he is inferior.

Finally, the golf scenes are well photographed. Although the course used in the movie was not the actual site of the historical tournament, the little liberties taken by Disney do not detract from the beauty of the film. There's one little Disney moment at the pool table; otherwise, the viewer does not really think Disney. The ending, as in "Miracle," is not some Disney creation, but one that only human history could have written.

Bill Paxton has taken the true story of the 1913 US golf open and made a film that is about much more than an extra-ordinary game of golf. The film also deals directly with the class tensions of the early twentieth century and touches upon the profound anti-Catholic prejudices of both the British and American establishments. But at heart the film is about that perennial favourite of triumph against the odds.

The acting is exemplary throughout. Stephen Dillane is excellent as usual, but the revelation of the movie is Shia LaBoeuf who delivers a disciplined, dignified and highly sympathetic performance as a working class Franco-Irish kid fighting his way through the prejudices of the New England WASP establishment. For those who are only familiar with his slap-stick performances in "Even Stevens" this demonstration of his maturity is a delightful surprise. And Josh Flitter as the ten year old caddy threatens to steal every scene in which he appears.

A old fashioned movie in the best sense of the word: fine acting, clear directing and a great story that grips to the end - the final scene an affectionate nod to Casablanca is just one of the many pleasures that fill a great movie.