Rise: Blood Hunter

Just got home from the Tribeca Film Festival premiere of Rise, and it exceeded by expectations a bit. Gutierez was there to introduce the film, and he said something along the lines of 'This movie was shot in 30 days with very little budget, John Toll did a great job with the cinematography, and I give you permission to laugh at cheesy lines even if they're not meant to be funny.' The main reason I went to see the film was that I'm a huge Michael Chiklis fan, and if you enjoy his role in 'The Shield,' you'll love him here. Lucy Liu carries out her role well...I wouldn't normally picture her in this kind of movie, but she actually was convincing even when lines were a bit cheesy (this is a vampire movie!). Gutierrez did a very good job with music selection to help build suspense, there's some scenes in pretty industrial settings that had a lot of the audience hiding behind their fingers.

The movie is a bit bloody and gory, though it certainly could have been more intense, it is not for the faint of heart. Editing and cinematography were great - John Toll, who was cinematographer for Vanilla Sky, The Thin Red Line, and Braveheart - obviously knows what he's doing, and he really contributes to the mood of the film.

All in all, if you're looking for a good scare with some funny lines, this will certainly do the trick.

Lucy Liu stars as Sadie Blake, an intrepid reporter who comes a cropper when she pokes her nose too far into the world of a strange vampiric goth cult. None too keen to have their story told, they abduct the news-hound and suck her dry, dumping her body when finished.

But Sadie is a tough girl and refuses to just keel over. Instead, she joins the ranks of the undead, and sets out to get revenge on those responsible for her current state.

Director Sebastian Gutierrez presents a refreshingly different take on the whole vampire schtick with this low budget shocker that is both bloody and innovative (these vampires may lack fangs, but still pack plenty of bite). Great cinematography, an engaging story, and a decent cast all go to make Rise: Blood Hunter worth seeking out, although the gimmicky use of a non-linear storyline is a little unnecessary (so many films seem to use this idea these days).

A strong, sexy performance from Lucy Liu means that the film is never boring, although, at times, it does come across as a little too earnest for its own good. At times, Gutierrez strives so hard for an effectively moody atmosphere to suit his tale that the resulting gravitas detracts from one's enjoyment. Fortunately, Lucy Liu sees fit to shed her clothes at several points in the movie, so everything balances out nicely in the end.

If you love vampire films of all types, adore Gothic fantasy, or, like me, just want to see Ms. Liu in the buff, then Rise: Blood Hunter is recommended viewing.

I just saw this at the Tribeca Film Festival and I have to say that the movie wasn't all too bad. It was very formulaic and predictable, but still entertaining to a decent degree. It's take on vampires was slightly different, in that the vampires don't have fangs or have a weakness to sunlight, they just kill and drink blood. For a low budget movie that will probably go straight to DVD here in the US, it will be worth a rental - especially in that Lucy Liu bares her boobage in numerous scenes.

Carla Gugino is in the movie and sat a row in front of us at the screening in Chelsea. Holy schnikey's she has one smoking body... let's hope she sticks around as Amanda in Entourage for a few more episodes.

Despite its unwieldy, off-putting title, Rise: Blood Hunter (aka simply Rise) isn't as terribly cheesy and disgusting as I imagined it would be. A reporter (Lucy Liu) wakes up in a morgue's body drawer and discovers she's been changed into a blood-seeking, human-chomping immortal, or something, and rather than gleefully embrace her new self she decides to track down the evil bastards who put her in that condition, making her a sort of avenging angel for all those who have been similarly wronged.

Sadie Blake (Liu) is a sexy, classy young lady who's just written a front-page story about teen goth clubs. One of her coworkers, the nerdy computer stereotype, tracks down a phone number that one of the teens handed to Sadie - turns out it's not a phone number but the first in a series of clues that leads to a website devoted to some weird bloodsucking cult. Sadie, of course, thinks the story's over and goes on a quickie vacation to Mexico with her sister, but when she returns, you guessed it, her coworker's dead. Sadie follows clues like a good little Nancy Drew and winds up getting kidnapped (several times) and killed (several times), all to figure out who or what's behind everything.

The story jumps around a lot, flouting the conventions of time as we know them; things simply don't happen in the exact order we'd expect them to, which clouds Sadie's motives and intentions quite a bit. Is she good? Is she even human? After all, once she's been attacked by the vampire people, she's not exactly the picture of health, and she's gotta eat to survive. Is her ultimate goal of revenge enough to offset the unpleasant facts? It helps that there's a typically hissable bad guy, Bishop (James D'Arcy). He's eternal, of course, and he kills and mutilates and rapes for the sheer joy of it. There are no moral or ethical quandaries with this guy. Plus he has an effete, brandy-swilling British accent, making all the more unctuous and slimy. (Well, he's slimy also because he's often covered in someone's blood.) Now, granted, this isn't a pleasant, sedate movie to watch. It's full of gore and guts, although not so much as, say, a movie like Saw or Hostel. It's still not for the weak of stomach. You might remember how, in Kill Bill, The Bride traveled all over to wipe out those who'd wronged her - but the film didn't show us this in the order in which each avenging occurred, did it? So you'd see Uma Thurman wander over to Viveca Fox's house not knowing if she'd already visited Lucy Liu. Well, you would know, of course, if you picked up on the subtle hints, and that's exactly how it is here. At one point, Sadie runs into alcoholic, world-weary cop-with-a-conscience-and-a-cause Clyde Rawlins (a fantastic Michael Chiklis) and mutters something about having seen him before. And if you watch the movie closely, you see exactly where. It's as if there are no coincidences in the movie, and I think that works in its favor.

Still, it IS just a revenge flick, albeit one with vampires and a kick-ass crossbow. Liu is very, very good - she's not the screaming, hands-in-the-air type of heroine, but she's also not the balls-out gut-stomping Lara Croft type, either. Remember, Lucy Liu is petite; she doesn't automatically have this intimidating screen presence, so she uses what she has and makes the most of it. In her case, I'd have to say it's her eyes, flashing terror or courage in.... well, in the blink of an eye.

So despite some predictability, the movie does work, thanks to Liu and the novelty of the disjointed sequencing. There are quite a few chills, and the plot doesn't stray too far from its main revenge thread, thus simplifying matters.

I saw the trailer of this a while back and thought it could be one of those sleeper hits, as it had a relatively good premise and I've always been intrigued by vampire films, so when I saw it on the shelves I thought I'd give it a go.

As the film was overall a disappointment for me, I won't put any spoilers in this review. I will say however that from the outset, the sequence of events are disjointed and make for confusing viewing. The film tries to be too clever throughout and ultimately ends up being hard to follow. For a vampire film, it doesn't really give much background to the whole vampire genre as most do and adds to the confusion as to who is who and what is what. Apart from Lucy Liu's character, there is no back story or build up to the antagonists, everything just happens randomly, which makes it an effort to keep track of things.

As for the acting, I find it a shame that Lucy Liu continues to make films that don't really challenge her. She spends most of this film looking either in distress or moody, oh and naked. Having seen her in Kill Bill and her earlier turns in Ally McBeal, Rise & Ecks vs Sever really don't do her justice as an actress. The vampire contingent here are pretty poor too, with James D'Arcy playing a poor mans version of every other bad vampire we've seen before (notably Stephen Dorff in Blade). Michael Chiklis is at best, mediocre, looking like he did this when short of a few bob, in his spare time from filming Silver Surfer.

Overall, another addition to the growing number of mediocre vampire-themed films. I would avoid this if I were you, but if Lucy Liu (+ a few others) prancing about naked and lots of blood tickles your fancy, then give it a go.