Evergreen

At the Sundance screening of this film, the director told us that the "evergreen" of the title referred to the green envy the main character feels toward those who have so much while she does not. This was a realistic story of a young girl who moves into her grandmother's ramshakle house with her grandmother. They are quite poor, and when the girl (Henri) meets a rich boy at school, she wants to be part of his family. The movie is about Henri's discovery that money doesn't really take away problems. This was good effort for all involved.

This views like an after school special. The acting is almost as bad as daytime soap operas, and about as slow moving and overacted too. While the beginning does manage to hook you in, 15 to 20 minutes later you have extricated that hook and are reaching for the remote. Not one character was believable in their role, from the periphery students all the way up to the main character and her mother and grandmother. The 10 star reviews here are bought and paid for and I advise to disregard them. The inconsistencies in this movie are glaring. For someone with no money she has makeup, nice clothing, jewelry etc. The mother just harps on their bright future while bemoaning everything they don't have. The home they were living in would have been condemned in a second. At first glance at the outside you just knew it was a home sought out by a movie scout and inserted into one shot to try and get the sense of wrenching poverty driven home to viewers who aren't so savvy.

I saw "Evergreen" at the Seattle International Film Festival in May. I especially recommend this movie to teens. They will relate to the mother/daughter relationship in this movie. I understand this is the first movie the lead actor, Addie Land, has been in. Her acting was wonderful and made the movie more special.

Addie's performance reminded me of Ashley Judd in "Ruby in Paradise". I hope we see more of her in the future. Great talent! BL SE

Noah Fleiss ("Brick", "Things You Can Tell Just By Looking at Her") certainly saved this movie from total oblivion. Unfortunately, the movie was based on the believability of Henri (Addie Land) as a girl from a low-income family wanting a change, and the believability wasn't there. Henri seemed more like an affluent California girl pretending to be from a poor family, which was not what the director intended nor what we wanted to see. Chat (Fleiss), however, was supposed to provide us with a picture of a shallow affluent teen male, a living cliché, and that is precisely what we got -- effective and, in the final analysis, humorously absurd. Fleiss dependably surprises with the convincing quality of his roles, and this one was so well done that I rather think there might be viewers who thought Fleiss himself was shallow.

Although the remainder of the movie has little to recommend it, go into it expecting only to see a gem of a performance by Noah Fleiss and you will in no way be disappointed.

Evergreen is a type of film that I particularly enjoy. It deals with the lives of people we might ignore or shun if we encountered them in the course of our own lives. Nevertheless, these people share aspirations and frustrations common to all humanity and the adversities they strive to overcome make such people fascinating.

Evergreen is well written and extremely well acted. The cast can't be faulted on any level. On the other hand, "Gas, Food, Lodging," a film that is, in many respects, similar is vastly superior to this one.

As an experiment with the potential to make movie distribution far more profitable than currently is the case, AMC has converted this film to digital technology and is "feeding" the film to its theaters via satellite. The resultant images are dark, murky and lacking in precise focus. My own large screen TV provides a much superior image and it is not "state-of-the art" technology.

I will not be seeing any more films that employ this crude technology. I'd rather wait for the DVD or, even, skip the whole experience.