Valley of Flowers

Valley of Flowers got me all excited, as it was the very first public screening in Delhi's packed Siri Fort Audi where audience was spilling all over the floor... Spectators were made of all races, many from abroad to participate in Cinefan. Among them India's who's-who; film stars, ministers, ambassadors, business tycoons, designers, software giants, painters, musicians, writers and loads of young people.

Film did get mixed reactions, however I did not allow myself to be influenced by other's opinion. Something strong certainly happened to me when the lights came on –as if I was coming out of hypnosis. I even forgot to give a round of applause.

The film surely has something and I haven't figured out what? At 155 minutes, it is long, has certain problems, badly subtitled and weak in parts. But I am astonished at the story, characters and cinematic style. Pan Nalin with his second feature (after Samsara) makes a very bold step in unexplored territories and comes out strong as a scriptwriter with guts, a director with exceptional talent and a filmmaker to watch out for. Just for all those reasons I have generously given 10 out of 10.

Film's plot is both, complex and simple. It might not be for everyone but it's truly worth the viewing. Rarely a theme of love, longing and immortality has been so well depicted before. Valley… is a hymn to harmony in nature, balance among demons and humans, good and evil, life and death, black and white. It is a poetic telling of reincarnation and karma.

Valley… is a magnificent house, filmmaker invites us inside with warm Asian hospitality but does not give us keys to all the doors. Now for some that will be a negative thing and for others it would be positive. Because Pan Nalin allows audience to interact with this epic love story –in honest manner.

There are breathtaking moments in Valley… like appearance of Ushna, levitated lovemaking, valley of silence, time-walk and final climax in Japan. Cinematography is superb and the casting is near perfect. Himalayan landscapes are awesome. Towards the end the entire resolution of the saga happens in modern-day Tokyo and that is destructive and divine –like most Asian myths. Pan Nalin's regard on Tokyo and Japan is very sensitive and subtle.

Watching Valley… is truly a cinematic experience of unforgettable kind –I highly recommend to those who love traveling beyond mainstream

incredibly great and realistic movie, showed the real beauty of ladakh, nice story line excellent execution, lead actors looked really great but acting is bleak lead actress Mylène Jampanoï , she is amazingly beautiful. Director succeeded in holding audience attention till the end, even though length of the movie is very long but i never felt bored or off track at any point. Excellent costumes, shooting in ladakh is difficult task , really great efforts from the whole crew. I really feel this movie deserves better promotion world wide. I just came to know about this movie through the news that the lead pair got married.

I really wonder why there is no publicity for such a great movie. fate of this movie quite similar to that of ladakh - unseen and untouched beauty

Being in St. Petersburg, in Russia of today, films like Valley of Flowers are really welcomed. Like some other viewers I did find the film long. It plays beyond two and half hours and apparently theatrical released version is shorter by some 30/40 minutes.

I've immensely enjoyed this stunning film. I'm happy to ignore the weaknesses in editing and acting but my full marks goes to its daring originality, innovative theme and unexplored locations.

Somehow, the film compelled me to return to the cinema for a second viewing. Second time, to my surprise, I enjoyed the film even more. And I did not even find it longer.

Personally, I have not heard about this director or seen any of his earlier films but one thing is certain that his command on the craft of film-making is of top level. His grasp of cinematic styles and sound design shows sensitive and perceptive mind he posses.

He truly masters the valley of silence sequence in the film. This scene alone is something one has never seen in films before. No music, no sound effects, no folyes... and the filmmaker carries the scene breathtakingly well. And manages to keep the spectators on the edge of their seat.

Another great achievement is "time walk" sequence, creation of the character of Yeti also deserves a special mention.

Two Ushnas are Devin and sexy. The ambiance of Tokyo scenes is hauntingly beautiful. The filmmaker does not waste any time by showing us cityscapes and establishing shots - instead he remains focused on Jalan's loneliness & immortality.

My favorite part is the end but should not be revealed. The last image of Yeti's feet taking a "time walk" but in the opposite direction -the nature's balance is restored- is one of the most satisfactory and subtle end in recent cinematic history.

Like others, I fail to understand why no one is talking about this film? Why is it not shown in some high profile festivals? This films deserves a big release as big as its canvas is.

I fail to understand why there is no promotion at all, except the odd and meaningless poster we have seen here in Russia?

Are we the few odd users to love this film? or we are just simply nuts.

I might sound biased but first of all I love all kind of love stories in cinema.

Valley of Flowers is a great love story -the one where magic plays a role.

And I have a passion for exceptional love stories and romances. Valley of Flowers makes you dream. Its a romanticism with layers of fear -fear of life, death, demon, rebirth...

It's set in very romantic Himalayas and moves onto very seductive Tokyo. Girls are gorgeous! Guys are cool and Game is dangerous -that of human vs demon.

All that unfolds in magnificent vistas -amazing locations. The film has great production value and specially the costume design is exquisite!

Extra bonus, it is inspired from Alexandra David Neel's book. Thus it is real treat for the fan of Alexandra's dark world of magic and mysteries of Tibet and Himalayas.

In Japanese part of the movie when film slides into modern world from early 19th century, there is also a wonderful scene with BARDO (Tibetan Book of The Dead) based euthanasia.

Its great concept: what do you do once you become immortal and you can not die -help others die.

It's not so often we see in cinema Asian interpretation of love. Valley of Flowers is to be watched with open mind. It is not an easy film, mind you.

Valley of Flowers is slow and I like slow movies -I cant bear Hollywood's fast cutting any longer.

The only problem with valley of Flowers is that it is loaded with too many great ideas and concepts -many don't succeed. Maybe it is an over-ambitious adventure from writer director Pan Nalin whose SAMSARA is my all time favorite film. SAMSARA is in my list of "10 movies to watch before you die."

Sorry, Valley of Flowers is not in that list but its a brilliant attempt towards unknown. Pan Nalin is a rising sun of the east -in just two feature films he has proved talent worth of five features. I agree, he is a filmmaker to watch out for.

For Valley of Flowers; If you live on popular cinema then avoid it. But if you are in mood to let your mind do gymnastic then I would say JUST GO FOR IT! It is a rare kind of movie. It has a magic and mystery -and lots of sensuality.

I heard about this film more than a year ago but didn't get around to watching it until last week. The first thing that stands out about this movie is Pan Nalin's superb direction and breathtaking cinematography, which depicts the 19th century Himalayas like never before in the first half of the film. However, the storyline was also quite slow-paced in the first half. On the other hand, the second half of the film, which takes place in modern-day Tokyo, doesn't have such a great cinematography but the storyline moves along at a much better pace, leading up to a hard-hitting and very touching ending.

8/10