IMDb RATING
7.8/10
8.3K
YOUR RATING
A mild-mannered gay dentist and a hedonist womanizer rekindle their unlikely friendship when the latter's terminal cancer drives them back together after a decade apart.A mild-mannered gay dentist and a hedonist womanizer rekindle their unlikely friendship when the latter's terminal cancer drives them back together after a decade apart.A mild-mannered gay dentist and a hedonist womanizer rekindle their unlikely friendship when the latter's terminal cancer drives them back together after a decade apart.
- Awards
- 8 wins & 4 nominations total
Johnny de Mol
- Floris
- (as Johnny de Mol jr.)
Wilhelmija Lamp
- Alijt
- (as Willemijn Lamp)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie is about a wide variety of emotions, topics and people. The dialogs are brilliant. Simon has a hilarious sense of humor, but his character, like the others in the movie, is still very well portrayed. All typical dutch subjects like gay-marriage, soft-drugs, euthanasia, etc., are handled in a way that it is still convincing. The last part, where euthanasia becomes the main topic, is where the movie rises above a good comedy and becomes a great comedy/drama instead. The acting in the last part is so brilliant that it almost feels like it is shot for real.
Certainly a movie to recommend, and I think that even when it is translated (with a possible loss of dialog)it is still a movie worth seeing! But see a subtitled version and not a synchronized voice-over version, for the latter will be terrible
Certainly a movie to recommend, and I think that even when it is translated (with a possible loss of dialog)it is still a movie worth seeing! But see a subtitled version and not a synchronized voice-over version, for the latter will be terrible
Extraordinary film with great humor and witty conversations. I was swept of my feet before the first 5 minutes were over. Yes, the movie is very funny - I had tears in my eyes from laughing - but sometimes the tears that had started from laughter, remained to be there because of the sadness of Simon's illness...
It's pace is quite fast, it's very difficult to get bored in viewing it. The play of lead actor Cees Geel is excellent, as viewer you fall in love with this guy from the start and won't be disappointed about him as the movie proceeds. He plays a very humorous and positive guy, who's a bit macho, but also very sweet. People around him are regularly been given a big smile on their faces.
But also Marcel Hensema is playing very convincingly as the gay Camiel who's studying to become a dentist. He's a bit more introvert than Simon, but he and Simon fit well together in both fun and conversations on life's issues and become very close friends.
I guess the movie is filled with typically Dutch issues. The nudeness and joints are all over the screen, but also the way conversations are held on being gay (Camiel) and how to deal with Cancer (Simon) could be seen as open-minded (or controversial?) Dutch.
All and all I found this movie highly entertaining while it touched some heavy emotions at the same time.
It's pace is quite fast, it's very difficult to get bored in viewing it. The play of lead actor Cees Geel is excellent, as viewer you fall in love with this guy from the start and won't be disappointed about him as the movie proceeds. He plays a very humorous and positive guy, who's a bit macho, but also very sweet. People around him are regularly been given a big smile on their faces.
But also Marcel Hensema is playing very convincingly as the gay Camiel who's studying to become a dentist. He's a bit more introvert than Simon, but he and Simon fit well together in both fun and conversations on life's issues and become very close friends.
I guess the movie is filled with typically Dutch issues. The nudeness and joints are all over the screen, but also the way conversations are held on being gay (Camiel) and how to deal with Cancer (Simon) could be seen as open-minded (or controversial?) Dutch.
All and all I found this movie highly entertaining while it touched some heavy emotions at the same time.
Through an awkward accident, Camiel (Marcel Hensema) meets Simon (Cees Geel). Camiel is an intelligent, shy, insecure, gay student studying to become a dentist. Simon is close to his opposite: a true Amsterdam mythical hero - down-to-earth, liberal, dry humoured seducer ("Couldn't you just instantly turn into a naked chick?") who owns two cafés and lives in the Dutch paradox - he's in the semi-legal business of running a hash home delivery service. Both are true products of Dutch society, as it is dreamed to be, with their multilingual, easy, matter-of-fact approach to life. But the film is mostly about Simon. Well, about Camiel looking Simon, fascinated.
So what is it about Simon that so fascinates Camiel? To a certain extent, Camiel is an outsider, he is just someone who walks the streets. He is not extraordinary in any sense. Neither his love life, nor his profession can help him up, nor does he play an instrument or have any hidden talent. When he meets Simon, it seems as if Simon has his whole life organised around himself, to be able to live his life fully. He is surrounded by his oddball friends and has a loving family (in Thailand!). And that with a forgiving smile which allows him to boyishly do as he pleases.
The second half of the movie is darker than the first, when the weight on the looming tragedy starts to be felt (Simon's approaching death). The second half of the film is more emotional, building on the characters and relationships of the first half. Notice the remarkable difference in the treatment of the subject with Les Invasions Barbares, of death, friendship, love, sex and society. Perhaps the last is the most remarkable, because somewhere Simon is the society. There is no clash with an outer world which is different to him - because the difference between the individuals is what makes up the society in which he lives. Similarly there is no generational gap either, Simon's children will make something out of their lives as he did with his, nothing fundamental has changed. It is Western society at its (brief?) peak.
If there is any weakness in the film, then it would have to be Simon's interest in Camiel, the reasons of which could have been more explicit (perhaps his stability, or his intelligence?). None the less, the audience takes on the role of Camiel, and is taken along into Simon's world. A world which is a rare glimpse into the liberal post-modern society which is (was?) The Netherlands. Camiel will not be the only one leaving impressed.
So what is it about Simon that so fascinates Camiel? To a certain extent, Camiel is an outsider, he is just someone who walks the streets. He is not extraordinary in any sense. Neither his love life, nor his profession can help him up, nor does he play an instrument or have any hidden talent. When he meets Simon, it seems as if Simon has his whole life organised around himself, to be able to live his life fully. He is surrounded by his oddball friends and has a loving family (in Thailand!). And that with a forgiving smile which allows him to boyishly do as he pleases.
The second half of the movie is darker than the first, when the weight on the looming tragedy starts to be felt (Simon's approaching death). The second half of the film is more emotional, building on the characters and relationships of the first half. Notice the remarkable difference in the treatment of the subject with Les Invasions Barbares, of death, friendship, love, sex and society. Perhaps the last is the most remarkable, because somewhere Simon is the society. There is no clash with an outer world which is different to him - because the difference between the individuals is what makes up the society in which he lives. Similarly there is no generational gap either, Simon's children will make something out of their lives as he did with his, nothing fundamental has changed. It is Western society at its (brief?) peak.
If there is any weakness in the film, then it would have to be Simon's interest in Camiel, the reasons of which could have been more explicit (perhaps his stability, or his intelligence?). None the less, the audience takes on the role of Camiel, and is taken along into Simon's world. A world which is a rare glimpse into the liberal post-modern society which is (was?) The Netherlands. Camiel will not be the only one leaving impressed.
This film is extremely well elaborated. Without spoiling the movie for you, basically, Simon is a sad story between a drug-dealing, "living la vida loca" young man, and a gay man he unexpectedly met.
14 years later, they meet again, but this time, the situation is totally different.
The filmmakers do an excellent job at the beginning of the movie, that is, making people dive deep into the story, the characters and the general atmosphere. This has as consequence, later after the middle of the movie, that the filmmakers start playing with the audience's emotions, leveraging on all the details presented during the beginning to force the audience into the main topic of the movie.
The second half of the movie is the sad part of it. There, the lives of all the people involved are bound together by an unexpected tragedy. The film has an obvious ending, but during that time, the audience's feelings and emotions are constantly touched and moved. This emotional play is perfect for the deep meanings of the movie: a reflexion and the presenting of different perspectives of homosexuality, drugs, sex and eutanasia.
14 years later, they meet again, but this time, the situation is totally different.
The filmmakers do an excellent job at the beginning of the movie, that is, making people dive deep into the story, the characters and the general atmosphere. This has as consequence, later after the middle of the movie, that the filmmakers start playing with the audience's emotions, leveraging on all the details presented during the beginning to force the audience into the main topic of the movie.
The second half of the movie is the sad part of it. There, the lives of all the people involved are bound together by an unexpected tragedy. The film has an obvious ending, but during that time, the audience's feelings and emotions are constantly touched and moved. This emotional play is perfect for the deep meanings of the movie: a reflexion and the presenting of different perspectives of homosexuality, drugs, sex and eutanasia.
This is not only the best dutch movie that I have ever seen, but one of the most moving movies that I have ever seen. Great picture of dutch society, on extraordinarily interesting people, full of great humor and sadness, and most importantly on life and death (parallel to the last two). This film is FULL in every way that a film should and can be. It is the heart-filling and heart-wrenching story of one of the most extraordinarily human lives (beautifully acted) ever put on film. It is about Simon, his fast life, his loved ones, and his chosen death. It is also about the truly free society, where all can choose their life and their death for themselves. It is a portrait of a culture of personal responsibility, love, and life that is so needed everywhere. It will make you think, laugh and cry. When and if you can, see this picture, you won't be disappointed. It's one of the greats.
As the Tagline says: Simon will change your life.
As the Tagline says: Simon will change your life.
Did you know
- TriviaThe movie's budget was so low, that many of the actors (personal friends of director Eddy Terstall) worked for free. Multiple scenes had to be filmed each day, so most scenes needed to be filmed in one take. According to Terstall, the scenes shot at the end of each day, when cast and crew started to get weary, were often of poorer quality as a result.
- GoofsWhen Joy and Floris are descending the stairs at the wedding, he is on her right side, but in the next shot he is suddenly on her left.
- ConnectionsFeatured in Barend en Van Dorp: Episode dated 17 September 2004 (2004)
- How long is Simon?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Симон
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €1,000,000 (estimated)
- Gross US & Canada
- $4,055
- Opening weekend US & Canada
- $2,453
- Apr 9, 2006
- Gross worldwide
- $1,107,774
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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