Counterpoint
- Episode aired Dec 16, 1998
- TV-PG
- 46m
Voyager passes through a sector of space controlled by a race that is deeply suspicious of telepathic lifeforms. The presence of Tuvok and other telepaths forces the Voyager crew to develop ... Read allVoyager passes through a sector of space controlled by a race that is deeply suspicious of telepathic lifeforms. The presence of Tuvok and other telepaths forces the Voyager crew to develop a novel approach in order to pass through safely.Voyager passes through a sector of space controlled by a race that is deeply suspicious of telepathic lifeforms. The presence of Tuvok and other telepaths forces the Voyager crew to develop a novel approach in order to pass through safely.
- Brenari Telepath
- (uncredited)
- Lt. Susan Nicoletti
- (uncredited)
Featured reviews
The relationship between Janeway and Kashyk was complex, subtle, and beautifully acted. I think one of the reasons this episode gives such a strong emotional impact is the impeccable acting in the scenes these two share. And how nice it was to see our lonely captain finally share a nice steamy kiss with someone. (But can she trust him? Watch to find out...)
So far I'm finding Season 5 of Voyager really enjoyable, and this episode is one of the best so far. I probably wouldn't put it ahead of Timeless, but it's still an excellent episode and not to be missed.
The solution to their problem MIGHT have just arrived as Inspector Kashyk (the man who had led the inspection) shows up bit later and says he wants to defect. He claims that he hates how his people persecute the telepaths. Additionally, he seems to have taken a real shine to the Captain. So what's next? See the show.
This is a pretty good episode. I do wish that Kashyk had become a recurring character or they'd expanded the romance more, but apart from that it's worth seeing.
This is a very good character driven episode that is virtually impossible to go into plot details about without spoiling. However, it is safe to say that the themes of trust and persecution are quite compelling. As in all good Trek stories it uses intelligence rather than violence to overcome its main obstacles and showcases a memorable battle of wits between certain individuals.
The strongest aspect is the use of the main characters Janeway and Kashyk. If you are watching it for the first time there is a great tension built on the uncertainty of underlying motivations and the outcome of the story.
Katie Mulgrew gives one of her best performances and is supported very well by Mark Harelik.
Did you know
- TriviaGustav Mahler's Symphony No. 1, 2nd movement is featured at several points; however, to some degree, the 1st movement of that same symphony is heard in nearly every Star Trek production. Alexander Courage borrowed the opening sequence of Mahler's Symphony No. 1, 1st movement and used it, with slight alterations, as the opening sequence for the Star Trek (1966) theme song. Mahler himself had actually borrowed the same sequence from Johannes Brahms who had, in turn, borrowed it from Ludwig van Beethoven.
- GoofsAs Neelix gets off the floor after telling stories to children, his shoes are visible. They are too small for Neelix's Talaxian feet that have been shown earlier in the series.
- Quotes
Devore Inspector Kashyk: Captain, do you trust me?
Captain Kathryn Janeway: Not for a second.
Devore Inspector Kashyk: Exactly! And why should you? Trust has to be earned. It's gradual, and yet it's the foundation of every relationship, professional and personal. It's also a concept alien to the telepathic races. Why take someone at their word when you can simply read their mind?
- ConnectionsReferenced in Star Trek: Prodigy: Supernova, Part 1 (2022)
Details
- Runtime
- 46m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
- 4:3