States of Grace

I have become a big Richard Dutcher fan. I always spend several days after seeing his movies thinking about the implications. States of Grace is by far his best offering. I think I liked it so well because it tells an LDS story that is not only realistic but can hold meaning for anyone of faith. It is very well crafted and the cinematography is just beautiful. The acting ranges from good to extremely good and as always in a Richard Dutcher movie the symbolism is deep.

My wife liked this movie so much because she felt that it told the truth. Bad things happen in the lives of good people everyday and Dutcher does a phenomenal job of looking at what that life can become when viewed through a spiritual filter. Something that would have little significance for one person may be a profound life changing event for another. This film demonstrates that and shows how all lives can be touched by the atonement of Jesus Christ. I never thought that I would see a movie that could tell such a gritty and true story and yet communicate so powerfully the universality of the gospel of Jesus Christ. This is a great movie for Mormons but I can easily see why non LDS people would have trouble getting by the depiction of Mormon culture....too bad, I think anyone of faith could be uplifted by the message of this film.

For those faint of heart, weak of character, or poor in spirit, be careful with this film. It handles heavy issues, tackles serious drama, and has definite PG-13 material. But it also illustrates compassionately and expertly the atoning power of Christ, the amazing strength that can come from relying on Him in our imperfect, human state, and turning to Him in repentance, feeling His love, regardless of the mistakes we've made.

This was a gritty, realistic look at many of the issues young people (especially missionaries) face today. It doesn't try to hide the evil, but it does keep the Spirit and the Gospel of peace, hope and repentance far more prominent. It doesn't condescend or submit to cheap laughs and religious stereotypes, as many LDS-made films do, but rather, as Dutcher has a magnificent habit of doing, it focuses on what the Gospel is really about. It doesn't pretend that sin isn't sin, it recognizes fully when wrong has been done, and when further wrong is done in an attempt to rectify it. This film indicates the only real solution to any problem, the power of Christ. To those who grimace at the reverent and appropriate use of ordinances and the like in Dutcher's movies, get past your letter-of-the-law cultural mindset and take a look at the Gospel, and listen to the Spirit.

Technically, this film is as admirable and noteworthy as many films made nowadays. Where Dutcher finds such incredible actors is beyond me, as is how he manages to get such powerful and moving performances out of them. It's artistic, it's dramatic, but it's real and feels like a situation that you've seen before. The use of Sam Cardon's music was effective, and the one or two throwbacks to God's Army were enjoyable. Especially noteworthy was how this film didn't downplay any religion, but rather lifted up the importance of believing and relying on Christ.

I laughed, I cried, and then I cried some more. Everyone who finds their way to this review, PLEASE do what you need to do to see this incredible film. It will make you grateful that we have a Savior to turn to when we know we've done the wrong thing. I only wish I could give this film 11 stars. Bravo, Richard. You've done it again.

It's a movie about strugglers (some Mormon, most not) and the grace of God; it is beautiful, and even though from a Mormon perspective, it is not an in-your-face Mormon flick.

If you liked the ending to "Brigham City" (sacrament scene) you'll like this even better - less Mormon, more universal, and absolutely moving.

I wish there were more movies like this - that cause me to think about my relationships with others, my commitment to Christ, and how happy I am to live in a land where I am free to worship as I choose.

I hope people will see this movie and not worry about whether it's just a bunch of "Mormon propaganda" - because it is not. The Mormons are not the good guys and the non-Mormons are not the bad guys. There's plenty of good, bad and in-between for all.

Good job to all involved!!!

Independent filmmaker, Richard Dutcher, follows his GOD'S ARMY and BRIGHAM CITY with a film that will reach out and touch more then just members of The Church of Jesus Christ of Latter-day Saints (Mormons), if discriminating moviegoers can be made aware of the film. STATES OF GRACE, like Dutcher's first film, GOD'S ARMY, takes place in the Los Angeles area, but it takes you into tough neighborhoods where life can be snuffed out suddenly. The story (which I will not dwell on)examines the strengths and weaknesses of its characters, people from all walks of life and of many faiths and beliefs. It beautifully witnesses that Christ loves all people, not just those who have found Him and are striving to live better lives.

Dutcher, who wrote,edited and directed this film, has a way of creating interesting characters and complex situations that do not take the easy path. He's unconventional--and this film, like his BRIGHAM CITY, will cause some to be uneasy and shy away from viewing it. And that will be their loss.

The cast is rich in numbers of characters that both fascinate and live. Ignacio Serricchio, Lucas Fleischer, Lamont Stephens, Rachel Emmers and Jo-Sei Ikeda are each quite remarkable. The character of Louis, a homeless preacher (played by Jo-Sei Ikeda) who the Mormon Elders befriend is one of the films highlights. Ikeda has a rich voice and delivers a moving performance in a part that is very well written.

STATES OF GRACE has one of the most moving climaxes that I have ever experienced. One of Richard Dutcher's great strengths as a writer and director is bringing together the elements of his story into a powerful conclusion that moves the viewer and seals the meanings of the film.

Ken Glassing's cinematography is first rate, as is Ben Carson's scoring of the film. Dutcher's films always look like they must have cost a great deal more then they did.

If you get the chance, see it in a theatre.

Mormon film to this point has been mainly "Mormon", but flightily "film". While some pictures have had strong points, for example, the subtle humor in "Napoleon Dynamite" or action in "Saint and Soldiers", most of the genre has been self-absorbed and self-serving. Even Dutcher's previous "God's Army" was aimed specifically for a Mormon audience and did not have any lofty design or style.

The self-proclaimed "Father of Mormon Cinema" has here created a film that could be accessible to a wide audience and should be better received. The characters are again missionaries, but share little similarities to the characters in "God's Army." The fact that it is already disappearing from theaters is due to poor marketing and advertising, and does not reflect the quality of the film.

Finally a Mormon character faces some real problems and really struggles. Finally Mormon characters make real mistakes and have to pay real repentance. Finally a Mormon story involves real non-Mormon characters and views them not as the oddity, but real people in the real world. And finally, Dutcher has a real vision and real message and actually directs this picture like no one has dared in the genre.

The acting in the film is miles above anything yet seen in Mormon film, as is the direction. Moments between Lozano and Carl, or any moment with the street preacher Louis feel honest and natural. The "gangstas" (as the ads so poorly state) seem real, not like your Mormon high school production or road-show. Even the character of Farrell, who was initially the weakest link in the film, shows his true colors by the end. Dutcher constantly alludes to action in his story and composition, and he creates some amazing pictures, showing that he may be the least accessible person off camera, but he is the most capable director of the genre yet. Carl's confirmation scene, while paying homage to "The Godfather", is amazing in its own right. The story occasionally bordered on cliché, but Dutcher never let it go that route, instead opting for some really difficult decisions for his characters.

I know that many Mormons will not want to see this movie because it has characters that have or will make mistakes. It has some uncomfortable situations and asks some tough questions. What they should realize, however, is that this is the first "Mormon film" that actually has something to say. Instead of laughing at ourselves and our Jello molds, why not show situations that really happen? Why not dare to put ourselves in the shoes of our fellow men? Why not realize that we are but one religion among many, all of which bring goodness into the world? Why not join others in their everyday struggles and know that we are not alone in this world? This film is the first to ask these questions and most successfully answer them. "States of Grace" is not the best film I have ever seen, but it is the best "Mormon film" I have yet seen and is among the best of this year. Open-minded, open-hearted, open-souled viewers everywhere should watch this movie. It may change how you look at things.