Blood and Chocolate

What a fine accomplishment for German director Katja von Garnier. She has delved into the traditionally all-male world of directing a genre monster movie and turned it into a Romeo & Juliet with style. There's a distinct lack of gore, and the violence isn't overbearing, while the astounding art direction and overall moodiness of the movie is only heightened by filming on location in Romania, a perfect backdrop for the heavy gray feeling of Blood and Chocolate. Even when the couple in love is happy, there's a brooding nature that permeates the streets, even in daylight. Most amazing is the graceful and poetic transformation of the humans into their alter wolf egos. They run into a frenzied pitch and then leap into the air and become real wolves, rather than the usual cheesy werewolves accentuated by special effects. It's quite breathtaking.

I have read the book. I have seen the movie. I would've been mad if I had seen it in theaters but I rented it and so I wasn't as angry about the changes. Basically, the book and movie have very little in common. If you can't get past that, you won't let yourself give the movie a chance. After original indignation I sat back and watched and I wasn't totally horrified by what I saw. Have I seen better movies this year? Yes. But I didn't hate it and demand the hour plus of my life back. I actually really enjoyed the Rafe character. He made me laugh several times and in my opinion, saved the movie for me. After I cast all things in the book from my mind, I enjoyed the premise of the movie and the new take in the werewolf genre.

The Matrix has a lot to answer for. Post Matrix every vampire or werewolf movie (Van Helseign, Underworld, Blade) seems to involve copious amounts of special effects, Martial arts and the main character decisions being whether they kill the bad guy with a gun, sword, falling building, poison that makes people explode, or giant stake improvised from the radio antenna on top of the Empire State building.

Blood and Chocolate follows the traditions oh movies from the 1980s (The hunger, Wolf, Cat people and even The Lost Boys).

Characters are not fighting over whether to enslave the human race (if vampires planned to enslave the human race, wouldn't it be easier to let everyone know, and 1.3 Billion people versus a few thousand vampires or werewolves will be a very short battle indeed).

Blood and Chocolate tells the story of a teenage werewolf who wants to escape what she is being told she should be and a young American writer/artist who has already escaped from his domineering ex-ranger father).

In this story, werewolves are blessed, not cursed, they are the best of man and the best of beast. Though perhaps that is what they should be, and some of them are the worst of both.

This is a human story at the human level. Some of the characters merely tend to turn into wolves. The movie is more about mood and excitement and action. The action is realistic, not modern son of Honk-Kong martial arts over the top stuff. I loved it, even though I also love the modern effects driven movies. In fact the special effects are so bad, it is likely that was a conscious choice (I think the transformation is a homage to Cat People).

If you like this movie, check out the old stuff from the 80s.

From the producers of Underworld, this movie looks like a cheap cousin to the popular wolves versus vampires movie starring Kate Beckinsale. Based on a book by Annette Curtis Klause, and directed by Katja von Garnier, it's difficult not to draw comparisons because of the subject material and similar themes, this time though doing without the vampires, and sets the spotlight firmly on a group of hunted werewolves called the Loups-Garoux. Sexy sounding, but essentially a useless name for useless beings.

The group of Loups-Garoux proudly stands by their tradition of being able to transform into wolves at will (and that is their only power mind you), and because of their abilities and lust for blood, they are hunted down by Men with their guns and silver bullets (who and what else). In order to survive persecution, they go underground and keep their identities secret, only to come out during the night for frequent partying at rave clubs (and to pick up chicks), as well as attending strange rituals such as gathering in the woods to partake in hunter-prey chases with wounded men as victims.

In essence, they're a bunch of self-preserving cowards who hunt in packs, believing whole- heartedly that unity is strength. As mentioned, they got unimpressive abilities which probably forces them to do so, not by choice - only remarkable agility and the preference to scale walls and run along rooftops. Led by an uninspiring, cowardly leader Gabriel (Kylie Minogue's ex Olivier Martinez), he holds on to the unexplained hokey prophecy as well as the tradition of the leader of the pack to handpick a wolf-maiden to bed every 7 years. No wonder he's holding onto power without the necessity to do much to further their cause (which is?), and sets his sights on marrying Vivian (Agnes Bruckner).

Vivian however, being the headstrong ingénue, falls for a plain human, graphic novelist Aiden (Hugh Dancy), and this is where references to Underworld come into full swing. The reluctance in the formation of a forbidden relationship from the girl with secrets, the revenge killings and the hunting down of Aiden, and with Vivian protecting her love, all reeks with familiarity. While Underworld had a rich backstory created for its characters and beings, Blood and Chocolate failed to have anything interesting in either wolf or man to engage the audience.

And the execution here is painfully boring. No special effects, not even the baring of fangs, save for coloured contact lenses. It's relatively low-budgeted, and the transformation of man to beast, is so cheap, even a 10 year old kid with a no-frills video editing software will be able to achieve. Fights are confined to chases between wolves and man, and the usual scruffy fisticuffs. Don't forget the loopholes galore too after transformation, which is seldom seen on screen as it'll pose more questions.

The only redeeming grace however, is the on-location filming in the streets of Bucharest, a beautiful romantic place, totally ideal for a romanticized tale of man-beasts. The soundtrack too had a tinge of Hindi(?!) music influences, which I totally enjoyed, but too bad, the film had been intrinsically destroyed by a lack of a strong storyline, plagued with non charismatic and weak villains with zero diabolical plans, with preference to hang around and do nothing, save for showing off their pitiful skills (which I suspect is because of the lack of budget).

With a strange title, Blood and Chocolate correctly named itself - a weird and silly mix which doesn't go down well at all. Only watch it on disc if you've got time to spare.

Well, it was neither the worst nor the best movie I've ever seen. It was a testament to movies that you should watch as a last resort when browsing your rental place. Parts of it truly bugged me, like the unparalleled clarity to the viewer of what any rational human being would do, but, if you're fairly consistent about ignoring rationality, it shouldn't be a problem. I'm told that this movie didn't follow the book (the friend who accompanied me rather vehemently pointed out differences). It's hard to really point out what was wrong with this movie: the acting wasn't terrible, the characters were fine (albeit a little weak), and the story was sound. However, it just leaves you unsatisfied at the end, and you find yourself chuckling at some of the effects. It was nothing special, but it's not the worst movie either.