55 Degrees North

I loved this somewhat undemanding show when it aired, but reading some of the inane comments in the reviews has made me want to write one. If you're easily offended I politely suggest you skip this review. Can it ever be overstated, how rare it still is to find a British detective drama – or indeed any other kind of British drama whatsoever – in which the lead is played by a black man? Or, for that matter, where the thorny subject of racism is tackled, incidentally, and with humour and generosity? I nearly fell off my chair laughing at one user comment that such issues don't exist in the area in which this show is set – qualified by adding something to the effect of: not, at least, on a large scale. No, I'm sure… But there's a 'blindness' that operates in reality in Britain: unless you have racism forced on your attention, it's very easy to persuade yourself that it doesn't exist any more in our modern and "reformed" society. The reality remains, silenced, I suspect, by the very PC movement that sought to address it, in the glass ceilings, the lack of cultural understanding, the "sleepwalking our way to segregation" as Trevor Philips quite rightly puts it.

So, how refreshing and wonderful to find this series, which I thoroughly enjoyed, even whilst fully aware of its occasional clichés, its slightly old fashioned style and dodgy regional accents, and its unsurprising romance. Who cares? – none of these haven't already been spotted before in almost every British detective drama, so all the more reason for this series to be taken on its own merits. The chief of these is the charismatic Don Gilet in the lead role of Nicky Cole, the London copper cast, through his brave but impolitic actions, into the career wilderness (and punishment) of a night shift in the police force in the north. The setting happens to be Newcastle, a rare chance to see a great-looking city, but it could be anywhere. He encounters a world often unwilling to make the necessary leap of faith, to believe in him at face value and on the basis of his record. So, like many men and women in his position, he must prove himself by working twice as hard, being twice as good at his job as everybody around him. Some of this is racism; some is good old-fashioned "you ain't from round here" suspicion of the new. But one of the pleasures of this series (beyond its making it to the screen at all!) is that this issue is still a sub-plot. Taken out of the mix, it's just an engaging police drama.

Another reviewer at the opposite end of the spectrum commented cynically on the 'PC' nature of the show, how it ticked equal opportunity boxes. In the eye of the beholder… But again, can I stress how highly unusual it is that this show got made at all? Wow, only imagine, if TV shows were really commissioned principally with a desire to address equal opportunities and represent Britain as it really is! I liked this show very much indeed, and strongly recommend it, not as a diatribe on racism but as a very enjoyable entry in the long police drama canon. Some suspension of disbelief may be required, but we're all used to that, right?

OK so i read the last post about the series, and while i agree that this program has a lot of clichés in it that doesn't make it a bad program.

Now-a-days too many programs and films give you either an anti hero or a hero who is not clean cut, sometimes its nice to have a hero who does always win in the end.

What i see as the major selling point of the program is the overall story, DS Nicky Cole moves to newcastle after he informs on his senior officer in London on corruption charges, when he arrives (he moved police departments too so now he works in the newcastle police) he find out that his new senior office may have knowen his old one, and he is stuck on the night shift.

Nicky proceeds to solve all the crimes put before him, and get past many of the problems facing him (racisim - although thankfully this is a minor pert in the show, i don't like shows where the colored hero is always either facing large amounts of racist comments and deals with it proving everyone wrong, or where they continually feel the need to prove themselves and ever second line it 'its because i'm black' this show has just about the perfect balance there is tension with some of the newcastle 'locals' but Nicky seems to just take it in his stride, on episode he is very cool with a banana, just watch it and you'll see what i mean) such as tension with other officers and locals and never being given the chance to get moved to the day shift.

As this is only a 6 part story continuity is hard as they are trying to put a lot of story is to a short time, you have all the 'daily' stories, the over all 'big' storyline, the little tangets with the other characters and such like.

all in all i recommend you watch this, you may like it you may not, but at the end of the day its all about what you like isn't it!!

I didn't even bother to watch this when it first started. Not another cop show, I thought. Just what the world needs. But after my mother said she'd seen it and said it was good, I thought I'd give it a try. Thankfully they don't make such a big deal of the racism issue although you know it is there. And whilst I agree that Nicky Cole is perhaps somewhat too good to be true, he isn't flawless. He makes mistakes and although he means well, he doesn't always manage to do the right thing. The one area where the series does fall down is the development of the Dervla Kerwan character, who is given too little to do. Perhaps the possibility of a relationship between her character and Don Gilet's was too obvious and a cliché as someone has already mentioned. Frankly, they could get rid of her character and it would make no difference to the show at all, so little impact she has made. This is no reflection on Dervla Kerwan, who is a good actress but she should get rid of her agent for making her take the part as it does nothing for her, especially as she is wiped off screen by Emma Cleasby's Sgt Brookes who is a much more vibrant character and is given probably more screen time to boot. Cleasby makes a great impact here and should be promoted to the leading female role next time round as she and Gilet have much better chemistry together.

RATING: 15 out of 10!!!

There are a number of venomous expletives and expressions I could spew which would make the Ecuadorian tree frog seem like a pleasant alternative, but I shall refrain from doing so because of a three-word, God-given right we all (or SHOULD all) enjoy:

FREEDOM OF SPEECH!

That said, can I ask why all the cerebral effort to pick such a fine series to pieces?! Surely such shows are meant to serve as a means to unwind after what had been (most of the time anyway) a long hard slog of a day, which I believe 55DN achieves hands down?!

Don Gilet wears the role of Nicky well, a put-upon man trying to do the best he can with precious little, in a place that by and large either flat-out refuses to accept him or are having a hard time doing so.

So I'm glad to see that he is able to come home to a family which, although unconventional, oozes positivity. After all, it should come as no surprise that not all Black families are as chaotic and "ig'nant" as the Crouches (http://us.imdb.com/title/tt0375290/) or cursed with the obligatory "black sheep" such as Paul Trueman in EastEnders (http://us.imdb.com/title/tt0088512/) And as for the sweet, sweet, not-at-all out-of-place title sequence (and funky theme tune)... oooh baby, that NEEDS to be a single already!

And that's my two cents worth for the day...

I had absolutely zero interest in seeing this when it first started. Not another cop show, I thought. Just what the world needs. But I was persuaded to try it by my mother who lent me the first episode on video. And I glad I made the effort to see it. Because this is actually one of the best cop series of recent years. Okay, so it's not "Between the Lines" but that was a series of such brilliance that it would be a miracle if the BBC managed to produce a series like that again, especially given the current obsession with reality shows.

Don Gilet, an actor I've been unfamiliar with hitherto, makes Nicky Cole an engaging and sympathetic hero and the inevitable racism he faces is not ladled on with a trowel as I feared it might. You know it's there but it's not always an issue. Contrary to some of the comments made by others on here, although Cole is perhaps too good to be true, he isn't infallible. He makes mistakes and doesn't always manage to wrap up the story neatly in 60 minutes. Something which makes a refreshing change. The plots hold the attention and the grandfather/son dynamic adds an interesting dimension as well.

It's certainly not perfect by any means though (why is Cole's rank just plain Detective? Surely that's an Americanism. It should be something like Detective Sergeant or Detective Inspector or something. And why the reference to John Doe and Jane Doe instead of IC1 or IC3 or something - another Americanism). Most unforgivable of all though is the waste of Dervla Kerwan. I assume that the intention, as others here have already said, is that Cole and Dervla Kerwan's character are supposed to get together at some point in the future, thus providing some good old UST (Unresolved Sexual Tension). But it isn't working people. Kerwan is a good actress but the role is grievously underwritten and the net result is that you don't care about the character at all (Kerwan should sue her agent for persuading her to take such a nothing part - it does absolutely nothing for her). Personally, I'd like to see Cole get it together with Sgt Brookes (Emma Cleasby). For a supposed supporting role, it seems that Cleasby gets more screen time than Kerwan (either that or she manages to make a bigger impact with what she has been given). Certainly, the few scenes between her and Don Gilet sizzle with the sort of UST that I suspect the producers were hoping would happen with Kerwan's character. This is the relationship I would like to see developed further in the next series (if there is one).

So if there is going to be a series 2 (and I hope there will be), then here's my advice to the BBC. Save your money, get rid of the Kerwan character (who's name I can't even remember, which gives you an idea of the little impact it has made on me) and promote Brookes to be the main female character before Emma Cleasby gets snapped up by Hollywood like Catherine Zeta-Jones and Minnie Driver before her. Because on the strength of the talent she shows here, trust me people, one day it's gonna happen.