Assault on Precinct 13

The picture deals with an assassin (Laurence Fishburne) along with a group of delinquents (J.A Rule , John Leguizamo) are led to prison by security policemen (Kim Coates and Dorian Harewood) and during a snowstorm find shelter in a sleepy police station and almost locked out due to demolition . Precinct is commanded by a sergeant (Ethan Hawke) and there are an old police (Brian Dennehy) , a secretary (Drea De Matteo) and a psychologist (Maria Bello). Police station in ghetto district 13 is suddenly under siege and itself surrounded by violent gangmen heavily super-armed with technological weapons and helicopter . The opponents attackers sworn revenge about the murderer now inside the precinct 13 .

Film captures the special excitement or mood of paranoia that those under siege live for the night . Psychosis abounds when the policeman and prisoners are attacked from all sides and can see no way out making desperate tryings to flee . Film has maximum tension , noisy action , emotion and thriller from the subsequents attempts by the violent stalkers to enter in the station and the besieged to survive or getaway for prevention of the seemingly inevitable final . From the initiation of the movie to the end action-packed and suspense is unstopped . A very exciting storyline by James De Monaco though much-copied and superb casting make this one of the best thrillers made in that year . The picture is an adaptation of the semi-acclaimed John Carpenter film with the same title what also was a rendition of Howard Hawks's ¨Rio Bravo¨ and the remakes the ¨Dorado¨ and ¨Rio Lobo¨ ,that were developed in a besieged jail defended by a tough John Wayne and helped by a misfit bunch . Flick will appeal to action movies lovers . Rating : Above average.

On a snowy New Year's Eve, a police station where a bus full of convicts has been jailed comes under attack from corrupt policemen, forcing a police sergeant with a cloudy past (Ethan Hawke) to team with a ruthless mob boss (Lawrence Fishburne) to try to keep them at bay.

The original was a pretty good film so I'm still confused about the need to remake it. Yes, it was a little outdated but the film still worked fine. I was expecting the remake to be really bad since the trailer looked lackluster and Ethan Hawke isn't that good of an actor. However, this update turned out to be a decent film. It doesn't approach the original in quality but at least it doesn't insult the original either. They do change some things from the original though that didn't really bother me. Actually, it's kind of better that they tried it in a different way instead of doing it exactly the same (paging Psycho) and there was more reason to remake it.

The performances were okay, nothing special. Ethan Hawke was okay as Roenick. He would sometimes go over the top and he was a little weak at some points. Laurence Fishburne was better than Ethan but still only average. Ja Rule actually gives a good performance for a rapper though he doesn't get a lot of screen time. John Leguizamo was okay, kind of dull. Maria Bello gave the best performance out of everyone and she is a pretty underrated actress. Gabriel Byrne was just meh while Drea de Matteo was clearly there for eye candy and nothing more.

Jean-François Richet does a decent job at directing and he manages to create some suspense. However, he does keep the film simple and most of the twists are obvious. The script is generic and weak with a lot of clichés and little in the way of originality. The action sequences are slick and enjoyable but they are also kind of sparse. The movie also becomes dull from time to time even though the film isn't really that long. There is also little character development so it's hard to feel sorry for some of these people. The remake is really just a semi-enjoyable, generic action film. It fails to surpass the original in most categories but it still stands as a decent film. In the end, Assault on Precinct 13 is a decent action film and it's worth checking out. Rating 6/10

A remake of John Carpenter's superior film of the same title from 1976, Assault on Precinct 13 concerns a siege on a largely abandoned police station, which is related to the presence of a notorious criminal, Marion Bishop (Laurence Fishburne). It's left up to a ragtag group of police employees and criminals to defend themselves.

I should start by noting that I absolutely love Carpenter's original film. In my view it is one of his best, perfectly capturing the suburban desolation of 1970s Los Angeles, and exquisitely suspenseful and horrifying, even though it's not really a horror film. Despite that, when this remake of Assault on Precinct 13 began, I had high hopes for it. The first scene is well directed, well shot, with excellent dialogue. It turns into an intense action scene at just the right moment, and results in some realistic, gritty deaths. The opening is as good as anything in the Carpenter film.

Unfortunately, Assault on Precinct 13's excellence ended right there. It's not exactly a bad film--I enjoyed it more often than not, but it does have more than its share of flaws. In the end, my rating average out to a 7 out of 10. Recommendable, but with reservations.

The first problem is that director Jean-Francois Richet tries to do too much--too much backstory, too many characters, too many over-the-top characters, too many quick cuts, too much shaky hand-held camera work, too many "big action moves", too many explosions, too many settings, and it's too dark. That the film is often so quickly edited and dark makes it too often difficult to see what's going on in the action scenes. Carpenter's film succeeded by being very taut, economical, sober and logical in its directorial style. Richet tries to one-up the original by forgoing all of those qualities. By the second or third scene, I was fairly confused. Superfluous characters were popping in and out, people were mumbling dialogue, and there was a whole complex backstory being hinted at and not spelled out very well.

The brutal shooting near the beginning of the original film, which sets off the whole sequence of events, was dropped--that thread was completely removed from the film. It was lamentable in that this new Assault loses much of the simple, sensible drive the thread provided, and it was surely a decision based on political correctness. Likewise, Bishop is not allowed to be a clear-cut bad guy here. That saps some of the effectiveness out of his cooperation. In this film, he might be mostly tough talk. The other criminals in the film are either left largely unexplained or guilty of only petty or consensual crimes. I find this kind of political correctness in films reprehensible, although I realize it's primarily a studio decision.

On the positive side, the villains here were cleverly conceived, and their nature makes them much more menacing physically. On the negative side, however, Richet lost the Night of the Living Dead (1968) zombie-like nature of the marauders, which saps suspense from the attacks. The logistics of the defense of the police station and details of their dilemma are not very clearly scripted or staged, either, which doesn't help. Another flaw is that some intruders seem to inexplicably hesitate. Another positive, though, is that Richet's film brings back a few small details, such as the capture of the criminal at the beginning of the film, and a substance addiction in one of the heroes leading to a character transformation, found in Rio Bravo (1959), the film that in conjunction with Night of the Living Dead, was the main inspiration for Carpenter's original film.

Also on the positive side, this Assault has a skilled (and much more well known) cast. Even though Richter occasionally directed them to be a bit too over-the-top, the performances hit many very interesting notes. And a few of the additions to the original film, such as a Mexican standoff and a couple later scenes outside the police station were excellent. The increased firepower here may also be to some viewer's liking.

A viewer less fond of the original, or even unfamiliar with the original, may like Assault better than I did. I may have even liked it better if the original were not so fresh in my memory (I just watched it again it recently--a review is forthcoming). There are enough redeeming aspects for action fans to make it worth at least a rental or a viewing on cable, but approach the film with lowered expectations.

Now, before you criticize me, I have never seen the original John Carpenter version of this film. Being a huge fan, I really should see it, and after seeing this remake, I will definitely track down the original to see if it is as good as this film. I had a blast!

New Years in Detroit, a cold winter's morning as Precinct 13 prepares to close it's doors and move to a new building. There are only three people in the building on New Year's Eve, and as a storm draws closer, a criminal being transported to a maximum security center is re-routed to the deserted precinct. Only, there are some other people that would like to get closer to the villain.

Very exciting story and excellent acting by both Ethan Hawke and Laurence Fishbourne take this action over the edge. Some people may find the film ultra violent, but violence on the big screen never bothered me, so I enjoyed it quite a lot! Definitely worth a look for action fans, and fans of the original who are curious. However, those that are disturbed by violent images, would like to steer clear of this film.

I hate movies that have potential and fall on their proverbial faces, and this movie came very close to biting the dust. The writing was blasé, the acting was blasé (although Laurence Fishborne was by far the least offensive), the directing was horrid ... it just wasn't done real well. The action was fine but nothing stupendous. A solid "C" if there was one ... and I have to say Ethan Hawke and Drea de Matteo really bit it with their quasi-acting in this movie - although I will have to say that I'm not sold that it was all the actor's fault, as a great deal of the wasted effort was definitely in the writing.

A solid rental. Not for box office.