Bolivia

Bolivia (2001) This is the first feature-length film from director Israel Adrian Caetano. It was an Argentinean & Dutch Production. Filmed in black & white & on a low budget the film was shot 3 days a week over a period of three years. Kind of a neo-realism slice of life film the mostly plot-free film is confined to a café-bar in the lower-middle class Buenos Aires suburb of Villa Crespo, with few trips outside. It tells the story of Freddy (Freddy Flores), a Bolivian with a gentle disposition, who, after Americans burn down the coca fields where he is employed, loses his job. With little work opportunities in Bolivia, he leaves his wife & three daughters & travels to Argentina to search for employment as an undocumented worker. He hopes to make money & later return to his family. He lands a job as a grill cook in a seedy Villa Crespo café where the owner (Enrique Liporace) is happy to skirt Argentinean immigrant laws in order to secure cheap labor. It is in this café that Freddy meets the characters who affect his life: Rosa (Rosa Sanchez), a waitress of Paraguayan/Argentine descent, & an outsider by virtue of her mixed heritage; Hector (Hector Anglada), a traveling salesman from the province of Córdoba who's gay; a Porteno taxi driver (Oscar Bertea), & one of the driver's buddies. Freddy also has to deal with various Argentine café patrons who view all Paraguayans & Bolivians with disdain due to their ethnicity. The film gives us a realistic portrayal of racism immigrant labor & prejudices in Argentina. Cateano used professional & non professional actors. Freddy Flores was a local non professional. Other reviewers state this film is for art film students only. I disagree. All interested in foreign film & film in South America & Argentina will like this film. It very realistic & I enjoyed it. This short 75 minute film about poverty, intolerance, violence, & despair in contemporary Argentina is powerful & I recommend it. This is a universal story. 3 or 4 stars.

Freddie is a Bolivian in Buenos Aires, working as a cook in a small bar/restaurant. His contact with the owner, the working-class customers, and his co-workers tells a story of poverty, intolerance, violence, and despair in contemporary Argentina. This brief (75-minute) film is well worth the effort you may have to make to seek it out. First rate.

Bolivia is filmed entirely in black and white, contains almost no score, and 90% of it takes place in the same setting - a quaint, run-down café frequented by Argentinian regulars.

It sounds slow but captivates for the entirety of its short duration. The movie follows an illegal immigrant, Freddy, who is trying to make his way in the country as he struggles to deal with intolerant locals. He supports a family back home and wants them to join him in Buenos Aires when he saves up enough money.

The film delivers a powerful message about xenophobia and poverty in South America in the modern era. Despite its short length, it is one of my favorite foreign films to date.

In a small bar/restaurant, at a corner in Buenos Aires Argentina, a Bolivian immigrant finds a job as a cook. His experiences and those of the locals in the bar are used by the director to tell us a story about life of working class people in nowaday Argentina. The film is almost entirely shot in the bar. The scenery, discussions in the bar, and development of the drama have a Jarmusch like quality.

The film won the critics-price in the International Film Festival Rotterdam. Highly recommended!

There are movies that shows you how hard can life be for people considered different or out of place. We know that Adrian Caetano is quite an expert in such films. "Bolivia" is not an exception. Really good, makes you think about facts that seems quite normal in our countries.In Argentina the Bolivian or Paraguayan people are generally unwanted immigrants, as Argentinians are unwanted in other places like USA, Italy or Spain. This movie shows clearly how can individual tragedies be part of social discrimination. Considered as "Nuevo Cine Argentino", Caetano's filmography should be watched carefully, being a good director that tells simple but deep stories.