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6.8/10
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Each Halloween, youth members of Trinity Church, Texas construct a 'Hell House'; a modern-day fire-and-brimstone sermon, presented in the form of a haunted house, seen by over 10,000 visitor... Read allEach Halloween, youth members of Trinity Church, Texas construct a 'Hell House'; a modern-day fire-and-brimstone sermon, presented in the form of a haunted house, seen by over 10,000 visitors each year.Each Halloween, youth members of Trinity Church, Texas construct a 'Hell House'; a modern-day fire-and-brimstone sermon, presented in the form of a haunted house, seen by over 10,000 visitors each year.
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The more I think about the way this movie was put together, the more interesting I find it to be. The pastor of a fairly large church allows a secular film crew to wander in and out of meetings, services and other events with a camera and apparently with no restrictions. The fact he allowed this is pretty amazing to begin with. Poor lighting, mediocre equipment and an editing process that is not under the control of the church could have easily resulted in a product could have been a disaster for the pastor and the church. The director sorts through what must have been hundreds of hours of filming to select what would be in the final movie and this documentary is the result. There is no opportunity for the church to go back and explain or clarify things that were said by any of the people that were filmed, including teenagers. You have to admire the pastor's courage. You also have to admire the fact that the director didn't use any apparent twists to push for a perspective, either for or against the church. This is not the norm in todays media.
The desired message of Hell House is pretty simple, yet easily distorted. "There are many traps to get us off the track for what God wants to do for us in our lives. It doesn't matter what we have done - drugs, violence, sexual sin, abortion, or even occult worship and the consequences from those things. He still loves us and is ready to forgive us. Eternity is beyond our comprehension, but we need to consider all of the information and make a decision on where we want to spend eternity. It's up to us. This church is just trying to use an unusual, yet contemporary method of communicating some of that information that we need to consider, so we can make an informed decision."
The desired message of Hell House is pretty simple, yet easily distorted. "There are many traps to get us off the track for what God wants to do for us in our lives. It doesn't matter what we have done - drugs, violence, sexual sin, abortion, or even occult worship and the consequences from those things. He still loves us and is ready to forgive us. Eternity is beyond our comprehension, but we need to consider all of the information and make a decision on where we want to spend eternity. It's up to us. This church is just trying to use an unusual, yet contemporary method of communicating some of that information that we need to consider, so we can make an informed decision."
To quickly summarize what I believe is the 'message' one may get from viewing this film: All you need to do is change the geographical location and name of the 'God' and you've got a typical fundamentalist Madras school in the Middle East. What's on display here is a sad and horrific waste of young human minds.
To witness, in some awe, where impressionable minds can be lead by twisted religious quacks makes this film most definitely worth seeing -- and can admirably serve as a 'wake up call' for modern civilization; do you know where your children are? Be afraid.
H.U.
To witness, in some awe, where impressionable minds can be lead by twisted religious quacks makes this film most definitely worth seeing -- and can admirably serve as a 'wake up call' for modern civilization; do you know where your children are? Be afraid.
H.U.
Wow! Last night on the Sundance Channel, I had the opportunity to watch a truly frightening film "Hell House"- a documentary, mind you. The reason why I think this film is certainly scarier than the run of the mill Halloween/Fri. the 13th sequel is that it reflects a honest depiction of just how whacko some Christian fundamentalist groups are in this country. You will often see segments on CNN on Wahabi schools for Islamic fundamentalism in Pakistan or Saudi Arabia, but you won't often see them go into this dark corner of our country. I was struck, and this was perhaps not intentional, how commercialism is wide spread throughout the film. I thought a simple moment where a kid asks his father for 50 cents which he doesn't have on him to get a Coke from the machine is telling of how we are paralyzed by rampant commercialism and technology. As someone whose grandfather grew up in a Central Turkish village, I have to wonder if these aspects of our world have driven us all mad to the point where we look to some kind of "SuperJesus" out of a DC Comic book to come down and save us from all the sins of the world. I was also struck by how a youn girl jumps up and down when she gets to play 'the abortion girl.' It's as if she is so trapped by her fundamentalist upbringing that she actually looks forward to playing a troubled young girl getting an abortion perhaps so she can pretend to be bad and find some sort of temporary emotional release. Ultimately, the way church uses fear to promote its' message is what is most disturbing of all. You see fear shown through all dimensions of the church, including a segment where a Hispanic teacher, who provides the voice of Satan on stage, tells his class that there are such things as stupid questions and one should not waste time trying to ask them. Clearly if we all do what we are told, as this church wants us too, then one has to ask what is this difference between living in the film's setting, outside Dallas, and living in Baghdad?
I first came across "Hell House" about a year ago on Sundance Channel's "Doc Day," and having always been interested in films involving Christianity ("Saved!" and "Dogma" are my two favorites) I decided to sit down and maybe have a laugh or two at the down-south fundamentalism. What I saw wasn't much of a laugh: "Hell House" depicts young Christians in what has been called an "evangelical haunted house," in which they portray various scenes of people committing "sins," then being dragged off to hell by a demon in a cheap Halloween mask. In short, it's not a nice film for your Sunday afternoon.
Director George Ratliff first heard about this particular hell house when it attracted media attention for doing a school shooting scene just a few months after the Columbine shootings (though the house had been doing this particular scene for quite some time, it raised controversy in 1999 for being so soon after the Columbine massacre). He was allowed into the tight church community to make his 1999 documentary short "The Devil Made Me Do It," and went back a few years after to make this, the feature length-version, "Hell House." On the DVD features, Ratliff explains that the only way he would be allowed into the community to shoot the film was if he promised to portray things exactly how they are, and not put his own spin on them or try to counter the message of the church.
This is where the film sometimes gets criticism, as we are seeing some very offensive behavior from those putting on Hell House, and the only people there to dispute them are a bunch of drunken teenage Slipknot fans. To me, though, it shows how well the church has paralyzed the community with fear, as everyone goes along with this perverse project with smiles and clapping hands.
And yes, the Hell House itself is pretty disturbing- depicting scenes of botched abortions, a gay man dying of AIDS then renouncing God and being dragged off to hell, a girl killing herself after being raped at a club (then once again, being dragged off to hell), even a man burning for all of eternity because his uncle molested him as a child. To sum up, these people are "crazy" with three K's.
People seem to forget, however, that the film was not made by these religious fanatics themselves, but by an outsider. Most of the negative reviews for this are slamming the subject matter alone and the hideous people contained inside, which I think isn't fair. Yes, it's difficult to not be disturbed by "Hell House," (if I had seen this when I was younger, I would be convinced that I was going to hell) but you need to get past that and look at how Ratliff gets inside these people. I think I walked away from this movie feeling much more informed on the horrors of deep-south Christianity. Rather than having a vague idea from various stand-up comedians, this movie really gets to the nitty gritty of it all, which makes "Hell House" my all-time favorite documentary.
So if you want to be scared this Halloween, forget "Friday the 13th" or "The Exorcist" hunt down a copy of "Hell House" and prepare to be terrified.
Director George Ratliff first heard about this particular hell house when it attracted media attention for doing a school shooting scene just a few months after the Columbine shootings (though the house had been doing this particular scene for quite some time, it raised controversy in 1999 for being so soon after the Columbine massacre). He was allowed into the tight church community to make his 1999 documentary short "The Devil Made Me Do It," and went back a few years after to make this, the feature length-version, "Hell House." On the DVD features, Ratliff explains that the only way he would be allowed into the community to shoot the film was if he promised to portray things exactly how they are, and not put his own spin on them or try to counter the message of the church.
This is where the film sometimes gets criticism, as we are seeing some very offensive behavior from those putting on Hell House, and the only people there to dispute them are a bunch of drunken teenage Slipknot fans. To me, though, it shows how well the church has paralyzed the community with fear, as everyone goes along with this perverse project with smiles and clapping hands.
And yes, the Hell House itself is pretty disturbing- depicting scenes of botched abortions, a gay man dying of AIDS then renouncing God and being dragged off to hell, a girl killing herself after being raped at a club (then once again, being dragged off to hell), even a man burning for all of eternity because his uncle molested him as a child. To sum up, these people are "crazy" with three K's.
People seem to forget, however, that the film was not made by these religious fanatics themselves, but by an outsider. Most of the negative reviews for this are slamming the subject matter alone and the hideous people contained inside, which I think isn't fair. Yes, it's difficult to not be disturbed by "Hell House," (if I had seen this when I was younger, I would be convinced that I was going to hell) but you need to get past that and look at how Ratliff gets inside these people. I think I walked away from this movie feeling much more informed on the horrors of deep-south Christianity. Rather than having a vague idea from various stand-up comedians, this movie really gets to the nitty gritty of it all, which makes "Hell House" my all-time favorite documentary.
So if you want to be scared this Halloween, forget "Friday the 13th" or "The Exorcist" hunt down a copy of "Hell House" and prepare to be terrified.
A previous review for this film infers that the documentary makers lose respect for their subjects. After seeing the documentary, I couldn't come to the same conclusion. These people with all their good intentions bring ridicule on themselves. Bringing hell back into religion and trivialising disturbing scenarios with gory reenactments can breed the sort of hatred towards margianlised people that seems the antithesis of a Christian message. While sophisticated film festival audiences might be in fits of laughter at the planning and execution of hell house, there is a serious undercurrent. The makers should be congratulated for their subtle approach in dealing with the personal problems of the protagonists and the way such a seeming laughable freak show can 'convert' people to this form of religious belief.
If Hell house is preaching to the converted, the actual subjects of the documentary are definitely NOT preaching to the converted. They are preaching to those lacking direction or disillusioned with their life. As the ending shows, the scenes which seem ridiculous to us, lead some people to convert to the close-knit web of this Christian group. To me, this is a pretty frightening scenario. What is the community doing wrong that would make young people so susceptible to such an outdated morality? I just hope that this documentary will be shown more widely, particularly to younger people within the context of discussing the issues the documentary raises. And for most of us who will not subscribe to the often demented views espoused by some of the subjects of the doco - it's one of the most amusing and entertaining documentaries around.
If Hell house is preaching to the converted, the actual subjects of the documentary are definitely NOT preaching to the converted. They are preaching to those lacking direction or disillusioned with their life. As the ending shows, the scenes which seem ridiculous to us, lead some people to convert to the close-knit web of this Christian group. To me, this is a pretty frightening scenario. What is the community doing wrong that would make young people so susceptible to such an outdated morality? I just hope that this documentary will be shown more widely, particularly to younger people within the context of discussing the issues the documentary raises. And for most of us who will not subscribe to the often demented views espoused by some of the subjects of the doco - it's one of the most amusing and entertaining documentaries around.
Did you know
- Quotes
Jason: Help me. Please help me.
Giant: You better mind your own business, or you're next!
- ConnectionsFeatured in SexTV: Asexuals/Hell House/She Comes First (2005)
- SoundtracksArise Oh Lord
Written by Kelly Carpenter
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Details
- Release date
- Country of origin
- Official site
- Language
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $18,279
- Opening weekend US & Canada
- $6,950
- Oct 20, 2002
- Gross worldwide
- $18,279
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.37 : 1
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