Crazy Like a Fox

There is nothing complex about "Crazy Like A Fox". It is the straightforward story, really a fairy tale, of a man who through bad luck or being irresponsible, or both, is forced to sell his historically rich Virginia farm. Most certainly the entire movie is both unrealistic, and yet at the same time quite charming. If at times it seems a bit too "warm and fuzzy", that is because it is. The yuppies seem to give up way too easy, and the joyous singing and dancing is overdone. The performances are fine, the scenery is beautiful, but the story lacks realism and depth. I would not call this a comedy, it is more a family feel good movie that will appeal to some, while others will most likely be dozing off. - MERK

One of the most beautiful opening sequences ever filmed starts this movie out on a positive note. The actors are so well cast that you will find it hard to believe they are acting. The young and beautiful villains are so very, very real. At the same time the "hero" is older and not very well shaven, but you feel his pain with every scene. He embodies several generations of Southern Gentlemen. He loves his home, his land and his heritage with a love that is palpable and endlessly enduring.

This story wrenches your emotions this way and that as practicality takes a backseat to honor. The well-fare of his well loved previous employees hangs in the balance. A threat to the very existence of his family home forces the hero to make some unusual decisions and bend the law considerably.

The photography is superb. It is both moving and heart-wrenching when one knows that so much of that same land is about to be paved over with "progress". Nature is given a brilliant part in the over all list of characters. And what an actress she turns out to be!

This film should be required "watching" for anyone thinking of exchanging city living for a country experience. Can you tell? I LOVED this film. See it and judge for yourself!

I loved this movie. I live in an area where the surrounding countryside is being eaten up by fast-growing townhouse communities and their accompanying shopping malls, and where most of the local legislators are too busy slurping at the real estate developers' trough to take any notice of the fast-fading farmland. Crazy Like a Fox shows what happens when neighbors unite to help one of their friends, played wonderfully by Roger Rees. Rees, who mistrusts everyone including his own wife and his good friend the real estate agent , fights back against the forced sale of his estate by moving to a cave on the property. Somehow, Rees manages to make that bizarre action seem like the only rational choice.

Christina Rouner and Paul Fitzgerald, as the wealthy city lawyers who are clearly looking to make even bigger bucks in real estate investments, are terrific. Not only do they look the part -- young, attractive, well-dressed -- but they are both able to convey the subtle signs of "I'm- ever- so- much- better- than- you- are-ism" without forcing the issue. And Howard Koons (in what I gather must be his first movie role) is absolutely wonderful as the hired hand, lack of teeth and all.

Right up there with the acting is the photography. It is achingly beautiful, capturing the Virginia countryside in all its glory. The score, written by the director, is perfect.

Even if your town isn't (yet) threatened by developers, Crazy Like a Fox should still be on your list. This is a thoughtful, beautiful and sometimes very funny movie you'll think about long after the last credit has faded from view.

I loved this film. Crazy Like a Fox will touch all of your emotions. A perfect blend of humor and drama. It is hard to compare this film to others I've seen. It is certainly in the league of Funny Bones, and Napoleon Dynamite, but with even more of a heart.

In an infuriatingly plausible plot, Nat Banks (Roger Rees) plays the perfect champion of an individual's right to be brave, stubborn, and insane in a fight to hold on to tradition, honor, and the past. Despite Banks' methods, you root for him (and his long suffering family) to the end. Equally, CLF was beautifully shot, in a way which brings out the beauty of the south.

Richard Squires has written and directed an intelligent, original, and perfectly paced film. More than any other in the past several years, I reflect upon the scenes of this film.

Nothing at the 2004 Savannah Film Festival was quite as frustrating to watch as the non-dimensional, feature-length helping of twisted Southern principles, "Crazy Like a Fox." The plot: A man sells his house to rich snobs and, after being tricked, changes his mind. He manages to conjure up the support of his fellow Southern folk in an effort to drive the outsiders out of their town. U.K. actor Roger Rees plays Nat Banks, a Virginian farmer who even after living his whole life in the South still hasn't been able to stop speaking with a British accent (seriously, he does, and without explanation).

The bad guys, played like cartoon characters, manage to purchase Nat's house fairly and squarely. Unable to deal, Nat begins camping out on their property. Eventually, he musters the courage to seize the house with the support of the police, judges and anyone else who doesn't care about breaking the law.

Perplexing and ultimately unsettling, "Crazy Like a Fox" argues that law, order and a free market are not valued in Virginia and that rich, snobby people are mean and should be kicked out of small towns. More astounding than this movie being accepted into the film festival is the fact that someone, somewhere, funded this 98-minute disaster.