Crazy Like a Fox

One of the most beautiful opening sequences ever filmed starts this movie out on a positive note. The actors are so well cast that you will find it hard to believe they are acting. The young and beautiful villains are so very, very real. At the same time the "hero" is older and not very well shaven, but you feel his pain with every scene. He embodies several generations of Southern Gentlemen. He loves his home, his land and his heritage with a love that is palpable and endlessly enduring.

This story wrenches your emotions this way and that as practicality takes a backseat to honor. The well-fare of his well loved previous employees hangs in the balance. A threat to the very existence of his family home forces the hero to make some unusual decisions and bend the law considerably.

The photography is superb. It is both moving and heart-wrenching when one knows that so much of that same land is about to be paved over with "progress". Nature is given a brilliant part in the over all list of characters. And what an actress she turns out to be!

This film should be required "watching" for anyone thinking of exchanging city living for a country experience. Can you tell? I LOVED this film. See it and judge for yourself!

I saw Mr. Squires film, "Crazy Like A Fox", in Leesburg, Virginia two years ago at a special screening.

I am a filmmaker of mostly documentaries and a transplanted Yankee, who, while watching the film was moved to tears several times – something that never happens.

The message in this film, to me, is a strong sense of the loss of ones home, of land, of tradition, of pride, of culture, of history, and of the environment because of suburban sprawl that is driven by quick cash and greed.

In the opening of the movie it could easily have read, "This film is based on a true story", because this tale is happening all over Northern Virginia right now! The beauty of Virginia's piedmont region is captured well. These visuals, juxtaposed with the voice-over speaking of tradition, family, and roots sent chills through me.

The acting, editing, and directing ranged from good to great.

This film exemplifies the all-too-real land-rape of today created by speculators, developers, and local governments. Someday I hope to personally meet Mr. Squires and thank him for his great work and even greater message.

I was delighted to be part of the audience when this film was shown in Washington, DC,at the National Museum of Women in the Arts. The storyline reflected a frequently overlooked "scenario" that is part of many small, southern towns, i.e., the mandatory sale of large, plantation style houses because they are too expensive to maintain in today's economy. I thought each of the actors demonstrated an "honest" portrayal of the emotions and internal conflicts that would be a part of this kind of situation, especially when these homes have been in families for many generations. I also think this movie was sensitive to another part of this scenario that is seldom addressed, because in today's world it is not considered "politically correct." In many instances, some of these changes adversely affected the domestic staff, because they considered themselves to be part of these families. With that being said, I think that Myrrh Cauthen gave dignity and honesty to the role of the housekeeper. And, this story was carried out amid the beautiful scenery that is part of rural Virginia. Great Job.

Crazy Like a Fox is a deeply flawed film that nonetheless has its merits. Well acted (mostly) and beautifully filmed, the movie suffers from a ham handed script and dubious direction. The plot when analyzed simply doesn't make much sense. The occasional voiceovers do more to muddle the story than to clarify:

Nate (Rees) sells his historically rich but dilapidated house, finds out the new owners want to tear it down and decides to live for months in a cave on the edge of the property (in Civil War military garb). When the owners go out of town he moves back in as a squatter. He elicits the sympathy and help of the locals, the sheriff and the local judge who back him up despite the fact he is clearly in violation of the law and collectively and somewhat inexplicably they eventually drive the new owners away.

OK, sure we're sympathetic to ruthless developers raping the land, but what exactly did Nate living in a cave accomplish other than cast doubt on his sanity? And are we to be sympathetic to people who take the law into their own hands, and use nepotism and small town politics to usurp the rule of law simply because they don't like outsiders? Who exactly then are the bad guys?

Shakespearean actor Roger Rees in his first film role is generally good, problems with his accent aside and Mary McDonnel gives a very nice performance. One feels that both would have done better with more coherent direction. The cinematography and the score (by Washington composer David Kane) are both first rate.

All in all, CLAF represents opportunities lost.

I loved this film. Crazy Like a Fox will touch all of your emotions. A perfect blend of humor and drama. It is hard to compare this film to others I've seen. It is certainly in the league of Funny Bones, and Napoleon Dynamite, but with even more of a heart.

In an infuriatingly plausible plot, Nat Banks (Roger Rees) plays the perfect champion of an individual's right to be brave, stubborn, and insane in a fight to hold on to tradition, honor, and the past. Despite Banks' methods, you root for him (and his long suffering family) to the end. Equally, CLF was beautifully shot, in a way which brings out the beauty of the south.

Richard Squires has written and directed an intelligent, original, and perfectly paced film. More than any other in the past several years, I reflect upon the scenes of this film.