The United States of Leland

Before I saw this film, I read the comment of someone who wasn't very fond of it. This I must admit made me apprehensive to dedicate 1 hour and 48 minutes of my life to it, but I'm glad I did. Ryan Gosling is a fantastic actor, I especially loved the Believer. Don Cheadle was also fantastic. The film presented an interesting view on life and death. It was very touching and very sad, yet it kept me interested, which most touching stories cannot do. It is a film that reckless of whether or not you like it, you should see it. It was unique,and I don;t think that anyone will ever be able to duplicate it. All of the young actors did surprisingly well given the subject matter and the emotion that must have gone into it. I was pleasantly surprised.

Don't let any reviews (critics, IMDb users or mine) influence you seeing this movie. I read only the plot premise and became intrigued. After watching, this movie, in my opinion, is definitely worth seeing. It gives a perspective on life that many have probably not contemplated. Its is not however, as Leland himself says, a movie that "can be wrapped up in a neat package with a bow and everything." Other user reviews on this website claim to have a psychological background and imply that the story is not feasible. Quite obviously they missed the entire point of the movie, which is disappointing. to say the least.

In short, it is a well acted, well directed movie. The story is not a feel good one, but I feel if you don't come away from the movie feeling good, you may just have missed something. To characterize it as "art house" is unfair, in my opinion, but as our society likes labels, this is probably the one that fits. If you find you know everything there is to know about the world... I'd suggest skipping this one. If you feel movies should be a form of escape "from the world"... you won't find it here. But if you do watch it... you just might find something in yourself.

It's interesting to contrast Ryan Gosling's brilliant performance as the terrifyingly smart, aggressive, and articulate Jewish Nazi skinhead Danny Balint in Henry Bean's `The Believer' with his characterization of Leland P. Fitzgerald, the sweet, confused middle class child of detached, alienated American whiteness who's murdered an autistic kid in `The United States of Leland.' And this is probably the only reason to see this new movie. The roles are polar opposites, which must have attracted a young actor as talented and adventurous as Gosling. But the movie is a muddle and so, inevitably, is Gosling's Leland. The best actor in the world couldn't make sense out of Matthew Ryan Hoge's sappy, disorganized writing and unsure direction.

This is a movie that never decides where it's going and never develops a pulse. It's ill conceived in a whole list of ways. Leland is in special custody for committing this terrible, inexplicable crime – which his fellow inmates consider so evil they call him `Devil Boy.' Yet he is portrayed as a young philosopher, a mild-mannered (if potentially lethal) Holden Caulfield. The disconnect is never explained. The movie purports to be exploring Leland's motives for the killing but it never finds any.

The tension is diffused by telling the story out of order with intercut scenes that build up our knowledge of subsidiary characters like Leland's mean, famous writer father (Kevin Spacey), his mother (Lena Olin), his girlfriend Becky (Jena Malone) ), his girlfriend's little brother and sister and parents, a young guy who lives with them (Chris Klein) and. . . and. . . Hoge doesn't know where to stop.

These subplots weaken all the characterizations, not just the central one, and they rob the movie of any point. Hoge is so interested in the career and love problems of Leland's prison teacher and would-be biographer, Pearl (Don Cheadle), in Leland's nasty, remote dad, in the dilemma of Chris Klein's character, and in Leland's girlfriend's drug issues, that the mystery of Leland and his crime never gets plumbed, even if Hoge knew how to do that, which he doesn't seem to.

Is Leland some kind of perverted saint, or just a mild-mannered psychopath? We never find out. All we know is he has come to look on the world as very sad, and that's the best explanation we get for the crime: he wanted to save the little boy from sorrow.

At one point confused, vague flashbacks about trips when Leland was supposed to visit his father in Paris but wound up in New York reveal yet another subplot as he's semi-adopted by a well off Manhattan family.

This all seems either ludicrous or crazy. If it strikes you as sensitive and deep, maybe you'd better check your own pulse.

Autism advocates are up in arms at the suggestion that Leland's killing of an autistic boy might be merciful, but this is not a portrait of the autistic boy -- who's only glimpsed a few times, or of the crime (ditto). What's even more reprehensible than the slighting of the boy is the suggestion that murder might be seen merely as an expression of teenage angst. The thinking behind this movie doesn't bear looking into, and if you want to demonstrate against every badly written film you're going to be awfully busy.

Another interesting contrast is to compare "The United States of Leland" with Jordan Melamed's `Manic,' where Don Cheadle plays a very similar role as a psychiatrist dealing with a disturbed youth named Lyle (Joseph Gordon-Levitt) who's killed a child in a fit of rage. `Manic' depicts in concrete terms where Lyle's rage comes from. We understand the rage is going to be a lifelong problem, but that with luck he may learn to tame it. There's no nonsense about the sorrow of the world and there aren't a lot of confusing subplots. `Manic," in fact, may be almost too simple, but it fairly bristles with powerful, authentic emotion. The story moves forward with intensity and the performances really sing.

Gosling doesn't shake our faith in his skill as an actor, and Cheadle, Klein, Spacey, and the other principals all do respectable, occasionally fine work, but they can't compensate for how badly this movie is conceived, written, and edited.

I decided to write a review after a long time because I want to encourage others to be able to enjoy this film despite what the "experts" say. This movie is worth the watch and would actually give it a 9 or 10. I have only given a few movies that though. I watched this in 2003 or 2004 for the first time and the mood was on point. I fell in love with Gosling and knew he'd be amazing for years to come. I didn't realize he'd become so main stream and am happy for him because he's a one of a kind actor in my opinion. I really liked Don Cheadle in this and everyone did a great job overall. If you're an indie film lover and in the mood for a drama you will NOT be disappointed. I think back when it came out I saw it several times a week for a year and it provided a lot of comfort for me. This and the film Primer I would switch between for awhile. Please do yourself a favor and watch this film. Critics are humans also and I couldn't disagree with their overall ratings on this film more.

I saw this movie the day it was released back in April, and I absolutely loved it. I was blown away, as I always am, by Ryan Gosling's performance. Leland is such an intricate, amazing character that really makes the audience stop and think about their own life and their own actions. When a movie can take you out of your comfort zone and make you really stop and think about the world around you.. that's what I absolutely love. And Leland definitely did that for me. Gosling's performance is eerily touching, and the rest of the cast, including Kevin Spacey, Don Cheadle, and Jena Malone, put on great performances as well.

So please see this movie if you get the chance. [the DVD comes out on September 7th.]