You Can't Stop the Murders

This movie is so laid-back it's like a female contortionist. The sort of movie which could only be made in Australia; laconic in the Croc Dundee style, yet not so emphatically dinkum aussie as in "G'day mate" jargon. Professional film critics may give it one-and-a-half stars, but I'd give it a good three. Then maybe I'm easily pleased. I found it entertaining and amusing - if you're not too critical. You get a lot of chuckles and also some real laughs. I can imagine off-duty police seeing this picture, because it centres on the relationship between two local cops in a small town, and how their lives are fairly humdrum - until the murders start. A serial killer is loose, and the clue to his/her identity is in the occupation of the victim, and the symbolism of the corpse. The plot seems mainly a vehicle for sight gags and other humour, in Jacques Tati manner (Mon Oncle; M.Hulot's Holiday; Jour de Fête); yet there is an underlying tension due to apprehension as to who's going to be next victim. It's good to see perky Kirstie Hutton again (remember her from "Bullpitt!" on TV?), and all the lead actors are interesting characters; with an able and varied supporting cast. I think this movie should have popular appeal, at least in Australia, and might prove more successful than some would anticipate. ====================================================

I first saw this movie on DSTV in South Africa in about 2008. The next time it was on I made sure to press the record button, and once I had it recorded I must have watched it almost every weekend I came home from boarding school.

I decided to Google it and noticed it was free to watch on YouTube, and watching it now I cannot help but smile and giggle the entire way through, only stopping to gafaw, pause the movie to Google what the director is currently making, and repeatedly ask myself how it's possible to make a film this good. I genuinely want the ability to make films that are this good.

It's brilliant on many levels and I don't think there is any nook or cranny of the human condition that this film does not explore.

When I first read the name of this film and saw the poster I fully expected this to be utter crap.

What a revelation.

I don't rate the premise of this film at all highly. It's just a simple device to stage the most well realised, inspired and observed human comedy seen on film in a good while.

It also captures small town Australia beautifully. So much comedy in the mundanities of life. Director, Mir, an accomplished stand-up comedian exhibits just the right comedy timing on film too.

The Village People are so bad they're..... bad. 15 years ago the slight premise of this film might have seemed funny. I doubt people will rush to see that now... BUT RUSH THEY SHOULD!

I urge you to see this film and I'm bewildered by some of the other responses on this site. I'm reminded of how poorly received the first Austen Powers movie was (slowly building an audience on video, after a pretty dismal cinema run, that ensured the success of the sequels).

With new styles of film comedy, the bandwagon comes later. Check it out now - I want to see more films from these guys!

To start with, I'm a big fan of the stand-up work that the three co-stars are known for.

That is why I rushed out to see the film, on a Thursday afternoon of all things. Take my advice, try and see this movie with a large crowd of 25-30's. Group laughter will certainly enhance your experience.

Set in a small NSW town, with a population of 350, the movie follow the investigations of a serial killer who is stalking people who have professions used by the Village People. There are plenty of opportunities with the subject matter to get the audience into tears of laughter, but unfortunately the chances either not taken or are minimised with a laid-back small-town feel.

This truly is a wait-for-video film.

When I first saw the trailer I though to myself 'hey...nice idea'. However i was sadly disappointed with the overall product. Gary Eck, one of the writers and main character, wrote a winning 'Tropfest' entry in 2002 ('Tragic Love'), and in comparison to this short, 'You Can't Stop The Murders' just becomes a parody of itself. 'Tragic Love' was amusing and enjoyable because although the overall idea was absurd, it was played out in complete seriousness. If the same could be said for Y.C.S.T.M then I'm sure it would have made it a much more enjoyable film. However, with that all said and done. I'm sorry to use Gary as an example, and I'll continue the review.

The film overall is quite well make for Australian standards, especially on what I would assume was a small budget. The acting is an interesting mix characters and performers bound together through this interesting variation of the murder genre.

The 99 minute running time perfect for the story to progress. And the cinematography was an altogether different and refreshing view at yet another bland Australian landscape.