You Can't Stop the Murders

This film is okay - not amazing funny but has some nice touches.

For a low budget film it has a very polished look and all in all I think it is far better than most of the comedies currently rushing into production in Australia.

What is also nice about this one is that it is so obviously a labour of love by the three stars who are also the main creative team (director and writers)

It's a nice little film which will perfectly suit a video night with some friends.

Written by and starring short Tropfest film winner, bald local Sydney comedian Gary Eck, this is a supposed comedy showcase for Mr Himself, for himself and about himself. With the same derivative form of 'satirical' comedy (ie: lifted from other original ideas) just like the notoriously inept 90s comic horror SILENCE OF THE HAMS, or Exorcist farce REPOSSESSED, or Top Gun crap HOT SHOTS. This illconcieved film has a bumpkin hometown Village People serial killer whodunnit theme sliding sideways into some navel gazing about the main character, local cop as played by Mr Eck. Sadly there is not much in the form of originality and like the source of satire, probably 29 years out of date. Released in some local multiplexes for a week or so by Mirimax Australia I am quite sure someone almost lost their job because of this distribution pickup boo-boo. More was spent on the posters and ads than was spent on tickets if you get my drift. I am sure Gary Eck is a funny man at the stand-up club but I am not sure that recycling previously humorous characters or situations and claiming them as new and funnier in his films is the right thing to do. Like his Tropfest win hilariously recognized in all parts of the Oz film distribution network as having been sourced from a better idea, the 1978 musical travesty CAN'T STOP THE MUSIC is a funnier Village People storyline...if that is any indication for the murderous hilarity of this flop. I am sure he is well regarded as a comedian and it would be a happy experience for all concerned if he was attracted to original material only. I guess that is called creativity.

I first saw this movie on DSTV in South Africa in about 2008. The next time it was on I made sure to press the record button, and once I had it recorded I must have watched it almost every weekend I came home from boarding school.

I decided to Google it and noticed it was free to watch on YouTube, and watching it now I cannot help but smile and giggle the entire way through, only stopping to gafaw, pause the movie to Google what the director is currently making, and repeatedly ask myself how it's possible to make a film this good. I genuinely want the ability to make films that are this good.

It's brilliant on many levels and I don't think there is any nook or cranny of the human condition that this film does not explore.

When I first read the name of this film and saw the poster I fully expected this to be utter crap.

What a revelation.

I don't rate the premise of this film at all highly. It's just a simple device to stage the most well realised, inspired and observed human comedy seen on film in a good while.

It also captures small town Australia beautifully. So much comedy in the mundanities of life. Director, Mir, an accomplished stand-up comedian exhibits just the right comedy timing on film too.

The Village People are so bad they're..... bad. 15 years ago the slight premise of this film might have seemed funny. I doubt people will rush to see that now... BUT RUSH THEY SHOULD!

I urge you to see this film and I'm bewildered by some of the other responses on this site. I'm reminded of how poorly received the first Austen Powers movie was (slowly building an audience on video, after a pretty dismal cinema run, that ensured the success of the sequels).

With new styles of film comedy, the bandwagon comes later. Check it out now - I want to see more films from these guys!

This is a really refreshing film given the height of junk my country has been spewing onto the silver screen of late.

An Australian film with a script and story that doesn't seem like it has gone directly out of the scribble pad and onto the screen. It's funny, dark. The best film made here since Muriel's Wedding. I had hoped it would be the beginning of better things for our industry, but alas it would seem it is just a diamond in the rough.

The only thing I have against it is the lack of technical depth with the filming. NOT EVERY Australian FILM HAS TO HAVE EVERY SCENE WITH MAXIMUM LIGHTING. Try having a bit of variety with the look.

Definitely one for the DVD collection. Yay SBS Independent, and yay Miramax (if FFC won't fund good films, at least there are companies that will) Loved It!!!!!!!!!!!