You Can't Stop the Murders

I first saw this movie on DSTV in South Africa in about 2008. The next time it was on I made sure to press the record button, and once I had it recorded I must have watched it almost every weekend I came home from boarding school.

I decided to Google it and noticed it was free to watch on YouTube, and watching it now I cannot help but smile and giggle the entire way through, only stopping to gafaw, pause the movie to Google what the director is currently making, and repeatedly ask myself how it's possible to make a film this good. I genuinely want the ability to make films that are this good.

It's brilliant on many levels and I don't think there is any nook or cranny of the human condition that this film does not explore.

When going to their movies, I used to actively search out the Aussie films. These were often low budget wonders with iconoclastic/individualistic qualities. They often had a single uitlander(non Australian) somewhere in the cast ( e.g. MAN FROM SNOWY RIVER with Kirk Douglas, PRISCILLA etc with Terence Stamp) with the up and coming burgeoning talents like Mel Gibson, Russell Crowe and Toni Collette amongst others.) And you were pretty much guaranteed an interesting time.

And then they discovered that they weren't actually making bad little movies. And got vain. And instead of careful nurturing we get more randomly thrown together product. Product as opposed to craft. And it ends up looking like this.

This started with a cute little idea; It's set in a small town, West Village( a play on Go west and Greenwich Village) somewhere in Oz where the most exciting thing that usually happens is a dog runs away). And then people start being murdered in a style reminiscent of the Village People. Could've been great.

And is unremittingly awful. Written by three alleged comedians from somewhere in the comedic basements of Australia, it doesn't know what the hell it is. There's a bit of a Miami Vice pastiche, some line dancing and omni present confusion. Great direction makes you want to know about the characters and where they are going within the story arc. Poor direction makes you wonder why you're there. Thank god popcorn doesn't fly otherwise screens around the country would be saturated.

The problem occurs when you get stand-up comedians trying to up their exposure outside of their usual 15 minute routine. It is populated with friends of friends and relatives instead of talent. According to the director, Anthony Mir (not short for Mirth) the original story started as a two minute sketch for TV. Why in god's name did they let it get longer? Should've been stopped at birth.

When I first read the name of this film and saw the poster I fully expected this to be utter crap.

What a revelation.

I don't rate the premise of this film at all highly. It's just a simple device to stage the most well realised, inspired and observed human comedy seen on film in a good while.

It also captures small town Australia beautifully. So much comedy in the mundanities of life. Director, Mir, an accomplished stand-up comedian exhibits just the right comedy timing on film too.

The Village People are so bad they're..... bad. 15 years ago the slight premise of this film might have seemed funny. I doubt people will rush to see that now... BUT RUSH THEY SHOULD!

I urge you to see this film and I'm bewildered by some of the other responses on this site. I'm reminded of how poorly received the first Austen Powers movie was (slowly building an audience on video, after a pretty dismal cinema run, that ensured the success of the sequels).

With new styles of film comedy, the bandwagon comes later. Check it out now - I want to see more films from these guys!

This movie is so laid-back it's like a female contortionist. The sort of movie which could only be made in Australia; laconic in the Croc Dundee style, yet not so emphatically dinkum aussie as in "G'day mate" jargon. Professional film critics may give it one-and-a-half stars, but I'd give it a good three. Then maybe I'm easily pleased. I found it entertaining and amusing - if you're not too critical. You get a lot of chuckles and also some real laughs. I can imagine off-duty police seeing this picture, because it centres on the relationship between two local cops in a small town, and how their lives are fairly humdrum - until the murders start. A serial killer is loose, and the clue to his/her identity is in the occupation of the victim, and the symbolism of the corpse. The plot seems mainly a vehicle for sight gags and other humour, in Jacques Tati manner (Mon Oncle; M.Hulot's Holiday; Jour de Fête); yet there is an underlying tension due to apprehension as to who's going to be next victim. It's good to see perky Kirstie Hutton again (remember her from "Bullpitt!" on TV?), and all the lead actors are interesting characters; with an able and varied supporting cast. I think this movie should have popular appeal, at least in Australia, and might prove more successful than some would anticipate. ====================================================

This is a really refreshing film given the height of junk my country has been spewing onto the silver screen of late.

An Australian film with a script and story that doesn't seem like it has gone directly out of the scribble pad and onto the screen. It's funny, dark. The best film made here since Muriel's Wedding. I had hoped it would be the beginning of better things for our industry, but alas it would seem it is just a diamond in the rough.

The only thing I have against it is the lack of technical depth with the filming. NOT EVERY Australian FILM HAS TO HAVE EVERY SCENE WITH MAXIMUM LIGHTING. Try having a bit of variety with the look.

Definitely one for the DVD collection. Yay SBS Independent, and yay Miramax (if FFC won't fund good films, at least there are companies that will) Loved It!!!!!!!!!!!