Documentary on the deaths of Tupac Shakur and Biggie Smalls and the East Coast/West Coast, hip-hop/rap rivalry that culminated in late 1996 and early 1997.Documentary on the deaths of Tupac Shakur and Biggie Smalls and the East Coast/West Coast, hip-hop/rap rivalry that culminated in late 1996 and early 1997.Documentary on the deaths of Tupac Shakur and Biggie Smalls and the East Coast/West Coast, hip-hop/rap rivalry that culminated in late 1996 and early 1997.
- Awards
- 1 nomination total
- Self
- (archive footage)
- Self
- (archive footage)
Featured reviews
Far and away Broomfield's best effort to date.
For a start, the conspiracy theory explored here is a far more credible one, and the evidence Broomfield turns up is very convincing in places. One has to wonder how genuine Broomfield's "camera on at all times" approach is, how much was created at the editing stage- he appears to get away with some very transgressive behaviour here on the basis of sheer amateurism, though it is clear the man has balls of iron. he thoughtlessly wanders through some of the worst neighbourhoods in LA and New York- in one classic scene his cameraman deserts him out of sheer fear, leaving him to manage a ludicrous prison interview with despotic Death Row records overlord Suge Knight alone. Irony being lost on Americans for the most part, Broomfield also manages to get away with some outrageous cheek- for instance asking Knight to deliver his "message for the kids" in a tone of smirking condescension.
For the heads, there is some great, rare footage on offer- a teenage Biggie ripping up a street corner freestyle battle, hoods dancing on their cars at his funeral, an electrifying Snoop Dog calling out New York at the notorious 95 source awards....plenty in there for the hip hop fan, along with some vintage Biggie and (for some reason) Gang Starr on the soundtrack. Broomfield manages to talk to every major player in the drama, with the notable exception of Afeni Shakur- which also explains the lack of 2Pacs' music on the soundtrack.
Despite its grim subject matter, there is much humour on offer here. In short, this is the best "rockumentary" in a very long time, and one that lingers in the mind for some time afterwards.
Something of a triumph.
Brilliant But Sad
Brilliant film, but very sad how Biggie got dragged into it to make it look like it was the East Coast beef that got 2pac killed. When in fact it was Suge and his crooked cops.
Nick does lots of research in this movie, more than ever has been covered before. People with neutral thoughts on Rap music and Violence even will love this documentary.
A MUST see.
Good info, awful style
There were several reasons why I shut this film off: 1) Don't do an ambush interview when you're trying to get an honest portrayal of these artists; it was excruciating to watch, and the Biggies mom interview - the camera work is awful, where she's over exposed and has heavy shadows on her face. 2) Talk to these interviewees and don't stick your big microphone in their face.
It just made me feel this director didn't care one bit about the story of these two very important artists. He had all the right people and he ruined it. I'll never watch one of his films again.
My two words to describe this film: excruciatingly painful
informative and intense
an OK-ish look at the events that happened between the two rappers
While all these points are very impressive, you still cannot sway from the mindless boredom that Nick incites. His on screen demine is highly irritating. Another grudge I have for this movie is the lack of time. There is no natural progression between each interview, and the events jump from one to another, rather than unfolding as they actually did.
Did you know
- Quotes
Russell Poole - LAPD Detective: I almost took my life, but it was my kids that actually saved me. Okay? And, uh... it hurt. I was betrayed by my own department, because of the core values that the Los Angeles police department preached from day one. Honesty. Integrity, okay? Tell the truth, swear to tell the truth; nothing but the truth - so help you God. Do a good job, do a thorough job, work for the community. I believed in the oath of office. I believed in protect and serving the people. I really did, but on the inside and behind closed doors; that wasn't the case. When it came to cops being investigated... we weren't serving the public the way we should've served the public.
- ConnectionsEdited from Rap City (1989)
- SoundtracksHypnotize
Composed by The Notorious B.I.G., Sean 'Diddy' Combs, Deric Angelettie, Randy 'Badazz' Alpert
Performed by The Notorious B.I.G.
Contains interpolations from "La Di Da Di" written by Slick Rick and Doug E. Fresh
- How long is Biggie & Tupac?Powered by Alexa
Details
Box office
- Gross US & Canada
- $94,874
- Opening weekend US & Canada
- $5,728
- Sep 22, 2002
- Gross worldwide
- $146,419
- Runtime
- 1h 48m(108 min)
- Color







