Levity

I can well understand why this misses the mark for so many people. A lack of the dramatics, no "twist" like "The Life of David Gale," retro dialog almost and Kirsten Dunst at her most irritating.

What you have is Billy Bob on another 'one man's redemption' kick, that he does just so well. The film is in the dialog, the gestures, the mannerisms. Holly Hunter's self deprecating comment early in the film when she admits to Billy Bob her expectation of the standards of her sexual partners had been lowered over the years , was one of cinemas greatest ever lines. (You'll know it when you hear it)

Freeman's flaky preacher is a stand-out despite variations to his voice modulation. Again, it all depends what you are expecting out of this film. best you expect nothing my friend - just let it unravel. It is both thought-provoking and emotionally strident.

I enjoyed it very much and would consider a rating of 8 reasonable.

"Levity" is about redemption; it is about a lot of things inside something ironically simple, about philosophy and the human mind, about thoughts, second chances and about many other things if I want to say them. It's also one of those pictures with a cast of terrific actors who got interested in the project for some reason and did it.

It is worth it, if you like slow and detailed stories that are easy to understand f you don't think much; kind of like "The Constant Gardener". But "Levity" is different from 'Gardener' in the way that things are more difficult to understand; the film is truly philosophic. The music, a mix of powerful songs, is a key element in the development of the story, which maintains a mood of depression and sadness.

The story was written by Ed Solomon, who also directed. What is interesting and discussable about Solomon is that he seems to have saved his best lines and ideas for his first movie as a director, because he has written nothing like this in the past. His movie credits as a writer include: "Men in Black", "Charlie's Angels" and "Super Mario Bros", among other films that are not better than this one, which isn't great itself.

You like the movie because of its honesty; the honesty of its story, of its characters, of its images. The frames and sceneries are so beautiful and so clear that you are not able to take your eyes off the screen; maybe Roger Deakins (director of photography: "The man who wasn't there", "A Beautiful Mind") has something to do with it.

Then you've got the terrific cast, which makes the movie even more watchable. I was surprised that Morgan Freeman's voice is recognizable over a phone. Freeman plays a role in the film, which he also produced. At the top of his game and in the platform of a calm man; he speaks his lines as if they weren't Ed Solomon's but his own.

Billy Bob Thornton stars as Manuel, the main point of the movie. Thornton, an actor who can go from peaceful ("The man who wasn't there") to totally crazy ("Bad Santa"), finds himself closer to the side of the movie in black and white than to the one in color, if you know what I mean; and he does it perfectly well; I still wonder how he studies a role, how he constructs it.

Holly Hunter is the female element. Hunter is the kind of actress who can pass totally unnoticeable in a film, but however leaving you a big impression. I admire that quality in a performer; and Hunter portrays her role so normally, that she comes as the closest to a human being in the picture. Then we have the talented Kirsten Dunst, over the edge as most of the time, and creating another good character with a lot of authority and commitment.

As it looks like, "Levity" can't fail; but it's not going to blow your mind off. If that pleases you

This first time director, Ed Solomon, makes an incredible change over from writing films for the masses, by writing and directing this introspective and moody look into the troubled souls of the fallen. I just caught up to it on cable. At any rate, it was well worth watching. This is an Indie that makes a statement without punching us in the head with it.

Manuel, the lifer that is released at the beginning of the film, ends up looking for a connection with the family of the convenient store clerk he shot and killed during his wild youth. Now, Manuel is older and wiser and knows that he has been spared from the mean streets. It doesn't seem logical for him to do so, but in a way, is his way to express his sorrow at the horror he caused by being reckless.

The encounter with Adele, and her acceptance of this odd man is a bit hard to understand. This woman reacts with caution at first, but realizes Manuel is harmless; thus begins the friendship between them, without a hint of the actual identity of Manuel.

The thing that didn't make sense is the presence of Sofia, a child of privilege in the seedy club that is near the soup kitchen that Miles, another mysterious character runs. Once we overcome those hurdles, it is easy to see where the director is taking us.

Billy Bob Thornton plays Manuel as a man on auto pilot. The world he encounters when he is released is a world so different from what he knew. Mr. Thornton gives another phenomenal performance. Holly Hunter makes an understated Adele. She approaches the character with an economy that is amazing, yet we know at all times what this woman is feeling.

Although Sofia, the young woman appears to be confused and out of place, Kirsten Dunst is quite effective as she plays her. The only one that does not convince us is Miles, perhaps because of Morgan Freeman's approach to this man. Dorian Harewood has a small, but intense moment in the story.

I was fortunate enough to have been invited by a friend to preview this film at a press screening. Included in the press kit given to me at the screening was background information about the film which enhanced my viewing experience. What I found intriguing was the fact that the film was inspired by such a compelling personal experience. While attending UCLA (Writer-Director) Ed Solomon was tutoring a teenager in a maximum security juvenile prison. One of his students was a boy serving a life sentence for murder who carried around a photo of his victim, often holding and touching it. This experience was the catalyst for "LEVITY".

Written and directed by Ed Solomon who is best known for writing such comedies as "Bill & Ted's Excellent Adventures" and "Men in Black". This is an impressive directing debut.

The film stars Billy Bob Thornton, Morgan Freeman, Kirsten Dunst and Holly Hunter. This is a story of an ex con (Thornton) who is unexpectedly released early from prison for killing a teenager during an attempted robbery. He tries to find some kind of personal redemption with the help of minister (Freeman) and two woman (Hunter) and (Dunst).

I was immersed in the story almost immediately. The interaction between Freeman and Dunst is dynamic and authentic. The cast is exceptional and the perfomances outstanding. I found this film to be not only insightful,inspiring and thought provoking but it also had several FUNNY moments.

It is shot by four time Oscar nominated Director of Photography Roger Deakins who added pleasing imagery. Worth mentioning is the music of Mark Oliver Everett.

This film leaves a lasting impression and I found myself reflecting on it a few days after I saw it. I highly recommend this film and plan on seeing it again in April when it opens.

Greetings again from the darkness. Simple story made interesting by the characters and environment. Billy Bob Thornton is our unconventional lead character. Very understated performance accurately captures the emotions of this repulsed, repentant killer. Sparkling Kirsten Dunst is unusually gritty in her sad portrayal of the pop star daughter putting up a false front. Morgan Freeman is effective as the community "reverend" with a secret. Best performance comes from Holly Hunter as frustrated mom/sister just trying to make sense of her world. Director Ed Solomon, known mostly for light weight writing, does a respectable job of capturing the pain of all the characters. Bleak world where each individual must furnish their own reason to keep going.