Bringing Down the House

If the idea of one of the "whitest" comedians in Hollywood (Martin) teaming up with one of the "blackest" divas (Latifah) appeals to you, then you might enjoy "Bringing Down the House". The film has Martin as a divorced tax attorney while Latifah plays a jailbird on the run who needs an attorney to prove her innocence and gives Martin plenty of "tude" along with some lessons in getting real as they raucously wend their way through countless comedic contrivances. Personally I enjoyed this busy top-of-the-marquee comedy romp a lot. However, it requires being able to find humor in the juxtaposition of Martin and Latifah which, judging from comments elsewhere on this website, not everyone did. (B)

This is pretty much another one of those typical culture clash comedies where a streetsmart character meets the classy rich character, there's conflict and then the conflict is resolved and friendship blossoms, then there's another conflict but that too is resolved by the end. The story has been told x number of times. But what makes 'Bringing Down The House' likable is Queen Latifah, Steve Martin and Joan Plowright. These three provide some laugh-out-loud moments some including Martin and Latifah's dance number, Martin dressing and talking 'black', Queen Latifah and Missy Pyle's catfight and doing a break-dance, Plowright's pompous and stuck up character getting stoned, Peter's neighbour catching him and Charlene in a compromising position. The chemistry between Latifah and Martin is convincing and both have a good comic timing. Thus, even though the story has nothing new to offer, the funny moments make 'Bringing Down The House' fun to watch.

Bringing Down the House is a very funny movie and your bound to have a good time. Peter Sanderson (Steve Martin) is a lawyer who is having trouble getting his life back on track after his wife, Kate ( Jean Smart), divorces him; he's also adjusting to his new status as a single father. Peter tries an internet dating site and virtually meets "lawyer-girl," an attractive and single fellow attorney. Peter makes a date with her, but the woman who arrives at his door turns out to be Charlene Morton (Queen Latifah), who not only isn't a lawyer, she turns out to be an escaped convict. Charlene explains to Peter that she's strung him along because she's innocent of the crime for which she was convicted, and she needs a top-notch attorney to help prove her case. After some persuasion, Peter agrees to help Charlene out. Though the plot sounds stupid, the execution turned out to be really funny. The story is a little weak though and they could have worked a little more on that. The movie isn't very realistic so you shouldn't go in expecting one. The cast is great and they make this somewhat old material funny. The funniest person is Eugene Levy and he is finally getting the recognition he deserves. Steve Martin returns for his first wide release film in four years. He doesn't disappoint and gives a very funny performance. Queen Latifah is also funny, but she also starts getting annoying by the end of the movie. Jean Smart plays the ex wife of Peter and she's pretty good. The rest of the supporting cast includes Kimberly J. Brown, Joan Plowright, Betty White and Missi Pyle. Adam Shankman directs and this is a large improvement over A Walk to Remember. The racist jokes in the film are a little outdated and sometimes this film does go over the top. I still laughed though as some of the dialog in this film is very funny. While this isn't he funniest film of 2003, its still worth watching. Its 105 minutes long and it starts getting a little boring since they add some unnecessary things. Another good thing about this film is that they didn't use all the jokes in the preview. In the end, this film is worth watching even if its not very memorable. Rating 7.4/10, a funny comedy that's worth checking out.

`Bringing Down the House' is the latest variation on that old comic chestnut in which a wisecracking, free-spirit type from `the lower social orders' invades the life of an uptight stuffed-shirt type - not only getting him to loosen up that collar and shed his inhibitions but also showing him a thing or two about what really matters in life. This is, basically, a primer for a Culture Clash Comedy 101 course, with a couple of veteran comic professors on hand to teach us all how it's done.

In this case, Steve Martin plays the uptight lawyer who is so obsessed with his career that he has already lost his wife over the issue and appears on the road to alienating his children as well. When Peter meets what he believes is a potential love interest in an internet chat room, he figures his life just might be turning around for the better. Peter is all set for a romantic evening – champagne, dim lights, `A Man and a Woman' playing softly in the background – when, at his door, who should appear but that Big Bad Mama, Queen Latifah, as Charlene Morton, an ex-convict who wants Peter to help her expunge from her record the crime she swears she did not commit. Peter is at first reluctant to accept this strange woman into his house and life, but Charlene is nothing if not persistent and she manages to horn her way in anyway.

The Jason Filardi screenplay pretty much plays it all by rote. We know, despite their tremendous differences in culture, background and personality, that these two comic titans will end up as great pals by the story's end. Nothing about `Bringing Down the House' surprises us, yet there is a certain amount of comfort to be derived from familiarity and predictability. It's an old formula but one that works fairly well here, thanks, primarily, to the assured, high-energy performances of Martin and Latifah in the starring roles. These two comic masters achieve a real chemistry working together, enough to compensate for the broad stereotyping that permeates the film. Filardi does achieve some moments of genuine hilarity by mixing slapstick and social satire in roughly equal measure. The satire isn't on a very high level of sophistication but it is good enough for a mass audience venture such as this one.

Director Adam Shankman is also blessed with a strong supporting cast that includes Eugene Levy as a nerdish - but `freaky' - business associate obsessed with wild black women like Charlene; Joan Plowright as a snooty, eccentric matron whose account Peter is determined to win for his firm; and Bette White as Peter's bigoted next door neighbor who is eyeing askance all the strange goings-on at the lawyer's house.

`Bringing Down the House' is at its best when it simply lets itself go, forgets about the plot, and allows its performers to dazzle us with their sheer likeability, i.e., Martin and Latifah dancing up a storm at an L.A. bistro, Martin breaking out into a spontaneous break dance routine while infiltrating an all-black nightclub. It is at its worst in the final scenes when the heavy-handed plot mechanics threaten to torpedo the whole project. Luckily, we have Martin and Latifah to help keep the thing afloat. The vehicle itself may creak at times, but the stars never do.

This film, although badly reviewed by many people, proves to be a fun time at the movies. Adam Shankman and Jason Filardi have teamed up to give the viewers lots of laughs. It's hard not to be amused by what's being presented even though it might not be the greatest, or the funniest picture.

Queen Latifah has more charisma in her ample body than any other actress working in American films these days. She never gives a bad performance. This is quite a stretch from her role in Chicago; in fact, she steals the film with her charm. She can hold up her own against her co-star.

Steve Martin seems to blend himself into this joke of a lawyer, who is so uptight and anal that he never has enough time for his children. He has some hysterical scenes at the hip hop club playing an Eminem-type character, outdancing everyone. Mr. Martin's experience in the chat room brings him a lot more than he bargained for: the irrisistible Charlene, who turns his life upside down.

Eugene Levy has some bright moments as Steve Martin's friend in the firm. Joan Plowright repeats herself into the role of the ogre with a heart of gold, once she loosens up with the right kind of smoke. The rest of the cast is good, working with the material they're given to perform.

If you are trying to get away from the horrible news being bombarded at us these days, this is the film for you.