Conspiracy of Silence

This is an interesting drama built on some questionable premises: 1. That many priests are HIV positive, and 2. That a good student would be summarily expelled from seminary because he visited another seminarian's room alone in the early evening. Premise #1 seems to me unlikely, especially in the United States, but in Ireland...who knows?

Premise #2 is the situation which sets this drama in motion, but it is almost unbelievable that this seminary would expel a student for possible but unproven sexual misconduct, when the whole culture of the seminary was to keep any such conduct, real or imagined, deeply buried in secrecy.

That said, the problem of clerical celibacy in the Catholic Church is explored and handled well. The actors are all credible and the film moves swiftly toward the final confrontation scene when all the secret sins are exposed. Then the film is suddenly over, leaving many unexplained plot strands dangling and unresolved.

Luckily the DVD contains sub-titles in English. You will need them to understand the swiftly-paced Irish brogue employed by the cast.

CONSPIRACY OF SILENCE is a moody, dark, probing inquiry into the concept of celibacy of priests in the Catholic Church in Ireland and all the way to the Vatican. The concept, story and script by Writer/Director John Deery are tight, arrow sharp in aim, but ultimately unresolved issues cloud the success of what could have been a pungent movie.

Set in a seminary in Ireland for preparing young men for the priesthood, we are introduced to some warmly human characters such as Daniel McLaughlin (Jonathan Forbes), a squeaky clean lad who gave up a girlfriend Sinead (Catherine Walker) to follow his (and his family's) life ambition to become a priest. Naive, warm, loving, athletic and bright, he is the seminary poster boy - until one evening after hours he innocently visits a fellow seminarian's room and is the focus of seduction by the student who kindly says 'we're all only human and have our needs'. Daniel gently declines the advances, leaves the student's room but is observed by an old priest with demons of his own. The priest reports the incident and Daniel is abruptly thrown out of the seminary by the evil Rector Cathal (Sean McGinley) for being homosexual - a charge that couldn't be farther from the truth.

At the same time in another part of the seminary the fine Father Sweeney dresses in all his priestly regalia and commits suicide is a gruesome way. His suicide is threatening to the staff of the seminary and a cover-up is immediately put in place. It seems Father Sweeney some four years ago had stirred controversy in the Vatican by publicly exposing his HIV status, alerting the Church and the world that HIV was rampant in the world wide Church. His partner left the priesthood, disillusioned, but following FR Sweeney to the seminary in Ireland.

An earnest reporter David Foley (Jason Barry) begins the investigation of the suicide and in doing so finds the reason for Daniel's expulsion as well as the myriad dark secrets being covered by the Church - all to do with the concept of celibacy and the inevitable sequelae of sensual deprivation on priests. One Father Jack Dowling (Hugh Bonneville) supports David and Daniel and is disenchanted with the behavior of the Church against its own priests. Then, without resolving any of these fascinating strings of thought the movie ends, leaving many questions unanswered - as though there are no answers.

The acting is uniformly strong (including the likes of Brenda Fricker as Daniel's mother et al), for once giving a spectrum of the priesthood that is not favoring bad or good. These characters are men with convictions and none can be faulted for their stances. The setting in Ireland is magnificently captured by cinematographer Jason Lehel, and Francis Haines and Stephen W. Parsons provide a hauntingly beautiful musical score. As far as it takes us this is a fine film. Perhaps Deery is planning Part II to finish this story! Grady Harp

I am going to watch this movie in the next day or so. Preliminary to that, I scanned a few reviews here. I want to say, if you cannot write a film review without making your political views the centerpiece of your review, as at least one person did here, then please don't write a review, and if you are that person here, take your review down. I am sick and tired of having every politically relevant film ... or book .. be treated as a reason to get up on a personal political soapbox. I don't give a rat's you know what, what your political views are. I am not here for political commentary. I want to know about the film, and only the film. If you can't write about that, then go away. I will be back with my review of this film in the next day or so after I have seen it. Meanwhile I am giving it the average number of stars it has now, so as not to skew the aggregate rating. You're welcome.

Watched this film in 2010 on DVD on a rainy Friday evening in October - so this was ideal although sombre entertainment.

The film has a reasonably fast pace, a simple story line - a little preachy in its anti-celibacy message, but overall worthwhile, although the ending is a bit implausible.

It seems somewhat unrealistic that a seminary in today's Ireland would still exist with more than half a dozen trainees, and hard to believe that with such low numbers that they would so quickly expel a trainee without evidence. The film was made in 2003 before the onslaught of the fallout of the Catholic-Church-Protects-Paedophiles scandals, and to see the movie again in the knowledge of such events gives an added frisson - "the church is killing itself from the inside" is one of the quotes from the film.

The storyline involves celibate priests that are gay - it could just as easily have portrayed priests or bishops that have one or more children - but perhaps the movie had an agenda that was more than just anti-celibacy but also against the anti-gay homophobic nature of the roman-catholic hierarchy.

The film shows a statistic about 100,000 priests having quit because of the celibacy rule - but does'not show the numbers of priests in non-catholic Christian traditions who can marry but still leave their ministries anyway.

For a non-Irish audience some of the accents are difficult, and my DVD did not have a sub-title track for some reason.

A worthy film, if a little flawed, hope to see more from this director.

I was lucky enough to be invited to a cast screening of the film at the Empire in Leicester Square, (my dad has a small part - he sings the Wild Colonial Boy in a pub scene). I really enjoyed the film as it struck a number of chords with me having been brought up a Catholic, taught by priests and Irish (at least Irish descent). The film has the same well observed quality as Alan Parkers film of Roddy Doyle's The Committments. The topic is a serious one about Aids and Homosexuality in the Catholic Church but don't let that put you off, the film is full of funny interactions that are typically Irish and will appeal to many people. I didn't think that the message of the film was clear it covered the Church's attitude to aids, homosexuality, harshness of the regime in a seminar and corruption. So something for everyone. A well acted and entertaining film with a number of well known stars in fairly minor roles.