Tasked with destroying each other, an FBI agent and a rogue DIA agent soon discover that a much bigger enemy is at work.Tasked with destroying each other, an FBI agent and a rogue DIA agent soon discover that a much bigger enemy is at work.Tasked with destroying each other, an FBI agent and a rogue DIA agent soon discover that a much bigger enemy is at work.
- Awards
- 5 nominations total
Roger Cross
- Zane
- (as Roger R. Cross)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Start out with the Lucy Liu character. Wear a long coat and slacks everywhere you go. Look into a mirror and erase every expression you have. Speak about once every few hours.
Then you can do the Banderas character. Don't shave. Muss your hair. Put 15 jumbo olives in your mouth when you speak. Shuffle when you walk.
Oh yeah special effects. Let the gas on your stove run for about 10 seconds without lighting it. Then light it. Say "Boom". Repeat 100 times.
You can get a copy of the script really easy: Buy 10 comic books. Tear a couple of pages out of each one and staple the pieces together. Be sure that they don't fit too well together. They don't even have to be right side up.
If you do this, you won't need to rent this stinker.
Then you can do the Banderas character. Don't shave. Muss your hair. Put 15 jumbo olives in your mouth when you speak. Shuffle when you walk.
Oh yeah special effects. Let the gas on your stove run for about 10 seconds without lighting it. Then light it. Say "Boom". Repeat 100 times.
You can get a copy of the script really easy: Buy 10 comic books. Tear a couple of pages out of each one and staple the pieces together. Be sure that they don't fit too well together. They don't even have to be right side up.
If you do this, you won't need to rent this stinker.
I liked the trailers, I hoped for the best and then sat in dumbstruck horror as one of the worst films ever made (as in so bad its painful to watch bad) unspooled before my eyes. Rumor has it that the film makers know a thing about movie making. I know the cast does, but what wanders across the screen looks like the dailies of a really bad TV commercial put together by someone with no sense of film structure. I'm told that this has something to do with two assassins fighting each other after some one is kidnapped, but I'm not certain since things just sort of happen for no real reason. I would like to think that this movie was a big joke on the movie going public but no one would want to spend what it cost to make this movie as a joke, especially when there was no hope of ever getting the money back in ten thousand life times. A void unless your eyes need to experience cinematic blunt force trauma applied to them.
Let me just open by saying "Ballistic: Ecks vs. Sever" is by far one of the dumbest, most god forsaken titles I have ever heard of.It's 2 titles over crammed into one.It's just an awful title.
So,here's the deal with this movie.The story side of it sucks.It's predictable, cliched, unbelieviable, and just loaded with plot holes.By the end,I don't really care about what's going on.
But...on the other hand...they just blow s--- up alot in this movie! And I got to hand it to them,blowing s--- up is pretty damn cool! Really, the "plot" of this movie is just a cover so they can have some really cool explosions.And that's not a bad thing.Because explosions in movies are cool.Also,the fighting sequences and shootouts are really cool too.
Antonio Banderas and Lucy Liu do a fairly good job here,but the plot is beyond what their acting can save.Even though they are the 2 big name stars in the movie,the real stars of the movie are those oh so cool explosions!
I'm going to give this movie a 6 out of 10,which is way more then this movie really deserves.If I was judging this for for it's plot,it would be a 1 of 10,because the script is on the level of "Glitter" or a Joel Schumacher Batman movie.The reason my rating is that high is simply because I like the explosions...the explosions are cool!
So,here's the deal with this movie.The story side of it sucks.It's predictable, cliched, unbelieviable, and just loaded with plot holes.By the end,I don't really care about what's going on.
But...on the other hand...they just blow s--- up alot in this movie! And I got to hand it to them,blowing s--- up is pretty damn cool! Really, the "plot" of this movie is just a cover so they can have some really cool explosions.And that's not a bad thing.Because explosions in movies are cool.Also,the fighting sequences and shootouts are really cool too.
Antonio Banderas and Lucy Liu do a fairly good job here,but the plot is beyond what their acting can save.Even though they are the 2 big name stars in the movie,the real stars of the movie are those oh so cool explosions!
I'm going to give this movie a 6 out of 10,which is way more then this movie really deserves.If I was judging this for for it's plot,it would be a 1 of 10,because the script is on the level of "Glitter" or a Joel Schumacher Batman movie.The reason my rating is that high is simply because I like the explosions...the explosions are cool!
Let's be honest with ourselves for a moment. In a movie like this, the producers don't pay expensive actors to act or to create realistic performances or to use their talents to win our sympathy. No, they pay these actors for face and name recognition, so when a movie like Ballistic: Banderas vs Liu comes along we don't have the inconvenience of learning about characters and plot. Hell, we don't even have the inconvenience of wondering, "Is this actor hot while all this excitement rushes them by?" Name recognition, baby, it's all marketed by name recognition.
And why should they let actors acting take up precious moments from the rooftop chases, the explosions, the gunfire, and posing like models? Everyone already knows these actors right? No need to develop anything more than flimsy excuses for action/motivation, right? Sarcasm aside - I never thought I'd hear myself say this, but I think Ballistic would have been a better, more sophisticated, film if they scrapped the plot and cliché character developments and just went for 90 minutes of uninterrupted Banderas and Liu gunning at each other backdropped by a slow-mo explosions.
This film would have to scale a cliff before reaching the level of plot intricacies and intelligence that just thrive in Michael Bay films.
We get a crappy plot and crappy characterizations anyway just in case we don't have a favorite actor to root for. We get ultra cliché scenarios that anyone who has been to a theatre in the last fifty years will pick up on. Oh no, a child's been kidnapped we're supposed to sympathize with the boy. There's the old (young?) has-been former cop (FBI guy in this movie) who lost his motivation we're supposed to sympathize with him and the loss of his family. And then there's--oh, but wait? What are these plot revelations? What are they pointing towards? Gasp! They're making the already obvious villain even more obvious! Me? I was rooting for the aliens from Independence Day to come down and blow them all up, but the bastards got stuck in traffic.
Somewhere in the movie is a subplot about a nano-assassin, but I cared about that as much as the movie does.
And since we're being honest, I admit this is a great film to watch after a night of provocative and cultured cinema to recalibrate your personal scale to the realities of the industry. Like I explained to the guy at Blockbuster, "I just got a box-set of Hitchcock, been watching those back to back, and the other day I watched De Palma's Femme Fatale. I need something trashy before I become a full-blown film snob." So I walked out with Ballistic and Shark Attack 3, went home, and turned off my mind for a marathon of stock footage and needless gunfire/explosions . . . and all was well.
And why should they let actors acting take up precious moments from the rooftop chases, the explosions, the gunfire, and posing like models? Everyone already knows these actors right? No need to develop anything more than flimsy excuses for action/motivation, right? Sarcasm aside - I never thought I'd hear myself say this, but I think Ballistic would have been a better, more sophisticated, film if they scrapped the plot and cliché character developments and just went for 90 minutes of uninterrupted Banderas and Liu gunning at each other backdropped by a slow-mo explosions.
This film would have to scale a cliff before reaching the level of plot intricacies and intelligence that just thrive in Michael Bay films.
We get a crappy plot and crappy characterizations anyway just in case we don't have a favorite actor to root for. We get ultra cliché scenarios that anyone who has been to a theatre in the last fifty years will pick up on. Oh no, a child's been kidnapped we're supposed to sympathize with the boy. There's the old (young?) has-been former cop (FBI guy in this movie) who lost his motivation we're supposed to sympathize with him and the loss of his family. And then there's--oh, but wait? What are these plot revelations? What are they pointing towards? Gasp! They're making the already obvious villain even more obvious! Me? I was rooting for the aliens from Independence Day to come down and blow them all up, but the bastards got stuck in traffic.
Somewhere in the movie is a subplot about a nano-assassin, but I cared about that as much as the movie does.
And since we're being honest, I admit this is a great film to watch after a night of provocative and cultured cinema to recalibrate your personal scale to the realities of the industry. Like I explained to the guy at Blockbuster, "I just got a box-set of Hitchcock, been watching those back to back, and the other day I watched De Palma's Femme Fatale. I need something trashy before I become a full-blown film snob." So I walked out with Ballistic and Shark Attack 3, went home, and turned off my mind for a marathon of stock footage and needless gunfire/explosions . . . and all was well.
Tasked with destroying each other, an FBI agent and a rogue DIA agent soon discover that there's a much bigger enemy at work.
The film has been called one of the worst movies ever made. At the box office, the film made $19.9 million on a $70 million budget. With a total of 116 reviews, the highest for a film with a 0% score, "Ballistic: Ecks vs. Sever" is the worst reviewed film in the history of Rotten Tomatoes.
The first thing wrong, really, is the title. Not knowing who Ecks or Sever are, why do I care if they are versus each other? Just call the film "Ballistic" so it doesn't sound like a sequel to a movie nobody saw. I'm guessing some ticket sales were lost because of the misconception of it being a sequel.
Of course, that would not make it a better movie, but it would at least be less confusing.
The film has been called one of the worst movies ever made. At the box office, the film made $19.9 million on a $70 million budget. With a total of 116 reviews, the highest for a film with a 0% score, "Ballistic: Ecks vs. Sever" is the worst reviewed film in the history of Rotten Tomatoes.
The first thing wrong, really, is the title. Not knowing who Ecks or Sever are, why do I care if they are versus each other? Just call the film "Ballistic" so it doesn't sound like a sequel to a movie nobody saw. I'm guessing some ticket sales were lost because of the misconception of it being a sequel.
Of course, that would not make it a better movie, but it would at least be less confusing.
Did you know
- TriviaThe film grossed less than 30% of its budget at the box office, making it one of the biggest box-office failures in film history.
- GoofsEcks lets the BMW bike fall when he stops in front of the car. It's standing upright in the next shot.
- SoundtracksThe Name Of The Game
Performed by The Crystal Method
Composed by Ken Jordan (as K. Jordan), Scott Kirkland (as S. Kirkland),
Tom Morello (as T. Morello)
Published by EMI Virgin Music, Harder Faster Music, EMI Virgin Songs, Inc., Drug Money Music and LBV Songs
Courtesy of Geffen Records under license from Universal Music Enterprises
(P) 2001 Outpost Recordings
Details
- Release date
- Countries of origin
- Language
- Also known as
- Permiso para matar
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $14,307,963
- Opening weekend US & Canada
- $7,010,474
- Sep 22, 2002
- Gross worldwide
- $20,154,899
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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