Leo

This film held my interest from beginning to the very end with Joseph Fiennes, (Stephen) leaving a prison after serving a sentence of murdering a man and has been given a job at a dinner with some very strange people running the establishment. Dennis Hopper,(Horace) plays the role of a very dirty filthy old man who abuses a young waitress in sexual ways to degrade her. There are two central characters who appear in this film which has flashbacks with Elizabeth Shue, (Mary Bloom) who is a very attractive young woman who is married to a professor and lives in a very comfortable home and has a young girl. Mary Bloom is told that her husband is having an affair and Mary reacts by making love to a man who is painting her home and from this point in the film everything begins to turn into many different kinds of mysterious events. Great acting by the entire cast and especially the performance of Elizabeth Shue. Enjoy

Writing gives you the ability to create worlds and examine your own life more effectively. Could writing be the perfect ticket to self-understanding? That may sound contrived, but it may just not be.

Leopold Bloom is a young gifted writer, but his mother believes he is the product of an affair. For this she resents him. Stephen on the other hand, is an ex-convict. He's quiet and controlled, as is Leopold. In a class, Leopold is asked to write a letter for an exercise. He writes this letter to a convict, where it is received by Stephen. They exchange letters, and become each others only friends.

The ending is cliched, but with the rest of this highly original behind it, there was no other way.

You'll be surprised by how moving this becomes towards the end after remaining quite sterile for most of its runtime.

Joseph Fiennes is a fine actor, and the consistency of his performance is very much the centrepiece of this movie. There are elements of the script which don't seem as coherent, but I could gloss over these because of his consistency.

I like the look of the movie, and the direction costumes and sets complemented each other well, and this was maintained in recounting present day and 'flashback' experiences.

There are comparisons to other films which could be made, especially to Blue Velvet. Indeed Dennis Hopper could have made the two films without changing stride. And Fiennes' character is similar to that played by his brother Ralph in Cronenberg's masterpiece Spider, without the same degree of madness.

I picked up fairly early on the way the plot would head, and I was right. The late novelist Kurt Vonnegut used to often tell the reader how the book would end in the first chapters, and yet the books were compelling. I found this equally so.

I try not to have great hopes for movies, however I was pleasantly surprised.

I was afraid that it was going to dark, but instead it offers a very strong main character. Not like a action bondy type, but a rare inquisitive thoughtful man. There are some dark elements to it where people are just cruel.

The story time line is not linear, and I was impressed at how well the whole thing ended. Its not really a feel- good type, definitely was a cure for the common movie. While not being perfect, I really enjoyed it.

Actually, I likened Leo to the Mickey Rourke film Angleheart as both films turned out to be a search for self.

In Leo you have a young, troubled boy named Leo who as part of a school assignment begins writing to Joseph Fiennes, who plays a convicted felon in prison.

When released from prison, Fiennes character sets out to meet the boy, Leo,and help both himself and Leo in the process.

Outstanding performances by Elisabeth Shue, who reprises her role as an alcholic from Leaving Las Vegas and Dennis Hopper who rules the small town's diner as Capt. Bligh ruled the HMS Bounty only with a lot more violence and sexual tension thrown in.

Sam Shepard's role serves as the Greek chorus and keeps the viewer aware of the progress of the other characters.

All in all a very good film that will captivate and entertain.