IMDb RATING
5.6/10
3.1K
YOUR RATING
Raised by assassins, Yuki is the last of the Takemikazuchi royal bloodline. A deadly weapon in her own right, she learns the gruesome truth about the death of her beloved mother and joins fo... Read allRaised by assassins, Yuki is the last of the Takemikazuchi royal bloodline. A deadly weapon in her own right, she learns the gruesome truth about the death of her beloved mother and joins forces with a mysterious rebel leader.Raised by assassins, Yuki is the last of the Takemikazuchi royal bloodline. A deadly weapon in her own right, she learns the gruesome truth about the death of her beloved mother and joins forces with a mysterious rebel leader.
- Awards
- 1 win total
Featured reviews
once we accept that the world we're looking at is in an alternative universe that developed along the same lines as our own, the fantasy element of this film is a little easier to bear.
unfortunately, even allowing that, the plotting is just way too heavy-handed and convoluted to be very much fun.
there are a lot of action scenes in this film - choreographed by the great Donnie yen - and for the most part they are well-done and very violent, which suits me fine; but they do have one big problem - Shaku Yumiko as Yuki - she doesn't know how to fight.
being a long sword best used held with both hands, the katana, or samurai sword, requires the body's complete and focused energy. in some styles, you swing it from the hips, in others from the back-bone; but if you have to swing it from the shoulder, you better have strong legs, because that's where the energy is really going to come from. if you swing from the shoulder alone, with no chi flowing from other parts of the body, you might as well be swinging a broom - definitely not the single lethal stroke the katana is designed to accomplish.
well, but that's what she does - she swings her katana from the shoulders. no wonder she gets banged around so much in this movie.
this can't be yen's fault, he's too well versed in traditional fighting techniques; and the other performers do fines. i think we're just stuck here with a young actress who lacks confidence. to some extent, that wouldn't even be her fault. no, it's the casting director, the producer, and the director who must take the blame for this one.
from the synopsis, i was expecting much more; instead, i got much less.
by the way, she doesn't act all that convincingly either.
unfortunately, even allowing that, the plotting is just way too heavy-handed and convoluted to be very much fun.
there are a lot of action scenes in this film - choreographed by the great Donnie yen - and for the most part they are well-done and very violent, which suits me fine; but they do have one big problem - Shaku Yumiko as Yuki - she doesn't know how to fight.
being a long sword best used held with both hands, the katana, or samurai sword, requires the body's complete and focused energy. in some styles, you swing it from the hips, in others from the back-bone; but if you have to swing it from the shoulder, you better have strong legs, because that's where the energy is really going to come from. if you swing from the shoulder alone, with no chi flowing from other parts of the body, you might as well be swinging a broom - definitely not the single lethal stroke the katana is designed to accomplish.
well, but that's what she does - she swings her katana from the shoulders. no wonder she gets banged around so much in this movie.
this can't be yen's fault, he's too well versed in traditional fighting techniques; and the other performers do fines. i think we're just stuck here with a young actress who lacks confidence. to some extent, that wouldn't even be her fault. no, it's the casting director, the producer, and the director who must take the blame for this one.
from the synopsis, i was expecting much more; instead, i got much less.
by the way, she doesn't act all that convincingly either.
Yet another offering from Japanese cinema in which we are treated to briefly exhilarating action sequences punctuating a vague and convoluted plot. Yet even the action never quite delivers. It opens with an impressive assassination, combining clever camera-work with well choreographed well edited moves. Unfortunately, with the exception of a couple of beautiful individual shots, it is a steady decline in quality from this point. The fights become briefer, duller and increasingly difficult to work out what exactly is going on. The plot is generic and the characters utterly two dimensional, while the subplot of the rebel organisation is half hearted. If you want a mindlessly fun, violent flick with big swords, bigger guns, gallons of blood and an absurd plot, rent 'Versus.'
PRINCESS BLADE is a good try, with some good works by the female lead, who is actually quite impressive, perhaps more so because of her size. And yet, the movie isn't overwhelmingly good, with some very spotty sections and a lengthy background story concerning the main male character that manages to bore. Excise the male's story and concentrate just on the fugitive female lead, and PRINCESS BLADE would have seem more focus for it.
As it stands, the film offers a number of exciting sword action, and its anachronistic vibe is nicely done. Although for some reason the filmmakers through in a number of CGI scenes that shows a futuristic landscape.
6 out of 10
(go to www.nixflix.com for a more detailed review of this movie and reviews of other foreign films)
As it stands, the film offers a number of exciting sword action, and its anachronistic vibe is nicely done. Although for some reason the filmmakers through in a number of CGI scenes that shows a futuristic landscape.
6 out of 10
(go to www.nixflix.com for a more detailed review of this movie and reviews of other foreign films)
As much as I like Japanese movies this one didn't just cut it... A movie that is supposed to be about rebels and the survival of a royal blood line turned out to be a very slow paced movie with a doubtful plot.
The photography is OK, though I've seen much better sword fight scenes in other Japanese movies, the fast cameras and the way they followed the characters didn't convince me at all. The soundtrack is so weak you don't even notice its presence.But worst of all was the way the plot evolved.I have to admit that, at some times, I had a hard time understanding who was who and what was going on...Anyway the platonic love between the main character and another one was completely unnecessary and seemed to come from a Hollywood influence.
All in all, if your looking for an action Japanese movie this isn't it. Its very slow, with very few sword fight scenes and very sentimental... in a bad way...
The photography is OK, though I've seen much better sword fight scenes in other Japanese movies, the fast cameras and the way they followed the characters didn't convince me at all. The soundtrack is so weak you don't even notice its presence.But worst of all was the way the plot evolved.I have to admit that, at some times, I had a hard time understanding who was who and what was going on...Anyway the platonic love between the main character and another one was completely unnecessary and seemed to come from a Hollywood influence.
All in all, if your looking for an action Japanese movie this isn't it. Its very slow, with very few sword fight scenes and very sentimental... in a bad way...
Judging by some of the comments in IMDB, I was expecting an action movie - perhaps a dramatic one or a stupid one or a simple one or a comicy one, but essentially an action movie.
Whatever it is that I watched, it certainly didn't feel like a movie. The story is simple and straightforward (even though the prologue tries to make it seem complicated). Take three interest groups: 1) the government 2) the rebels 3) a group of assassins.
Now subtract the first (they never appear in the movie). Then simply let one of the assassins, the princess, become a rogue on a revenge trip. Add in a rebel love-interest with a guilty conscience. And you've got the ingredients.
But they still did not manage to turn it into a story or a movie. Between some random action sequences and some odd visuals trying to be Sci-Fi on a low budget, what you're left with is a feeling of emptiness. The movie just does not feel like a movie, but a weird, incoherent, boring dream.
Avoid.
2/10
Whatever it is that I watched, it certainly didn't feel like a movie. The story is simple and straightforward (even though the prologue tries to make it seem complicated). Take three interest groups: 1) the government 2) the rebels 3) a group of assassins.
Now subtract the first (they never appear in the movie). Then simply let one of the assassins, the princess, become a rogue on a revenge trip. Add in a rebel love-interest with a guilty conscience. And you've got the ingredients.
But they still did not manage to turn it into a story or a movie. Between some random action sequences and some odd visuals trying to be Sci-Fi on a low budget, what you're left with is a feeling of emptiness. The movie just does not feel like a movie, but a weird, incoherent, boring dream.
Avoid.
2/10
Did you know
- TriviaThe statue in the industrial district of the town actually resembles the producer of the movie, not Stalin.
- GoofsDuring many of Yuki's fight scenes, it is painfully obvious that a male stunt double is used for all the violent hits, slams, falls, and drops.
- ConnectionsReferenced in The Resistance (2011)
Details
- Release date
- Country of origin
- Language
- Also known as
- Kılıçların prensesi
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $77,567
- Opening weekend US & Canada
- $12,618
- Aug 10, 2003
- Gross worldwide
- $77,567
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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