A Special-Ops commander leads his team into the Nigerian jungle in order to rescue a doctor who will only join them if they agree to save 70 refugees too.A Special-Ops commander leads his team into the Nigerian jungle in order to rescue a doctor who will only join them if they agree to save 70 refugees too.A Special-Ops commander leads his team into the Nigerian jungle in order to rescue a doctor who will only join them if they agree to save 70 refugees too.
- Awards
- 2 nominations total
Benjamin A. Onyango
- Colonel Emanuel Okeze
- (as Benjamin Ochieng)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As a person who can speak from a reputable stand point, I have to say this movie is different than many other "war" movies and is generally regarded highly among many different types of members in the U.S. military. This films representation brought forth a perspective that showed a few sides to a mission. Yes there is the desire to finish and get out. But the film also showed that the situation can change on the ground as it always does, and sometimes you have to modify. An seasoned veteran like Lt. Waters who is somewhat seasoned being a Lt. probably would have the foresight to say it is safe to go ahead and try and get these people to a border being that was the only way to drag the doc outta there without hog tying her, even though the orders above were different. A team leader is expected to use some discretion and Lt. did that. Although it was borderline crazy operationally it still worked. Working in that environment is not just like a round of socom. Things happen and you have to do the best you can for the situation if it is feasible and you have the balls to do it. Also, the depiction of the action scenes were practically dead on and impressive. Mr. Fuqua didn't cheese it up, it was kept fairly raw and confusing as is a real engagement. The ethnic cleansing scenes, well it doesn't get any more realistic than that. I can understand why everyone else hates America for doing these films about ourselves but honestly can you see a french film showing specwar going into save a village, nope. They would hand out white flags to everyone. Maybe the Aussies, Israelis, or Brits, but pretty much beyond those three countries thats all ya got. If at the least, this is a reminder that even when you think you know about what our guys are doing in the world, you don't know the half,we lose guys everyday and people should realize that a silent war exists.
Not sure why this one is so poorly rated and reviewed. I understand that Bruce Willis, like Nicholas Cage, seems to be known more for quantity than quality these days but this one is a good display of his persona. The story of soldier and US team designated to extract Monica Belluci from war torn Nigeria. The problems intensify when she refuses to leave without a group of her helpers and patients she knows will be slaughtered by the opposing forces when they attack. Belluci is very good. Willis is in top form. This film is Directed by Anton Fuqua, so you know it is intense and filled with realistic action. There are some heartbreaking moments in this one. I did enjoy it.
Hmmm...where do I start? Should I point out to a recent reviewer, who sarcastically pointed out that Nigeria has an air force and could have bombed the group fleeing through the jungle, that the "bad guys" are rebels, not government forces? Since the rebels just killed everyone in the President's family, they probably scared off the government pilots, too. (Sorry...couldn't resist.)
And since when was a movie so horribly, horribly bad because it couldn't be filmed in the actual location? So what if this was filmed somewhere other than Nigeria? And so what if the music was not "authentic Nigerian music"? I don't remember a title card at the beginning of the movies saying it's a National Geographic documentary.
This is a good movie. Less action than many war movies and less thought than some political dramas. There are good and bad people of all races. There's tension and there are explosions and gunfire. There is ample opportunity to reflect on what mankind is capable of doing to each other for political reasons.
Give it a chance and I think you'll enjoy it. Better yet, I think you'll be sombered by it.
And since when was a movie so horribly, horribly bad because it couldn't be filmed in the actual location? So what if this was filmed somewhere other than Nigeria? And so what if the music was not "authentic Nigerian music"? I don't remember a title card at the beginning of the movies saying it's a National Geographic documentary.
This is a good movie. Less action than many war movies and less thought than some political dramas. There are good and bad people of all races. There's tension and there are explosions and gunfire. There is ample opportunity to reflect on what mankind is capable of doing to each other for political reasons.
Give it a chance and I think you'll enjoy it. Better yet, I think you'll be sombered by it.
Films about war often share several things in common. The primary ingredients are lot's of guns, good explosive action scenes and a believable story. Have one and not the others and it will surely fail. The movie " Tears of The Sun " has several. Our story is framed around Seal Team leader Lt. A.K.Waters (Bruce Willis) who is selected by his commanding officer Capt. Bill Rhodes (Tom Skerritt) for a simple rescue mission. He is to clandestinely enter the sovereign territory of Nigeria, a battle-scarred nation in the mists of a civil war and rescue a tiny group of white missionaries and take them to safety. Easy enough. However, the situation becomes complicated by the group's refusal to leave, or to travel without taking the African people with them. For a soldier, it's easy, take the group by force and leave the people. However, Waters' and his team, decide to become humanitarians and rescue all the Nigerian refugees whatever the consequences. The main consequence is; the team is a ten man squad and after their decision become the quarry of a thousand angry Nigerian soldiers. This is a good film for Willis, but becomes entangled within it's multiple plots. Still, it contains two of the prescribed ingredients and therefore makes for a good movie. ****
The world we live in is a dangerous, unstable place, and nowhere is this more evident than in Africa, the place where many things of our world, AIDS included, are said to originate. Indeed, about the only thing that cannot be found in Africa is oil, which makes American interest in the region difficult to imagine, leave alone explain. So when we are presented with a story about a war in Africa, it only stands to reason that we must ask exactly why we see American soldiers.
Bruce Willis gives a delightfully underacted performance as the leader of an infantry unit sent to retrieve a handful of American citizens. Things get complicated when the primary objective refuses to leave without dozens of her patients. Instead of simply escorting one woman to safe territory, the party winds up in a race to the Cameroon border with one substantial territorial force in pursuit. Exactly why this force pursues them, we don't know until the climactic battles are about to take place, but it works.
Indeed, the actors here are not even noticeable, excepting maybe Tom Skerritt, who looks as if he spent his salary on diet pills. Instead, the sumptuous locations and cinematography, along with the action, are the stars of this film. This is a good old-fashioned action film, in spite of its very relevant story. What makes it stand out is that instead of modern action where nobody can see enough of what is going on for it to matter or make sense, we get our action scenes the old fashioned way. Blood spurts, detailed shots of the guns going off, or weapons striking flesh, are a reality rather than a much lamented unfulfilled requisite.
There are some problems, but they are minor in the grand scheme of things. When one shows fighter planes dropping air-to-surface weapons, it is usually an idea to get those weapons right. Using air-to-air missiles to drop napalm, for example, is not on. At least the dire action films of the 1980s used weapons in a manner that was convincing. The believability of a commanding officer allowing such violations of orders is very difficult to imagine, to say the least. Then again, given that these minor lapses happen once or twice during a two-hour film, this can be overlooked.
I gave Tears Of The Sun a seven out of ten. It's not at the level of a Verhoeven action film, or even a Cameron action film. It is, on the other hand, a good piece of entertainment with a decent and human edge, with sequences that have been competently shot. Which puts it ahead of a lot of films on today's market already.
Bruce Willis gives a delightfully underacted performance as the leader of an infantry unit sent to retrieve a handful of American citizens. Things get complicated when the primary objective refuses to leave without dozens of her patients. Instead of simply escorting one woman to safe territory, the party winds up in a race to the Cameroon border with one substantial territorial force in pursuit. Exactly why this force pursues them, we don't know until the climactic battles are about to take place, but it works.
Indeed, the actors here are not even noticeable, excepting maybe Tom Skerritt, who looks as if he spent his salary on diet pills. Instead, the sumptuous locations and cinematography, along with the action, are the stars of this film. This is a good old-fashioned action film, in spite of its very relevant story. What makes it stand out is that instead of modern action where nobody can see enough of what is going on for it to matter or make sense, we get our action scenes the old fashioned way. Blood spurts, detailed shots of the guns going off, or weapons striking flesh, are a reality rather than a much lamented unfulfilled requisite.
There are some problems, but they are minor in the grand scheme of things. When one shows fighter planes dropping air-to-surface weapons, it is usually an idea to get those weapons right. Using air-to-air missiles to drop napalm, for example, is not on. At least the dire action films of the 1980s used weapons in a manner that was convincing. The believability of a commanding officer allowing such violations of orders is very difficult to imagine, to say the least. Then again, given that these minor lapses happen once or twice during a two-hour film, this can be overlooked.
I gave Tears Of The Sun a seven out of ten. It's not at the level of a Verhoeven action film, or even a Cameron action film. It is, on the other hand, a good piece of entertainment with a decent and human edge, with sequences that have been competently shot. Which puts it ahead of a lot of films on today's market already.
Did you know
- TriviaTensions flared between director Antoine Fuqua and Bruce Willis soon after principal photography began. By the end, they vowed never to work with the other again.
- GoofsImmediately after the initial extraction from the evacuation point that was 7.5 miles from the mission, the helicopters fly over the mission. If it was safe to fly over the mission at low altitude, then why wasn't the evacuation simply conducted at the mission itself? What possible benefit could accrue to the SEAL team or the evacuees by making them hike 7.5 miles through difficult and hostile terrain, for an evacuation about a day later than was possible?
- Quotes
[last title card]
Title card: The only thing necessary for the triumph of evil is for good men to do nothing. - Edmund Burke
- Crazy credits"The only thing necessary for the triumph of evil is for good men to do nothing." -Edmund Burke
- Alternate versionsDVD Director's Extended Cut is 142 minutes (theatrical version 121 minutes).
- ConnectionsFeatured in Action Heroes: Under Fire (2003)
- SoundtracksYekeleni Part I / Mia's Lullabye
Vocals by Lebo M., Lisa Gerrard
Written by Lisa Gerrard, Steve Jablonsky [Mia's Lullaby]
Written by Heitor Pereira, Lebo M. [Yekeleni Part I]
- How long is Tears of the Sun?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Lágrimas del sol
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $75,000,000 (estimated)
- Gross US & Canada
- $43,734,876
- Opening weekend US & Canada
- $17,057,213
- Mar 9, 2003
- Gross worldwide
- $86,468,162
- Runtime
- 2h 1m(121 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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