Bobbie's Girl

My wife and I both enjoyed the movie. Nothing earth shaking, just a pleasant enough way to spend an hour and a half. Since all we know of Ireland is what we can remember from having motored around the southern end of it roughly 300 years ago we aren't troubled by a knowledge of the reality of that country either.

I really wish that movies that come to Canada could bear ratings that reflect the accepted standards of this country. After all, marriages between women are now legal here and there was nothing in this movie in the least lascivious, so why such a misleading label?

I suppose that my only concern about suggesting such a thing is that it might bring back the silly days of the government censors.

I expected a Made-for-TV-type movie here, but got a much richer and far more touching story. A little boy is taken in by two women in Ireland when his parents die - and one of the women soon finds she has breast cancer. She isn't exactly naturally maternal to begin with, and having to deal with breast cancer makes her even less able to make the child feel loved.

The story doesn't attempt to make saints of anyone, and as such it feels very realistic. Thomas Sangster as the little boy puts in a marvelous performance that makes the film the most moving portrayal of a child since Britain's "Hollow Reed." It is a beautiful film about responsibility, life and death which anyone can relate to.

First, I watched the film (last night) without realising that Roberta Langham was played by Rachel Ward; it's been years since I saw her in anything.

Anyway, I enjoyed this film immensely, ignoring - as other contributors have pointed out - the rather unlikely scenario of a largish Jewish community in a small RoI seaside town and the ability of a gay couple to live so openly there.

Thomas Sangster's performance was indeed years ahead of his age and had me sniffling occasionally. Yes, I agree with another contributor who suggested this film is best watched with someone you love.

A beautifully warm film, without resorting to schmaltz. See it.

The quality that makes this movie such a joy to watch are the relationships between the primary characters. The relationship between Bailey and Bobbie "feels" real. Both Ward and Peters convey the familiarity of long established relationships. A tacit acceptance of the good qualities and foibles that all couples deal with in each other.

I had never seen Sangster in any films before this. I was deeply impressed with the abilities of an actor so young to convey complex feelings without words. Dread and hope expressed side by side. His attempts to bond with his aunt and Bailey are artfully portrayed, with just enough success and frustration to feel genuine.

As the uncle, Jonathan Silverman provides a balanced portrayal of self effacing humor and sensitivity. In the character of Uncle David Allen is able to see that other ways of living that are completely alien to his very proper British up bringing.

A warm and hopeful film. It's characters, their relationships, and the personal growth that occurs in each of them make it a genuine joy to watch.

The charm of "Bobbie's Girl" isn't so much in the story as in the telling. A sweetly sentimental slice-of-life feel good flick from Showtime, the film tells of a middle-aged lesbian couple operating a tavern on the coast of Ireland who unexpectedly find themselves with the yin-yang of a wee lad and the "Big C" in their midst. The film offers fine performances from a core cast of four who fully flesh-out their characters making for an easy emotional buy-in. Those who have become used to the usual exaggerated dramatic film fare may enjoy the soft-peddled delivery of this lilting, life-affirming drama while others may regard it as uneventful fluff.

Note - Those who might be turned-off by the same-sex relationship at the center of this film should know that the lesbianism is very understated and tastefully presented.