The Magdalene Sisters

The Magdelene Sisters is a good portrayal of the very real behaviour of nuns. I am English and emigrated to Canada with my family. I attended a catholic school which was run by these social misfits, and from my very first day, I was persecuted for the following crimes: I had a short hair cut, my hand writing was not neat, I did not know the words to the Canadian national anthem, I had an English accent, I was good at drawing, I failed to smile at the right time during assembly, I slipped on some ice in the school grounds and hurt myself. etc., etc., etc. I was hit countless times during my few months there - before I left the horrible place. I was constantly referred to as "the green horn Englishman",mocked and imitated because of my accent, and belittled because I didn't know the Canadian national anthem, which we were required to sing every morning before lessons began - (I'd only been in the country weeks - I soon learned it). I was kept behind after school regularly because my handwriting was "unacceptable", causing me to miss my bus home (I had a long way to travel). I was once hit across the back of my head with the words "you write like a boy, you talk like a boy - you even look like a boy". I was eight years old. My sister, who was ten, received remarkably similar treatment. I was terrified to tell my parents because I thought they would speak to the nuns and I would be worse off. Instead they thankfully took my sister and me out of school after she admitted what was going on. I have nothing but contempt for these people. I feel that anything which exposes them as they really are can only be of value to society, above all, for the protection of children.

'The Magdalene Sisters' would be a preposterous story, were it not factual. The actual names and circumstances appear to have been changed for the screenplay, but the original 50-minute documentary, filmed likely in the mid 1990s, tells us that everything, and more, happened to these children, virtually imprisoned for such things as having a child out of wedlock, or being sexually assaulted, or simply happening to look pretty. With no way out, they were forced to work long hours for no pay, operating the Magdalene Sisters' commercial laundry business, the last one until 1996. As one character, the old nun, explains, a strong Ireland requires that its men remain strong, so we have to remove temptation. The critic Ebert has a complete review. The only relevant "extra" on the DVD is the documentary, which features old photos and film, plus remarkable interviews with ladies who had been in a Magdalene Sisters asylum in the 1940s through the 1960s, including the three ladies around whom the movie's three main characters were built. A very gripping movie, well-acted.

Peter Mullan's (2002) film is based primarily upon the TV documentary 'Sex in a Cold Climate' by Steve Humphries which was first aired on RTE (Ireland) and BBC (England) in 1998. The documentary records the recollections of four Irish women who spent their youth and a good proportion of their adult lives as involuntary guests of uncompromising Roman Catholic nuns.

The film is set in a particular example of this institution which, somewhat akin to the English workhouses of the late 19th and early 20th century, became established in Ireland after the Second World War. The Magdelene Laundries took their name from the biblical figure of Mary Magdalene, a 'fallen woman' whom Christ befriended.

We join the main heroines of the movie - Margarette (Anne-Marie Duff), Bernadette (Norah-Jane No one), Rose (Dorothy Duffy) and Crispina (Eileen Walsh) in cameo as their entrance scholarships for the Magdelene Laundry are being sat.

What's most uncomfortable about this part of the movie, is trying to work out what's going on. Trying to work out what it is that's being whispered and what will be the upshot of it, and why. At first, it seems like the soundtrack of the film and the contrast have failed. But before long, it becomes obvious that the soundtrack of the film and the contrast have succeeded. The dark and deafening silence surrounding the circumstances under which these young women are being consigned to the unwelcome stewardship of the Magdalene Sisters comes through loud and muted.

We follow their induction into the laundry by Sister Bridget (Geraldine McEwan), ably assisted by the Sisters Jude (Frances Healy), Clemantine (Eithne McGuinness) and Augusta (Phyllis MacMahon) who contrive with formally celibate gentlemen like Father Fitzroy (Daniel Costello) to represent a world in which God's greatest ideal is achieved through punishment and penitence.

As the film progresses, we begin to understand why it is no accident that these institutions should have been laundries. They could - after all - have been bakeries, dairies, canneries or places where mailbags are sewn.

With every garment that passes through the process, unmentionable filth is cleansed - if the Sisters are to be believed. And if the Sisters are to be believed, the sins of the teenagers and the route to Heaven is bound up in hot water, salt and flagellation.

And as we follow these unsaintly girls on their hapless journey, we finally learn that salvation is as straightforward as a letter we are not privileged to read and a brother who arrives with a suitcase - as if there is anything that anybody could possibly want to carry away from a place like this.

This film is a powerful elegy to the suffering of these unfortunate girls who, constrained to silence for so long, have finally found a voice.

Enough has been said about the plot and characters by now that I am only going to add a personal note...which I strongly feel I must. I had to wait for this movie to be released on DVD before I got to see it....having waited patiently since I first read it won awards at the Venice Film Festival.

I am so grateful that Peter Mullen took this project on and that it met with such controversy because that was exactly what was needed for the film to get recognized and viewed by as many people as possible. The more people who see the film the better! The wonderful advantage of having waited for the DVD release is that it came with the brilliant documentary, ‘Sex In A Cold Climate` which inspired the movie.

As a X-Roman Catholic and a survivor of what I refer to as my incarceration...an oppressive Catholic education/indoctrination by the Sisters Of Charity (1957-1958) and the Ursuline Sisters (1959-1969), both old orders of the Catholic Church originating in Europe. I can state with battle-scarred alacrity that behavior as depicted in this movie is not only factual but not nearly cruel enough to tell the true story. From my experience...the Nazi's must have taken lessons in depravity and wickedness from the Sisters Of Charity! These were old world religious orders with dogmas and superstitions that have not changed since Christ's time. The practitioners of this primitive cult like barbarism were mostly ignorant of anything resembling reason or logic not to mention...science. The comparisons to the Taliban is not all that far fetched. Of course there was one or two nuns who had an occasional bout of compassion, but they were not only a minority, they were also downcast within the system. I also realize that not all Catholic orders are of the same cloth as the strict Roman Catholic variety, but I was born into the Irish Catholic variety...one of the worst.

It took me years and a loving cheerful husband to undo the deep melancholia I felt from having grown up with this kind of repression. Now, as a middle aged adult my depression has amalgamated into a outspoken and healthy anger at a religious institution and church that has been allowed for millenniums to abuse it's power. The psychological methods employed by The Catholic establishment is so devoid of compassion and full of hate that had it still existed today in America it would be considered illegal. The only reason these zealot fanatics got away with their brutal treatment of innocent children for so long is because the people they tormented were brainwashed with eternity in hell for even thinking of questioning such God given authority. I spit on that authority!

This movie is not an exaggeration! And it's not restricted to the religious orders in Ireland. If anything it didn't go far enough in depicting the true story. Not enough nefariousness has been said of an institution that routinely turned it's eyes on child molestation and the persecution of women perpetrated by it's leaders. I am so glad that all these Catholic Church and School survivors are suing the church and therefore bringing the atrocities to light. And I applaud Peter Mullen for making such a forceful case against inhumanity in the name of organized religion of any flavor. Christian, Catholic, Islam, Jew...they're all the same...it's all about control and power...and too often it's an aberration of it's original intent.

"The Magdalene Sisters" is not, as some have claimed, a one-dimensional anti-Catholic film exploiting what are arguably especially gruesome atrocities. It is a fact-based drama about three teenage girls who found themselves in 1964 sentenced to work in a laundry run by an Irish religious order for an indefinite term and under conditions that made most audience members shudder.

In three brief vignettes before the main title, the girls are introduced. One is brutally raped by a cousin at a wedding while priests perform traditional Irish songs. Immediately telling a woman, instead of support she becomes the subject of a hasty conspiracy to spirit the rapist from the wedding and to place her in the Magdalene asylum.

A second girl gives birth to a baby - in the not long ago past, illegitimacy was the label. She is pressured by a priest to surrender the baby boy and then she, too, is hustled off to the asylum.

The third victim is in an orphanage where she gets under the director's skin for no other offense than she is pretty and boys from the neighborhood crowd a fence to call down to her. Transfer to the asylum follows.

The Magdalene laundries made money for the order running them and the asylum to which the three girls were committed is, in this film, a moral charnel house. Sister Bridget, the head nun, interviews the girls while fingering, with almost erotic delight, rolls of money. Her desk sports a photo of President Kennedy but a picture of Ilse Koch would have been a more suitable iconographic representation of her character. She is a sadist, first class.

What follows is almost unrelieved tedium for the girls interspersed with brutal physical chastisement and agonizing sexual humiliation inflicted by perverted nuns. Sexual orientation isn't my issue, it's the awful victimization of helpless young girls.

Through the fine acting of the cast the complexity of relationships and the nature of choices become engrossing. To accommodate or to resist. To comply or to engage in sabotage, even in small ways as a declaration of non-surrender. Sabotage is possible but can an inexperienced and angry teen foresee the consequences of a minor act of resistance? An anticipated humorous defiance may well have tragic results.

The film centers on the three girls as well as several other asylum inmates ranging from a young woman descending slowly into irreversible madness and an elderly crone who believes her lifetime of servitude guarantees entrance to the Kingdom of Heaven. This tortured soul is the nuns' "capo," the inmate without whose help the asylum's strictures can't be enforced. Comparison to the Gulag camps and the Nazi concentration camps is apropos.

"The Magdalene Sisters" doesn't portray all the girls as angels but it does show the nuns and the occasional male clergy as evil exploiters and sadistic hypocrites. Is that fair? The end credits report that some 30,000 women were involuntarily placed in Magdalene asylums until the last one closed in 1996. Were all inmates so tortured and beaten? I don't know but these three girls certainly have had THEIR experience recorded for a population that appears to have turned a blind eye to what should have been a national scandal decades earlier. Their life after the asylum is reported in the end credits. All paid a price for a stolen adolescence.

The asylum in this film is pure evil, religious doctrine run amuck in the quest for money through cheap labor and in the riotous unleashing of perversity. English judges for centuries have often used a word rarely found in American case law to describe persons and events: the word is wicked. This film projects an unending parade of wicked people performing wicked acts. It doesn't condemn Catholicism, it indicts the operation by the church in Ireland of one type of soul and body destroying evil. The Church can no more defend the Magdalene asylums than it can the predatory pedophiles in the priesthood. That's the simple reality.

Audience members loudly gasped and a number cried during the showing. This isn't a film for the fainthearted or those who want their illusions about a bucolic and verdant Ireland filled with dancing and music unaffected by the reality of a genuine tragedy now coming to light.

8/10.