WXIII: Patlabor

Mamoru Oshii's first two "Patlabor" films were excellent, both incredible and atmospheric pieces of work that always focused on characters first. For the third movie, you will find almost none of the original production staff involved but for Kenji Kawai, longtime Oshii composer. This said, I entered into the experience skeptical and was pleasantly rewarded.

WXIII, which stands for "Wrecked 13" for an almost indecipherable reason, is a fitting continuation of the series that gets occasionally bogged down in a ridiculous "big monster" plot. Much like the second film (arguably Oshii's best), fans should note that the main characters of the regular Patlabor series appear only incidentally. Asuma and Noa are the first members of Unit 2 to make an appearance, in a non-speaking part, almost 30 minutes in! Goto and Unit 2 don't have an actual speaking role until the last 20 minutes or so of the film. The movie focuses entirely on Detective Matsui, now older and on the injured list, and his young partner. Viewers of the first two films will recognize them, and it's a welcome exploration of their lives. In essence, it's a detective story, although the outcome is never really in doubt.

What makes the film so enjoyable is the excellent characterization of the detectives. The monster plot-line is fun at points and ridiculous most of the rest of the time, but thankfully it's spread out pretty thin. There are some beautifully composed shots, the music is spot-on, and the script is clever and in keeping with the tone of the first two films. There are some annoying plot holes that a Kazunori Ito script would have avoided, but it is overall a good effort from the new screenwriter.

Those expecting an action-fest will get a couple of fun, suspenseful moments, but otherwise look elsewhere. But fans of solid drama and intrigue will be rewarded. The Japanese DVD has excellent subtitles and a number of fun extras, so if you have an all-region player I would recommend it for your collection. Patlabor 3 is very good film that, despite its flaws and the reputation of the previous films, succeeds in the right places. 7 out of 10.

In the year 2000, one year after the Babylon incident. A mysterious creature has been spotted in the Tokyo Bay destroying fishing ships and patrol boats. Two detectives are on the case, and try to gather up clues on the mystery. As it later turns out, they're dealing with a biochemical monster that can only exist by being made by a human. And their yet to find out who's responsible for it's existence before it destroys Tokyo.

Unlike the previous Patlabor anime. This one revolves on 2 characters who aren't part of Special Vechiles Division 2. But it does take place in the same universe. Only we don't see too many Labors at all. And every one we know from Patlabor are only in 1/4 of the movie. With the exception of Captain Gota being the only original character having the most screen time. While everyone else is a minor character in this movie.

Making it not look like a Patlabor movie at all. Despite it directed by someone other than Mastu Ohjii and newer animation. This is consider to be the weakest in the Patlabor series. Not saying it's bad at all. Just the director failed in giving it the same spirit as the other movies and TV shows.

It's more of a Monster anime flick than a Mecha anime flick.

If it was directed by Ohjii, then we'd see it as the same level as the previous movies. That and it's more of an in-between movie than a sequel cause it takes place between the first 2.

Overrall Patlabor WXIII does succeed in having believable characters, actions, drama, and locations. If your a fan of the franchise, you might not find this one to be satisfying.

I don't really know why the hate towards this beautiful, fun, thriller, the pace it's slow but it's intended to be like that, it has action, and motives enough to do what the characters do, yes Mamoru it's not involved, but so what?, this is a very entertaining production, and it reflects how life in that not far away Tokio is held, that means that is not only the characters of the first movies the only ones that live there, basically, this expand the universe of Patlabor series.

It's not perfect, but it's beautiful done, and please, do favor for you and don't watch the dub version, I get that is one of the weak points of the bad reviews.

I was completely jazzed to track down the third Patlabor movie; the first two are among my favorites.

The third lacked that certain something...namely the main characters from the first two, reduced to minor supporting roles at best. We don't see the progression of the characters like we did between 1 and 2, which, to be honest, was part of what I was looking forward to seeing in the third. They showed up, a little; I found it funny when Captain Goto, in a meeting, asked why he was there. I had to laugh, because I was asking the same question, as he seemed to me to be in the scene just so people knew it was Patlabour 3. If Section 2 didn't show up in some form, even a few scenes, people would not have been able to tell. So they did. In a few scenes.

I was disappointed.

Anyone who comes to this anime expecting cliché Japanese robot/monster fights is in for deep, deep disappointment. But if you are interested in one of the finest Japanese procedural films since Kurosawa's High & Low, watch this film.

I have no idea what inspired the creators of the otherwise pedestrian Patlabor series to create this almost noirish meditation on the grey, atomized life of modern Japanese. But by combining the deliberate pace of Kurosawa's masterwork with portraits of weathered bureaucrats and alienated beauties lost in in Tokyo's concrete jungle, this work envelopes one in Japanese life at the millennium. It's an extraordinary piece of immersion into a culture that is superficially like ours but in reality vastly different.

The plot i subside the point--it is the day to day details of the two lead detectives that are the true subject of this astonishing film.