Rudy: The Rudy Giuliani Story

It's too bad the talented Penelope Ann Miller was cast in this garbage! Her talent and acting ability should be used for much better roles than this. As usual, Penelope is always outstanding, no matter what she is in but this role was sickening. Hope to see her in better stuff than this in the future.

The film is obvious a Hollywood capitalization on a persona. It is definitely overdramatized, but it does play out some of the more important moments in Giuliani's career. Consequently, if one has an even minute understanding of his political career, the film allows a person to reflect on it a bit more easily. This film is not a political analysis of any sort, nor is there a real vestige character portrayal. It's much more a docudrama than anything else, and that is to be expected from a "movie of the week."

I was all waiting for 'Rudy' which profiled mostly the latter years of Rudolph Guliani to be mostly a puff piece, since I have seen the (excellent) critical documentary on him, Guliani Time. But actually, I was quite pleasantly surprised at how balanced this seemed to be. While I'm some people are jumping up and down protesting that last comment, let me explain. I'm sure there are very very deep explanations about the flaws and mistakes Guliani made that were basically brushed over in this film, but really, with a 90 (??!??) minute time frame, how much info can you put in? This isn't a fluff piece, Guliani's mistakes, including his ridiculous womanizing, his almost fascist stance on crime, and his deep dark family past are all examined, and of course, that all disappeared when he was made into a National Hero because of 9/11. I mean, this is not the first time a guy with a dark history walked away a winner is it? The film itself looks amazing. I really like the mixture of video (for the 9/11 scenes) and film (for all the back story), it deftly cuts into stock footage seamlessly, and this looks quite amazing.

The only problem I have, believe it or not, is James Woods playing Rudy. Not that I don't consider him a fine actor (which of course I do) it's just that whenever I see him as Guliani, I see Roy Cohn. LOL

I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.

The movie itself is compelling and is told in flashback form from I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.

The movie itself is compelling and is told in flashback form from September 11. It emphasis Giuliani's love for the law and for New York City.

As an American, it was hard to watch without having my tears jerked but that yet, I had to watch.

The performances by the other actors and actresses were all good too. Some people will say its a white wash but I felt it depicted Rudy Giuliani the man, his good side, his obsession with cleaning up NYC, hit temper, his marital infidelities, the horror of finding out his father was once arrested and jailed for armed robbery. They don't come much better then this.

Oh, I forgot, his love of opera. Its all in there.

I hope there will be a DVD release.

A superficial puff-piece about a fascinating political character that stays so much on the surface that it verges on soft-core propaganda. Neither James Woods nor the script really bears a particularly close resemblance to Guiliani, both making him look better than he really was.

One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.

The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.

I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.