A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.A New York mayor tries to cut back the city's crime and social problems, all in the face of his own battle with cancer, the tragedy of the September 11th Attacks and his troubled marriage.
- Director
- Writers
- Stars
- Nominated for 2 Primetime Emmys
- 2 wins & 3 nominations total
Kirsten Bishop
- Judith Nathan
- (as Kirsten Bishopric)
Michael Jeffrey Woods
- Sam
- (as Michael Woods)
Francis X. McCarthy
- Jim Kossler
- (as Francis-Xavier McCarthy)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Rudy is the TV film shown recently on USA starring James Woods as Rudolph Giuliani. It begins on September 10th, 2001 and then when the tragedy hits we go to flashbacks starting in 1982 when Rudy was associate Attorney General. The back and forth between the present (September 11th) and his past is a hard to pull off editing job that works well.
The 911 scenes go back and forth between actual footage Woods' portrayal, which again is effective and realistic. To his credit Woods didn't try to assume the mannerisms of Rudy too much so avoided the danger of lapsing into parody, but rather played the role as intense high drama...which wasn't exactly appropriate to Rudy's more low key reality.
Other flashbacks we get are 1984 when he's the US Attorney in New York who cracks down on the Mafia, 1989 when he loses the Mayoral race to Dinkins, 1992 when he grandstands for racist cops, 1993 when he wins the Mayoral election, as well as his marriage and his 2 extramarital relationships.
Overall a sympathetic portrayal of 2 decades of public office which of course culminates in 911, which is really what most of the film appropriately points towards. You will come away respecting Rudy if perhaps not agreeing with him.
Finally it's significant that James Woods got this role, as he noticed the highjackers on previous "test flights" and he reported his suspicions to the flight attendant. He reported it to the FBI post-911 and they confirmed they were the highjackers on his flight.
The 911 scenes go back and forth between actual footage Woods' portrayal, which again is effective and realistic. To his credit Woods didn't try to assume the mannerisms of Rudy too much so avoided the danger of lapsing into parody, but rather played the role as intense high drama...which wasn't exactly appropriate to Rudy's more low key reality.
Other flashbacks we get are 1984 when he's the US Attorney in New York who cracks down on the Mafia, 1989 when he loses the Mayoral race to Dinkins, 1992 when he grandstands for racist cops, 1993 when he wins the Mayoral election, as well as his marriage and his 2 extramarital relationships.
Overall a sympathetic portrayal of 2 decades of public office which of course culminates in 911, which is really what most of the film appropriately points towards. You will come away respecting Rudy if perhaps not agreeing with him.
Finally it's significant that James Woods got this role, as he noticed the highjackers on previous "test flights" and he reported his suspicions to the flight attendant. He reported it to the FBI post-911 and they confirmed they were the highjackers on his flight.
I was all waiting for 'Rudy' which profiled mostly the latter years of Rudolph Guliani to be mostly a puff piece, since I have seen the (excellent) critical documentary on him, Guliani Time. But actually, I was quite pleasantly surprised at how balanced this seemed to be. While I'm some people are jumping up and down protesting that last comment, let me explain. I'm sure there are very very deep explanations about the flaws and mistakes Guliani made that were basically brushed over in this film, but really, with a 90 (??!??) minute time frame, how much info can you put in? This isn't a fluff piece, Guliani's mistakes, including his ridiculous womanizing, his almost fascist stance on crime, and his deep dark family past are all examined, and of course, that all disappeared when he was made into a National Hero because of 9/11. I mean, this is not the first time a guy with a dark history walked away a winner is it? The film itself looks amazing. I really like the mixture of video (for the 9/11 scenes) and film (for all the back story), it deftly cuts into stock footage seamlessly, and this looks quite amazing.
The only problem I have, believe it or not, is James Woods playing Rudy. Not that I don't consider him a fine actor (which of course I do) it's just that whenever I see him as Guliani, I see Roy Cohn. LOL
The only problem I have, believe it or not, is James Woods playing Rudy. Not that I don't consider him a fine actor (which of course I do) it's just that whenever I see him as Guliani, I see Roy Cohn. LOL
A superficial puff-piece about a fascinating political character that stays so much on the surface that it verges on soft-core propaganda. Neither James Woods nor the script really bears a particularly close resemblance to Guiliani, both making him look better than he really was.
One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.
The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.
I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.
One example that can symbolize many others: Guiliani is shown as a devoted Yankee fan, but there is no mention of his various overt and covert efforts to funnel millions of public dollars to George Steinbrenner and his baseball team.
The director's and writer's point of view is not only essentially pro-Guiliani, but the narrative framework is also centered within his political cadre, rather than being informed by the insights of detached and balanced observers.
I would have liked to have seen more about where Rudy came from -- geographically, socially, and psychologically -- to help understand how he became such a capable yet massively flawed figure on the New York political stage. This movie trivializes its subject matter, focussing on a two-dimensional cutout rather than a three-dimensional character within a complex context.
I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.
The movie itself is compelling and is told in flashback form from I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.
The movie itself is compelling and is told in flashback form from September 11. It emphasis Giuliani's love for the law and for New York City.
As an American, it was hard to watch without having my tears jerked but that yet, I had to watch.
The performances by the other actors and actresses were all good too. Some people will say its a white wash but I felt it depicted Rudy Giuliani the man, his good side, his obsession with cleaning up NYC, hit temper, his marital infidelities, the horror of finding out his father was once arrested and jailed for armed robbery. They don't come much better then this.
Oh, I forgot, his love of opera. Its all in there.
I hope there will be a DVD release.
The movie itself is compelling and is told in flashback form from I haven't seen all the movies he's been in, but this is the best James Woods since Citizen Cohen, I think.
The movie itself is compelling and is told in flashback form from September 11. It emphasis Giuliani's love for the law and for New York City.
As an American, it was hard to watch without having my tears jerked but that yet, I had to watch.
The performances by the other actors and actresses were all good too. Some people will say its a white wash but I felt it depicted Rudy Giuliani the man, his good side, his obsession with cleaning up NYC, hit temper, his marital infidelities, the horror of finding out his father was once arrested and jailed for armed robbery. They don't come much better then this.
Oh, I forgot, his love of opera. Its all in there.
I hope there will be a DVD release.
It's too bad the talented Penelope Ann Miller was cast in this garbage! Her talent and acting ability should be used for much better roles than this. As usual, Penelope is always outstanding, no matter what she is in but this role was sickening. Hope to see her in better stuff than this in the future.
Did you know
- TriviaDespite being credited, Stanley Weiser claims that his entire script was thrown out at the request of James Woods and replaced by one written by an uncredited Lionel Chetwynd, a well-known politically conservative screenwriter, to make it more pro-Giuliani.
- GoofsIn the scene where Giuliani is telling his wife about going after the crime bosses, as she approaches, he lifts up the cigar in his left hand, but in the next shot, the hand with the cigar is back on the table and never lifts it up.
- Quotes
Rudolph 'Rudy' Giuliani: You spend your whole life seeing and hearing about people dying. You just never think it will happen to you.
- ConnectionsFeatured in The 55th Annual Primetime Emmy Awards (2003)
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