Salmer fra kjøkkenet

Having just seen Kaurismaki's dryly-witty `Man Without a Past,' I couldn't believe that director Bent Hamer's `Kitchen Stories' is actually drier and funnier. The Norse/Swedish co-production depicts 1950's Swedes studying bachelors in their kitchens to improve their lives. Swedish scientist Folke, in a high chair like some infantile god, observes Norwegian Isak under the restriction that he must not interact with Isak.

The humor comes from the stereotypical Swede as uptight and organized and the Norwegian as slow but solid. The silliness of the experiment itself is obvious and the restriction ludicrous because of course they will interact, in fact bond, given the loneliness of Norway's winter and the need for humans to be sociable. That the story turns on male bonding is a bonus, especially because neither country is considered a bastion of sociability. When Isak lets Folke listen to the radio on his teeth fillings, I figure the guys are in for some warm nights.

In another way, this film could be as good as it gets for analyzing the effect observers have on their subjects, be it laboratory or media. A question probably unanswerable even today is how much anyone changes under observation. In the case of the central characters in `Kitchen Stories,' the change is considerable, but more so just because of another human being's presence in an otherwise lonely world. The credibility of documentaries and scientists is on the table here.

The minimal dialogue and occasional joke, spiced with subtle racial stereotyping, makes me think of not only Kaurismaki but also Beckett, whose waiting characters sometime talk nonsense, but most of the time profundity under the guise of simplicity. `Kitchen' is a slow but rewarding film that strips life of its pretensions to study more closely the tissue that binds humanity with communication.

Diplomat Dag Hammarskjold in his Markings caught the minimalism of this film: `Friendship needs no words-it is solitude delivered from the anguish of loneliness.'

This movie pokes fun, in a very gentle way, at a whole lot of things. At the Swedes and their "Ikea-type" market research, at the Norwegians and their laconic ways, and at the strange ways of humans altogether. This movie manages to be moving without being sentimental or manipulative. What I mean here is that the element of manipulation that is quite obvious in many of the more sophisticated recent "feel good" movies I generally enjoy (you know the ones I mean - Cinema Paradiso, Billy Elliot etc.) is not in evidence here. We are getting at something pretty basic and human with "Kitchen Stories". The movie tracks the unlikely relationship that develops between the Swedish market researcher, sent to observe (and strictly forbidden to interact with the subject of his study) the kitchen ways of his crusty Norwegian bachelor "host". Sounds rather minimal but this is a movie that is as good as a movie can get. Perfect pacing, perfect acting, perfect camera work, perfect story. While the movie can be enjoyed on the tv, as video, I think that it is best seen on a larger screen in a movie theater because the visual impact is strong. You come out of this movie a happier person than went in and that is worth something these days !

The summary of Salmer fra kjokkenet in imdb places the movie in the "feel good" genre. This may be true for UK citizens, however a swede really gets the shivers alongside with incontrollable laughs while watching this movie.

The horror derives from the fact that since the thirties the Swedish politicians seriously have believed that they were able to shape society with reason and logic. Thus in the movie, there is the "Institute of private homes research", the object being to develop the most logically structured kitchen, adapted to the average movements of the "normal" house wife.

This excellent movie made in Norway, the neighbouring country of Sweden - which up to 1905 was submitted in a state union with Sweden - makes a very convincing statement about the "swedish mentality", that is how our welfare state has developed during the past 70 years.

The growing relationship between the aging Norwegian farmer and the archetypical swedish bureaucrat Nilsson. Nilssons job is to observe his delinquent while he is performing the daily chores in the country kitchen, is moving and, I think, quite significant if you're interested in the nature of mankind - one of Nilssons colleagues comes at him with the a priceless line of speach: "How the f**k can one know anything about ones fellow man, if not speaking to him?" It needs to be said - the obeservators are strongly advised not to interfere with their "objects of research".

In other words; at one level of Salmer fra kjokkenet provides you with great laughs, if you recognize the type who's main interest is to grasp control of your behavior, of your life. At another level this is a painful, yes, raw settlement with the swedish "social engineering" so admired by foreigners, at least in the past.

I cannot think of any other movie more worth recommending to somebody who's interested in what mankind really is, and what caricature she can made into.

This is a movie about how to make friends when every other possibility is exhausted, how to talk man to man, when every way of communication i banned by the "authorities".

There's no avoiding it: "Kitchen Stories" is hopelessly boring. It is slow, uneventful, tacit, and wry. But that is not necessarily a bad thing. It also happens to be hilariously understated and brilliantly dry. It's motive is clear and straightforward, there are no surprises or twists, only the observation of two men: one who must observe, the other who must be observed. Of course, humans are not meant to be that way, and everything falls out of the way it is supposed to. The scientific study of single male's kitchen activities is carried out in high chairs strategically placed in the corner of the kitchen. But the observer, Folke, and the observed, Isak, form a friendship and a bond, quietly, and ever so slowly. There is a small twist at the end, but when you think about it, with all of the very small funny moments leading up to it (getting radio stations through a gold tooth, Isak eating dinner in his room instead of his kitchen), you realize at the end that everything is the way it should be. This movie is a small masterpiece, slow and dry, yet hilarious and perfect. This is a movie with no villains and no heroes, just regular people, eating in their kitchen. At the end, even though you may have looked at your watch a few times, you leave satisfied and with a silly little grin on your face.

My grade: 7.5/10

How do you make a film… no SELL the idea of a film, whose premise is the following? Take 1950 era Swedish scientists, whose goal is to find men who live alone in the wilderness and study their ‘kitchen habits' at home for the purpose of building a more efficient living space for people. I am sure if any writer walking into Hollywood with that script would be instantly flogged before he even set foot in a studio executive boardroom. A story like this obviously seems to set itself up as a comedy, since the story is so obviously absurd, but what viewers come out with after witnessing this film is the great appreciation and the bonds the characters create. This is a truly touching masterful picture, from a premise that has the most bizarre source that I don't know how anyone could have even come up with. That premise is quite something, since it seems that the idea of studying male behavior in a kitchen in the backwoods of Norway is either going to be a complete disaster or something extremely memorable. Luckily it is the latter of the two. Isak Bjornsson is a scientist out to study a ‘subject' named Folke who lives by himself and has literally no friends. Folke unwittingly is part of this experiment which involves Isak sitting in a giant chair overlooking his living space, as if he was the judge in a tennis match. Also Isak is supposed to follow certain rules set out by his employer. He is not to disturb Folke's living space, nor talk to him. If this isn't a unique bit of Scandinavian humor I don't know what is. If this film were to fall flat or even be just a short funny comedy, it would only fixate on the stupidity of this premise. Somehow a guy who sits in a log cabin miles away from civilization, who can put up with a stuffy repressed scientist whose main purpose is to write excruciating details of a man who literally spends his day doing nothing, is actually quite a funny situation for comedy. Kitchen Stories does not fail in that sense, but the ingeniousness is that Kitchen Stories is smarter than that.

The film suddenly takes the viewer to ask what the real purpose of these 2 men in the movie are and the focus provides and glaring and obvious point. They are essentially both alone in their lives for different reasons and they in a way need each other. But not of course in the sense of a dying love, but in a great sense of male camaraderie and caring that is essential to the idea of a great friendship

Gradually, the bond between scientist and subject breaks down, and both men start evolving a strange set of rules and create a friendship that comes off as the most genuine and heartwarming I've seen on screen since this year started.

As this relationship and some good subplots develop, the comedy takes another turn as Isak tries to hide from his boss ( a man who only ‘dreams' of what the future possibilities of kitchens may look like), that he has engaged his subject in what is obviously, ‘caring' humanity. The nerve!

I loved this film from the moment it started till its tender conclusion. It had only a short run in my area, and even after what must have been several months since I've seen it, I still think about it and a giant smile comes across my face.

It is touching, heartwarming, very funny, and just flat out great. It is the best film I have seen so far this year. If you ever get a chance to see it, go immediately. It shows the perfect beauty of the bond between us all as people, in the most kooky, unique bizarre way. And that in itself… is pure genius

Rating 10 out of 10