Special Forces

(Preface: Don't confuse this "Special Forces" movie with the Daniel Bernhardt "Special Forces" movie!)

I like movies from the Nu Image filmstudio, and I also like movies directed by action king Isaac Florentine, so I knew I had to watch this. I was not disappointed. I will freely admit that this movie is not perfect. The CGI effects are obvious and clunky. There is little written to differentiate the protagonists from each other, and the bad guys are stock characters. The dialogue is often very familiar. And a large part of the first half of the movie is really slow and drawn out.

But there are more positive things about "Special Forces" than negative. It is slickly shot, with clear photography and good lighting. The Lithuania locations are well chosen, and dressed with enough props and extras to look realistic. But the best thing about the movie are the action sequences. A lot of money was obviously spent on ammo and explosive devices, and the various shootouts are really exciting. Even better are the martial art sequences - these sequences can stand proudly beside martial art sequences from Hong Kong films. And the last forty or so minutes of the movie are non-stop action - you'll be barely given time to breathe! Just be a little patient during the first half of the movie, and you'll be rewarded with enough mayhem to really pump your blood.

Director Isaac Florentine's follow-up to his cult hit, U.S. Seals 2 revisits

America's military with more Hong Kong style action and martial arts. Budgeted at a mere $1.3 million, Special Forces manages to push the limit on action

filmmaking within a grimly patriotic story set in the shadow of the bloody

Bosnian-Serbian conflict.

Although unrelated to U.S. Seals 2, Marshall R. Teague returns, this time to

headline the film as Major Don Harding, in addition to acting as military advisor. He's the real deal when it comes to portraying a no-nonsense military officer. His mostly non-emotive persona, echoed by hisfellow team members offers a

nice stabilizing force to ground the stylized action.

Wendy Teller (Daniella Deutscher) is an American photo-journalist in

theEastern European country of Moldavia who stumbles upon local military

forces executing villagers. The commander is a veteran of the Bosnian War

named Hasib (Eli Danker) who captures the woman and attempts to exchange

her for captured war criminals. Its a bad call as the only response he gets is Major Harding and a team of Army special forces flown in to rescue her. Once

down, they settle in to discover her whereabouts with the aid of a local

schoolteacher and a seasoned SAS operative named Talbot (Scott Adkins). A

bitter, past encounter with Hasib fuels Harding's desire for revenge as well as to save the journalist. But after an attempted rescue is thwarted, his team members are either killed or captured. Armed with lethal martial arts ability, Talbot steps in to assist Harding in completing the mission.

Director Isaac Florentine has toned down the stylized action for this film while retaining the excitement of previous efforts. His credits include directing 70 episodes of the popular children's action series for television, the Power

Rangers. This fact and his love for modern Japanese action filmmaking in

general has led to his past use of exaggerated sound effects and camera work

suitable for genre filmmaking, but often at odds when paired with real-world

scenarios. Initially, martial arts combat is used sparingly and with quicker results in neutralizing targets, more in keeping with real combat training. This limited display of hand-to-hand combat may come as a bit of a disappointment to some, but the film adequately compensates in two ways. First, there is relative

newcomer Scott Adkins, who plays the Special Air Service operative. He's

appeared in smaller roles in films such as Extreme Challenge (2001) and The

Highbinders (AKA The Medallion). This could be considered his first breakout

performance as a martial arts star and an impressive one at that. This leads to the second compensation for action buffs, the end fight. You know its coming. The lead villain's sidekick, who does little else throughout the film is present for the sole purpose of taking on Adkins. This scene is outstanding and features the highly competent choreography of Akihiro Noguchi, another Power Rangers

veteran. But this is no kid's stuff. Scott's kicking ability and range of motion are outstanding. The fight is fierce, extended, and only briefly interrupted by

Teague's less potent, but solid brawl with Eli Danker. There may be more

gunplay and explosions than anything else, but Adkins' two or three fight scenes are good enough to warrant martial arts fans taking more than a passing

interest. Any way you slice it, Florentine, himself a martial artist, is clearly committed to filming some of the best martial arts scenes outside of Hong Kong. Its all the more impressive given that he's doing it on a small budget and in an industry not always receptive to allowing quality martial arts in their films.

Special Forces also scores points for it's ambitions. The film begins with a

sobering mass execution of innocent civilians by machine gun. To know that

similar acts have actually occurred in numerous countries and in many conflicts, especially in recent years, sets this film apart from your standard independent action film. This was written after 9/11 and was originally meant to be set in Afghanistan, putting it in touch with the fight against terrorism. Due to a change of plans, location shooting moved to Lithuania and the film's backdrop became ethnic cleansing. The authentic setting and the assistance of the local military further raise the scale of the film.

Depicting the role of America's special forces to any degree of authenticity

presents many challenges and this cast and crew surmount some of them. But

in the end, Special Forces remains a stylized action movie first by giving way to heroic fights and even bigger fireballs. For perspective, the Navy Seals actioner Tears of the Sun starring Bruce Willis shares the same fate on a $70 million

budget. The small budget is a limiting factor, but quality fight choreography, decent acting, and a notable action performance by Scott Adkins makes this

effort Florentine's best yet.

Unbelievable shoot-outs where all the bad guys poured fire at the good guys, missed, the good guys shot back and killed everyone, the bad moaned dramatically the same when hit. Bad guys in armoured vehicles with cannon faced the good guys behind logs with small arms and never-empty weapons, good guys won. Amateur script, awful direction, with every stereo-type on screen, from all the bad guys speaking accented English, being brutal and callous whilst the good guys played with kids. Factual errors; a normal SAS team is 4-man, not 2-man. Only saving grace was Scott Adkins final fight, which showcased his extraordinary skills but went on for too long.

This movie looks like it was made my a combination of the United States government and the makers of the punisher.. The characters were simply awful. Bad acting combined with bad scripts made this a horrible watch. And the cocky attitude of everyone in this movie was disgusting.. They simple came across like rednecks who had seen too many war movies when they were kids.

Exaggerated overdone scenes that were meant as a recruiting tool as far as i see and watching the movie was a true punishment... There you have it.. if you are looking for a good movie to watch, don't come near this movie.

This is one of the worst movies I've ever seen, and I spent my teen years watching Troma films and other crap horror. Actually the only reason I looked it up on IMDb after seeing it on a bus ride is because I seriously wondered if it was made by the US military, the patriotism was so over-the top. I mean, come on. These guys shoot one bad guy in the shoulder and he dies, but they are like superhuman tanks that keep running while getting gunned down, including shot in the head. What's even funnier is reading the reviews and seeing all of the Americans praising it as a great movie with realistic action scenes, and only the Lithuanians, Estonians, etc are the ones who notice how unbelievably biased it is. Like we Americans are so convinced of our natural superiority we don't even notice. My next suspicion, after US military propaganda film was that it was adapted from a video game, nothing else could explain the cartoonishness of the villains. But I was wrong there, too. To think that this is the best form some series, I can't even imagine what the worst looks like. I might look it up for a laugh.