A family relocates from the city to a dilapidated house in the country that was once a grand estate. As they begin renovations, they discover their new home harbors a secret and may not be c... Read allA family relocates from the city to a dilapidated house in the country that was once a grand estate. As they begin renovations, they discover their new home harbors a secret and may not be completely free of its former inhabitant.A family relocates from the city to a dilapidated house in the country that was once a grand estate. As they begin renovations, they discover their new home harbors a secret and may not be completely free of its former inhabitant.
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Naturally the only reason to watch this for me was the fact that it had Sharon Stone in it. Unfortunately, though I was expecting absolutely nothing, I somehow got less.
The movie takes place within the rustic country side, in the world of the rednecks, the folksy, "The Real America. The Small Town America". Thusly it must belong to the "city idiots move to the country side and get buggered, either literally or figuratively, by hicks" -genre. This is not merely flogging of the dead horse anymore, but waving your whip over the nearest glue factory. Yes, Deliverance was and is a brilliant film, but it also contained such elements as a plot, some common sense, mood and characters you didn't hope to die from the word go.
The story is, in all of it's generic depression, this: Sharon Stone and her husband, a documentary movie director guy, move out of the city since their children are either bred wrong or it's just natural selection that makes them run in front of cars like it's going out of style. They manage to find a huge Wayne's Manor with it's own forest, the yard the size of a golf course and a swimming pool for about $3,50, since "it's foreclosed, yo, so the bank sells it real cheap like". But who would have know, the former owner shambles in looking for a job.
I hated this character from his very first scene. And I don't mean that he is written to be a hateful character; I mean I am amazed how it is possible to write such a generic, pointless, irritating and uninteresting main antagonist. Of course also the dad starts to immediately hate this newcomer and this feeling is mutual. The audience merely hates everybody, since they are all equally boring, pretentious, over reacting bunch of monkeys.
My very favourite series of events begins when the redneck dude saves the children from a snake that is in the pool. When he himself gets fired, the whole house is suddenly full of snakes. And every family member magically places their hands on the slimy buggers at the exactly same moment. I can hardly imagine the mountain of Oscars that must adorn the window sills of the responsible parties' trailers. And somehow the horrendous musical score manages to make this embarrassing mess even stupider than it already is. Which is an considerable effort.
Of course the movie is also eternally long. After 30 minutes I had spent all my hospitality, but the thing just keeps chugging along. To my peer Sharon Stone fans: let it be known, that she does what she can with the stuff she is given, but her role could just as easily be played by a marionette made out of dead rats. Juliette Lewis is also present, wasted like everything else.
In the name of honesty I have to report that there were few rather decent scenes near the end, and they bothered to even pay off some of the things that are set in motion. This is good, because almost an hour and a half is used to nothing but these preliminaries. Also, the ending is so sickly anticlimactic and the zenith of predictable, that even the makers of silent movies would have laughed it out of the room. You could easily foretell everything that happens, and usually it looked better made and more visionary in your mind.
So, this was, in a word, wretchid. I was lucky I saw it on the television and didn't pay a dime. Even though I would like to urinate on my audiovisual equipment just to make sure no remnant of it remains within my apartments threshold.
The movie takes place within the rustic country side, in the world of the rednecks, the folksy, "The Real America. The Small Town America". Thusly it must belong to the "city idiots move to the country side and get buggered, either literally or figuratively, by hicks" -genre. This is not merely flogging of the dead horse anymore, but waving your whip over the nearest glue factory. Yes, Deliverance was and is a brilliant film, but it also contained such elements as a plot, some common sense, mood and characters you didn't hope to die from the word go.
The story is, in all of it's generic depression, this: Sharon Stone and her husband, a documentary movie director guy, move out of the city since their children are either bred wrong or it's just natural selection that makes them run in front of cars like it's going out of style. They manage to find a huge Wayne's Manor with it's own forest, the yard the size of a golf course and a swimming pool for about $3,50, since "it's foreclosed, yo, so the bank sells it real cheap like". But who would have know, the former owner shambles in looking for a job.
I hated this character from his very first scene. And I don't mean that he is written to be a hateful character; I mean I am amazed how it is possible to write such a generic, pointless, irritating and uninteresting main antagonist. Of course also the dad starts to immediately hate this newcomer and this feeling is mutual. The audience merely hates everybody, since they are all equally boring, pretentious, over reacting bunch of monkeys.
My very favourite series of events begins when the redneck dude saves the children from a snake that is in the pool. When he himself gets fired, the whole house is suddenly full of snakes. And every family member magically places their hands on the slimy buggers at the exactly same moment. I can hardly imagine the mountain of Oscars that must adorn the window sills of the responsible parties' trailers. And somehow the horrendous musical score manages to make this embarrassing mess even stupider than it already is. Which is an considerable effort.
Of course the movie is also eternally long. After 30 minutes I had spent all my hospitality, but the thing just keeps chugging along. To my peer Sharon Stone fans: let it be known, that she does what she can with the stuff she is given, but her role could just as easily be played by a marionette made out of dead rats. Juliette Lewis is also present, wasted like everything else.
In the name of honesty I have to report that there were few rather decent scenes near the end, and they bothered to even pay off some of the things that are set in motion. This is good, because almost an hour and a half is used to nothing but these preliminaries. Also, the ending is so sickly anticlimactic and the zenith of predictable, that even the makers of silent movies would have laughed it out of the room. You could easily foretell everything that happens, and usually it looked better made and more visionary in your mind.
So, this was, in a word, wretchid. I was lucky I saw it on the television and didn't pay a dime. Even though I would like to urinate on my audiovisual equipment just to make sure no remnant of it remains within my apartments threshold.
I've seen way flakier movies that were smash hits. Most Hollywood thrillers & action movies have to be viewed with a willing suspension of disbelief anyhow. People do things they'd never do in real life. They ask stupid questions & accept answers that no one with a high school education and an IQ in even low triple digits would accept in real life. They walk away from falls, car crashes and burning buildings that would kill real human beings. They *split up* to look for the ghost/axe murder/evil demon! So, what's wrong with this one? I got involved. I got tense. I was on the edge of my seat.
I liked it.
The tension was built up without any reference to gory scenes, just creepy camera angles, shadows, the wind blowing curtains, the increasing feeling that Something Really Bad was just around the corner.
You get to see Sharon Stone looking almost like an ordinary human being. Dennis Quaid is his usual edgy self. Stephen Dorff does a great slide into madness.
If I'd believed everything I read about it, I never would've picked up the DVD. It's not Hitchcock, but it's definitely worth watching. Check it out.
I liked it.
The tension was built up without any reference to gory scenes, just creepy camera angles, shadows, the wind blowing curtains, the increasing feeling that Something Really Bad was just around the corner.
You get to see Sharon Stone looking almost like an ordinary human being. Dennis Quaid is his usual edgy self. Stephen Dorff does a great slide into madness.
If I'd believed everything I read about it, I never would've picked up the DVD. It's not Hitchcock, but it's definitely worth watching. Check it out.
OK we've all seen this type of film before, family leave problems and life in the city for a new start in the country only to find far greater and real problems than those they left behind.
Unfortunately it's just not done particularly well in this movie. It starts well and gives the impression it will lead into some kind of haunted mansion movie once the family arrive at their new home. However, what happens is far less exciting.
Quaid gives another solid but unremarkable performance, Dorff is passable but his character never seems as threatening as he should be, Lewis plays the kind of role she seems to fit like a glove. The one thing I realised from this film is Sharon Stone has no impact or presence on the screen at all, I mean she had an impact on me when I was 15 and first saw Basic Instinct, but hey. She is one of the few actresses I would actually advise to only accept films with nudity scenes involved.
The direction is only apt, you feel there is meant to be some kind of attraction or sexual tension between Dorff's and Stone's character but whether due to the fault of the Director or actors it does not work at all. It is also at times very predictable, which is not a good factor for a thriller.
The film does have it's redeeming features, it does at least keep you interested enough to follow through to the climax just to see what happens. It is one though you will not be revisiting soon again.
Unfortunately it's just not done particularly well in this movie. It starts well and gives the impression it will lead into some kind of haunted mansion movie once the family arrive at their new home. However, what happens is far less exciting.
Quaid gives another solid but unremarkable performance, Dorff is passable but his character never seems as threatening as he should be, Lewis plays the kind of role she seems to fit like a glove. The one thing I realised from this film is Sharon Stone has no impact or presence on the screen at all, I mean she had an impact on me when I was 15 and first saw Basic Instinct, but hey. She is one of the few actresses I would actually advise to only accept films with nudity scenes involved.
The direction is only apt, you feel there is meant to be some kind of attraction or sexual tension between Dorff's and Stone's character but whether due to the fault of the Director or actors it does not work at all. It is also at times very predictable, which is not a good factor for a thriller.
The film does have it's redeeming features, it does at least keep you interested enough to follow through to the climax just to see what happens. It is one though you will not be revisiting soon again.
Reviews and reputation be damned: I enjoyed Cold Creek Manor and it's chilly, mean spirited thrills at the expanse of a family entwined in nasty decades old secrets. I know it's not the greatest flick, and doesn't quite deliver the freaky effect promised by both trailer and cover art, but it's still a lurid little freak show of backwoods danger and sweaty menace. Dennis Quaid plays Cooper Tilson, relocating his family to the country, where they have purchased a run down mansion which used to be a grand estate. Problem is, the manor has a dark and sordid legacy of danger, the overgrown property hiding a murder already years old. The family's arrival awakens long buried demons among the roughneck locals and gradually starts to threaten them with mounting unease. Sharon Stone is reliable as Quaid's wife, and a very young Kristen Stewart plays their daughter. It's ragged edged Stephen Dorff that gives the film life in his intense portrayal of local lowlife Dale Massie, who grew up in the manor and provides a hanging presence of unease for the Tilson family. Juliette Lewis plays yet another snarky rural skank, and there's an unnerving cameo from a barely coherent Christopher Plummer as well. Sure it's cheap thrills and doesn't contain much substance to flesh out its doom laden style, but it's it's a lot of fun and I revisit it quite a bit.
I didn't read any reviews prior to watching this film or I wouldn't have wasted my time. It is one of those good idea movies (maybe too many ideas at the same time) that just didn't take me where I expected or wanted it to go. I expect a "thriller" to build to a crescendo with possibly a disturbingly logical or a emotionally shocking ending. After 119 minutes I was left feeling disappointed and confused. Although there are lots of deleted scenes-it still moves too slowly. An unfortunate choice for Dennis Quaid-he tries very hard to keep the movie going-but it is dead in the water like Jaws 3-D. Some of the horror scenes are comical. Some of the scenes are truly frightening. Some are just plain redundant. I'm still not sure you aren't supposed to expect ghosts around the corner.
Did you know
- TriviaChristopher Plummer only spent two days on the set. He was shooting one day, each with Dennis Quaid and Stephen Dorff.
- GoofsWhen the Tilson family is moving in the house, as the camera follows them inside the house you can see the shadow of the mic following as well.
- Quotes
Jesse Tilson: Hammerhead will bash your skull and send you to devils throat!
- ConnectionsReferenced in Dinner for Five: Episode #3.7 (2004)
- SoundtracksAll My Ex's Live in Texas
Written by Whitey Shafer (as Sanger Shafer) and Linda J. Shafer (as Lyndia J. Shafer)
Performed by George Strait
Courtesy of MCA Nashville
Under license from Universal Music Enterprises
- How long is Cold Creek Manor?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- The Devil's Throat
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $21,386,011
- Opening weekend US & Canada
- $8,190,574
- Sep 21, 2003
- Gross worldwide
- $29,119,434
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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