A family is pushed to its limits when one of the daughters' lives is blighted by an eating disorder.A family is pushed to its limits when one of the daughters' lives is blighted by an eating disorder.A family is pushed to its limits when one of the daughters' lives is blighted by an eating disorder.
- Director
- Writers
- Stars
Photos
Nikki Barnett
- Bernadette
- (as Nikki Barnette)
Mary-Colin Chisholm
- Sarah
- (as Mary Colin Chisholm)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Hunger Point got my attention because of Barbara Hershey's name. She would not lend her respected name to an ordinary tale of eating disorders. Before giving this Lifetime film a try, I can recall watching no other treatment since the major network TV movie of Karen Carpenter's tragic struggle (1989). Hershey plays a difficult role with empathy, allowing us to care for her even as we see the horror of her well-intentioned child-raising habits. How else can her younger daughter, who is so clearly torn by conflicting feelings, keep going back to her?
Other subtleties are implicit in this younger daughter's characterization: Frannie Hunter as played by Christina Hendricks. For most of the film Frannie sees wrong only in the way others live their lives, and resists all hints that she needs help too (like family members affected by someone's drinking, usually seeing the drinker as the only sick one, slow to realize they've become sick too). The eating disorder (ED) counselor was also played with subtlety: to the uninitiated, a less than ideal worker; to the experienced, doing her best in an greatly discouraging medical field.
After watching Hunger Point, I wanted to check the names of the writers, but first saw the name of the director: Joan Micklin Silver. As soon as I Googled her name I saw she's one of the outstanding directors of the last thirty years, first coming to my attention with Crossing Delancey. At the time (1988), I noticed only the critical praise, not the director's name. After reading about her list of contributions to film, I have no doubt she wanted to work on this film because it was worthy, one of the better treatments of eating disorders even if it comes seemingly late, when the general public is tired of the theme. In time, I have no doubt this film will stand out from the rest, and will be recommended viewing for many people caught up in the ED cycle.
Thanks to writers Jillian Medoff and Deborah Amelon for the novel and screenplay that attracted Barbara Hershey's talents, and the great directing skills of Joan Micklin Silver.
Other subtleties are implicit in this younger daughter's characterization: Frannie Hunter as played by Christina Hendricks. For most of the film Frannie sees wrong only in the way others live their lives, and resists all hints that she needs help too (like family members affected by someone's drinking, usually seeing the drinker as the only sick one, slow to realize they've become sick too). The eating disorder (ED) counselor was also played with subtlety: to the uninitiated, a less than ideal worker; to the experienced, doing her best in an greatly discouraging medical field.
After watching Hunger Point, I wanted to check the names of the writers, but first saw the name of the director: Joan Micklin Silver. As soon as I Googled her name I saw she's one of the outstanding directors of the last thirty years, first coming to my attention with Crossing Delancey. At the time (1988), I noticed only the critical praise, not the director's name. After reading about her list of contributions to film, I have no doubt she wanted to work on this film because it was worthy, one of the better treatments of eating disorders even if it comes seemingly late, when the general public is tired of the theme. In time, I have no doubt this film will stand out from the rest, and will be recommended viewing for many people caught up in the ED cycle.
Thanks to writers Jillian Medoff and Deborah Amelon for the novel and screenplay that attracted Barbara Hershey's talents, and the great directing skills of Joan Micklin Silver.
Wow if I lived in a family like this and had a mother like Marsha Hunter (Hershey) i think I'd go on a rampage and kill her. "oh no!! We can't be overweight! Hell will freeze over before my daughters are overweight!! You want the boys to like you? I mean those poor girls. They had to have grown tired of this woman.....What a bizarre woman!! And to top it all off, that girl Shelley is just as bad! She always seems to be whining about something new or how "ashamed" she is. She's a freak. She has no sort of toughness within her bones. The only normal person in this family is Frannie. Poor girl. She has such a bizarre family. The acting is pretty good though. Well folks, heres your typical lifetime movie. Big bore. Depressing and terrible storyline. The anorexia/bullemic story gets a little old. 0 stars out of 10.
this was without a doubt one of the best books i've ever read. i just finished it this weekend and was so excited to find out that it had been made into a movie AND that it was playing today on lifetime. now i wish i hadn't found out. this is quite possibly the WORST movie i've ever seen - the acting is horrendous and they ruined an amazing book. i usually love to see other people's interpretations of books i've read (and love cheesy lifetime movies), but not in this case - don't waste your time!!
If you're like me, you love cheesy Lifetime movies. Well, then this is for you. Hunger Point is the story of a girl who checks herself into rehab for anorexia and how she came to be that way. As a child, her mother would encourage her two daughters to be as thin as possible. The story focuses more on the girl's older sister, who is between jobs and living with her parents during a very stressful time. It definitely follows the old Lifetime plot, but it works if you aren't expecting much. Despite the serious subject matter, I found it pretty campy, but entertaining enough. A plus (or minus for some) is the horrible hairdo Barb Hershey sports all through the movie. If you're ever bored and it's rerunning, I'd watch it just for the cheese factor.
I can't believe this film was made in 2003, and the world of eating disorders is still trudging along. So much of what this movie showed is still accurate, speaking as someone who understands this illness a bit too well.
This movie is strongest in its depiction of relationships and misconceptions within the family regarding blame, causation, and genetic factors. They don't really touch on this, but as much as environmental factors are at play, so are the genetic ones. Mom is absolutely stricken with a pervasive eating disorder, except she is functional; Shelley moves from functional to mental incapacitation (see: scene of hyperventilation in ED unit bed). While they both have the same problem, essentially, the mom has been able to repress the worst of it, unlike Shelley.
Franny is the older sister and has demonstrated sensibility from an early age, but even she is not immune to the pitfalls of the disorder. Nothing explains her own need to engage in behaviors, other than her genetic predisposition, although it's true her environment played a part.
What I loved: this movie does a great job of portraying the impact to the family dynamic, as well as how life can change drastically. Shelley was on her way to huge things, but the ED completely derailed her plans, to the ultimate point of no coming back.
What I disliked: The movie portrays a pretty weak therapist/MD team. This probably is realistic to a large degree, because so many of my own comrades with an ED have had massive complaints about their disconnection with their medical/therapy team. However, it would have been awesome to see how someone in that role could make a positive impact, and how they truly do great work. No one except the patient can truly make the choice to embrace recovery, but there are amazing, patient and vigilantly aware therapists who have studied the trends and understand the pitfalls of early release, for example. (Shelly was not ready - by a million miles - to be released from treatment.)
Extra points of authenticity for nailing how the ED unit of patients can be. Supportive, strong, childish, embittered, numb....those are all the things that ring common and true in an ED unit of young women.
Solid movie worth a watch, even now.
This movie is strongest in its depiction of relationships and misconceptions within the family regarding blame, causation, and genetic factors. They don't really touch on this, but as much as environmental factors are at play, so are the genetic ones. Mom is absolutely stricken with a pervasive eating disorder, except she is functional; Shelley moves from functional to mental incapacitation (see: scene of hyperventilation in ED unit bed). While they both have the same problem, essentially, the mom has been able to repress the worst of it, unlike Shelley.
Franny is the older sister and has demonstrated sensibility from an early age, but even she is not immune to the pitfalls of the disorder. Nothing explains her own need to engage in behaviors, other than her genetic predisposition, although it's true her environment played a part.
What I loved: this movie does a great job of portraying the impact to the family dynamic, as well as how life can change drastically. Shelley was on her way to huge things, but the ED completely derailed her plans, to the ultimate point of no coming back.
What I disliked: The movie portrays a pretty weak therapist/MD team. This probably is realistic to a large degree, because so many of my own comrades with an ED have had massive complaints about their disconnection with their medical/therapy team. However, it would have been awesome to see how someone in that role could make a positive impact, and how they truly do great work. No one except the patient can truly make the choice to embrace recovery, but there are amazing, patient and vigilantly aware therapists who have studied the trends and understand the pitfalls of early release, for example. (Shelly was not ready - by a million miles - to be released from treatment.)
Extra points of authenticity for nailing how the ED unit of patients can be. Supportive, strong, childish, embittered, numb....those are all the things that ring common and true in an ED unit of young women.
Solid movie worth a watch, even now.
Did you know
- TriviaThe final film of Joan Micklin Silver.
- SoundtracksOnly Way
Performed by Blaise Pascal
Written by Blaise Pascal, Matt Chapman and Roy Salmond
Courtesy of BMG Music Publishing
Details
- Release date
- Country of origin
- Language
- Also known as
- Mentira en el espejo
- Filming locations
- Dartmouth, Nova Scotia, Canada(Oakwood Terrace)
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content