Girl with a Pearl Earring

I can't imagine a lot of people, especially anyone under 40, sitting through this extremely slow film....but I thought it was excellent. However, I am biased because I love great cinematography and stories about famous painters. Sometimes the cameras stay on subject longer than normal, affording the viewer time to really soak it up.

If you can stay awake, this film offers some of the prettiest images I've ever seen on film. Scene after scene looks like a classic painting come to life. Scarlet Johannson says very little but is fascinating to watch. For the first-time viewer, there a tension that builds throughout the film leaving wondering what bad thing is about to happen. The story is not an upbeat one, yet not depressing either.

One time, I watched this film very early in the morning, something I rarely do, and with the subtitles on. It wasn't a bad way to watch it - a quiet film in the quiet of the pre-dawn hours . The film offers another demonstration of why doesn't have to shed all their clothes to be erotic. This inspired me to read the book, and I enjoyed that, too.

Griet is a young maid in the household of painter Johannes Vermeer. She is responsible for cleaning his studio when he is not working but eventually Vermeer sees her carrying out her tasks and is taken by the imagery and beauty of her. He convinces her to pose for him to paint, although it must be done in secret due to tensions within the Vermeer household as well as gossips and slanderers on the streets.

The Girl with a Pearl Earring was one of those films that I knew I should watch but that sat on my HDD for quite some time. It was a windy Bank Holiday that finally moved it to the top of my viewing list. In a way I felt vindicated of both my delay and my decision to watch it because the film does have flaws and strengths that make it worth seeing but not a brilliant film. The fictional story is quite simple and short but engaging nonetheless – a lot of emphasis is put on the feelings and characters to carry the story rather than events or action but it does work. What helps the slow pace is how convincing the sets and costumes all are – you never doubt the period and the direction works with this very well.

The cast are the key to it working and thankfully they are mostly good. I'm not a massive fan of Johansson because I do think that there is an element of "fortunate blonde starlet" about her career that isn't always backed up by performance. Here though she is very good and is suitably restrained and innocent. This allows Firth to be more of a presence with her and this dynamic is important. Support from Davis and Wilkinson is good and they do add to the passions of the story with their characters and delivery.

The Girl with a Pearl Earring is a slow paced but quite rewarding film. Those looking for action or energy should leave this on the shelf for another time but, when you are in the mood for how it works then it is a most enjoyable film with a simple but well-delivered story.

Is this an incredibly dull movie about a single painting - or is it a mesmerising and penetrating insight into art and a particular 17th century Dutch artist? It probably depends on your point of view.

Griet is a poor young girl who goes to work for the great Vermeer as a humble servant. She is pushed around emotionally by his overwrought and jealous wife, mischievous children and all-powerful lustful patron. Yet the biggest force in her life, gradually teasing out her own artistic sensibilities, is the Master himself. Griet becomes the subject of his most famous painting, lured by a mixture of dread and fascination.

For Vermeer the artist, his work is all-consuming. Every part of his world – the welfare of his family, his eccentricities, his whole energy and purpose in life, is concentrated into his work. That is not to say he lacks morals but simply that his work is his higher calling. To justify such a character, we could look to the role of art and its importance. Art can be worshipped for its own sake, like some wicked effigy, and used to excuse all manner of moral turpitude in its creator; or it can be seen as the entrance by which light can enter our soul, illuminate thought and our world in a way that cold logic alone would deny us, move us beyond the bounds of our immediate impressions and let us see the world about us in a new way, inspired and informed.

Griet carries this seed, to see beauty where others see only common place things, and it is a seed that the Master nourishes. There are times when Vermeer protects Griet from the people around he,r to whom she is so vulnerable, but is his concern towards her concern for her welfare, secret desire, or just a tool, an exquisite tool, of his trade?

Cinema is also being part of this artistic spectrum, if we allow it to be, affecting us in ways that let the viewer grow rather than just be entertained. Girl With a Pearl Earring certainly has sufficient integrity to do that, but if one just wanted to be entertained then it probably falls short. The art direction beautifully recreates Holland of the period and Scarlett Johansson gives a very well-tempered performance as young Griet. Costumes, music and overall cinematography are accomplished and haunting without loss of subtlety, producing a memorable film for lovers of art and cinema; but if paintings don't do anything for you, this film might not either.

Girl with a Pearl Earring is based on the novel by Tracy Chevalier, who tells the story of a forbidden love affair (pardon the cliché) between painting master, Johannes Vermeer (Colin Firth), and the only woman who seemed to appreciate his work, a timid young maid named Grit (Scarlett Johansson).

Grit is hired to work in the Vermeer household. Had you not known anything about Vermeer prior to viewing the film, it seems as though he is some deformed creature the family wishes to keep secret. The family always linger near the door to Vermeer's studio, as though something dangerous was contained within. And, as the story goes along, you might get the impression that he is a nasty fellow, the way everyone approaches the studio so delicately, careful not to disturb anything. Says one maid to Grit, he doesn't like people bothering him when he is working.

In a way, Johannes is a real bastard to his wife, children, and mother-in-law. As a painter, they're never sure whether he is going to get the commissions from the arrogant, but jolly rich patron Van Ruijven (Tom Wilkinson), or whether they'll be escaping debtors by fleeing in the middle of the night.

Grit is curious, and at the same time, smitten with Johannes Vermeer, probably because of the initial mystery. She gains an interest in Vermeer, and in a way, also becomes his painting apprentice, helping him to mix paints, making creative suggestions about the paintings, and so forth. Vermeer introduces her to a rather different world that Grit has never known. And the two for a silent bond, a love for each other. Johannes appreciate's Grits company as a comfortable contrast to his mother-in-law, children, and especially his wife, he only seem to try to discourage his silly hobbies.

But, Johannes and Grit cannot act on their feelings for each other, at least not aloud. Divorce was highly out of the question, for one thing. But second, Johanne's was dependent on the arrogant Van Rijn for his commissions, and Van Rijn wanted Grit. Disgusted as Johannes may have been, and only slightly able to protect her (you'll see what I mean in the finale), he can't totally reject his financer. Plus, there is the barrier of master and maid, presenting a rigid social structure. And for Grit, she can only play out her affair with Johannes vicariously through her boyfriend, the Butcher.

Even if the story is not grounded in fact, or is based on little fact, the story of how Vermeer's painting, The Girl With a Pearl Earring came to be is one that presents a little mystery and romance to a painting. You can find something to appreciate it, beyond just consideration of the artistic elements of lighting or coloring, etc. In fact, art is always more fun with an intriguing story behind it (consider the controversy behind Whistler's 'Peacock Room').

I thought the movie did a fantastic job of recreating 17th century Netherlands. But what you may not know without having seen many 17 century painting, is that nearly every scene in the movie is constructed from 17 th century paintings, of Vermeers, Frans Halls, Van Dyke, and many others. The entire movie is, as one other viewer coined it, a "cinematic painting," but not just because it is a movie about the beauty of one painting, but because it is a movie entirely constructed from paintings. It was really incredible how precise everything is. Lighting, placement of figures. The actors would have to walk around a room and then at one point, hit their points precisely (props and all) to capture that one moment reflected in the painting from which it was taken from. This is really a great film for the art direction alone.

I have just seen "Girl with a pearl earring" and I am already willing to see it again. The feeling is very much the same as wanting another tour in a gallery of paintings of old Dutch masters, to enjoy repeatedly the beauty of light and shadow and colours. Scarlett Johansson is both very pretty and talented and the camera lovingly moves around her, searching for her beautiful eyes and puffy lustful lips, very much reminding me of Bertolucci's love for the beauty of Liv Tyler in "Stealing beauty". Colin Firth is again producing a most powerful impact by his tall dominating figure, deep beautiful voice and reserved yet sensual and passionate attitude. A strikingly good picture in the ocean of mediocre productions.