Girl with a Pearl Earring

Griet is a young maid in the household of painter Johannes Vermeer. She is responsible for cleaning his studio when he is not working but eventually Vermeer sees her carrying out her tasks and is taken by the imagery and beauty of her. He convinces her to pose for him to paint, although it must be done in secret due to tensions within the Vermeer household as well as gossips and slanderers on the streets.

The Girl with a Pearl Earring was one of those films that I knew I should watch but that sat on my HDD for quite some time. It was a windy Bank Holiday that finally moved it to the top of my viewing list. In a way I felt vindicated of both my delay and my decision to watch it because the film does have flaws and strengths that make it worth seeing but not a brilliant film. The fictional story is quite simple and short but engaging nonetheless – a lot of emphasis is put on the feelings and characters to carry the story rather than events or action but it does work. What helps the slow pace is how convincing the sets and costumes all are – you never doubt the period and the direction works with this very well.

The cast are the key to it working and thankfully they are mostly good. I'm not a massive fan of Johansson because I do think that there is an element of "fortunate blonde starlet" about her career that isn't always backed up by performance. Here though she is very good and is suitably restrained and innocent. This allows Firth to be more of a presence with her and this dynamic is important. Support from Davis and Wilkinson is good and they do add to the passions of the story with their characters and delivery.

The Girl with a Pearl Earring is a slow paced but quite rewarding film. Those looking for action or energy should leave this on the shelf for another time but, when you are in the mood for how it works then it is a most enjoyable film with a simple but well-delivered story.

Young woman in Holland circa 1665, innocent and wide-eyed but hard working, leaves home for job as scullery maid to a painter named Vermeer and his family; soon, she becomes the artist's secret assistant and muse, eventually posing for Vermeer's famous title-named portrait. Stunning art direction, lively pacing and an absorbing narrative all make up for a few key performances which seem too modern, and minor instances where the editing isn't as sharp as one might hope. The maid's many entrances and exits are repetitive, but Scarlett Johansson proves to be an intuitive actress who excels in a role with very little dialogue. Quite good overall, and with a finale that smartly leaves the breathless viewer wondering...asking...wanting more. *** from ****

"Girl with a Pearl Earring" tells a fictional tale about how the title painting by 17th century Dutch painter Vermeer might have come to be. Outwardly, the film is a story about the painter and a household maid who becomes the subject of the painting. Inwardly, the film is about the unspoken but palpable feelings between two people of very different stature and station which may or may not be forever cast in the crazed pigments of the masterpiece. Those who can tap into the subtle human emotional undercurrents will find this film far more satisfying than those who cannot. Regardless, all will find "Girl with a Pearl Earring" a masterpiece of filmmaking. (A-)

Behind every picture there lies a story, and the film `Girl With a Pearl Earring' purports to give us the inside scoop into the making of Vermeer's classic painting of the same name. In the mid 1600's, a young, illiterate peasant girl named Griet came to live and work as a servant in the home of the promising, yet still financially struggling, Dutch master. Obsessed by her beauty, Vermeer insisted on using her as the subject for one of his works, much to the horror and chagrin of his jealous and shrewish wife. Despite the domestic havoc it caused, the collaboration between artist and subject resulted in one of the genuine masterpieces of the art world.

Visually, this film could not be more stunning. Thanks to luminous cinematography, art direction and costume design, the audience watching this film feels almost as if it has been transported into a Vermeer work. Director Peter Webber recreates every element of that world in loving detail, right down to his choice of actress Scarlett Johansson, who is a dead ringer for the model in the original portrait. Alexandre Desplat's score also captures the lyrical, haunting tenderness of the subject matter.

`Girl With a Pearl Earring' is a very fine movie in many respects, but it is ultimately unsatisfying because it cannot match in content what it achieves in style. Despite the exquisite look of the film, the characters seem strangely underdeveloped, most especially Vermeer himself, who remains frustratingly superficial throughout. Thanks mainly to his taciturn moodiness, we never get to know much of what he is thinking or feeling. The romantic moments between artist and subject are admirably restrained – and thereby all the more erotic in nature – but we do feel as if we would like to know more about him as a person. Griet is only slightly more fully developed, although, in her case, we can at least ascribe this lack of information to the restrictions placed on her by her station in life and the society of her time. Unlike Vermeer, Griet was conditioned by the world around her to be a passive observer. But Vermeer needs to be a more dynamic presence in the story.

One admires the fact that the filmmakers have remained truthful to the spirit of the enterprise, refusing to indulge in cheap melodramatics to make the story more salacious and scandalous than in truth it really was. Yet, in dramatic terms, such integrity comes with a price, for the film often has the effect of lulling rather than stimulating us, of raising our expectations then failing to fully satisfy them. Perhaps, in the case of this particular artwork, the story-behind-the-picture wasn't really all that interesting to begin with.

I can't imagine a lot of people, especially anyone under 40, sitting through this extremely slow film....but I thought it was excellent. However, I am biased because I love great cinematography and stories about famous painters. Sometimes the cameras stay on subject longer than normal, affording the viewer time to really soak it up.

If you can stay awake, this film offers some of the prettiest images I've ever seen on film. Scene after scene looks like a classic painting come to life. Scarlet Johannson says very little but is fascinating to watch. For the first-time viewer, there a tension that builds throughout the film leaving wondering what bad thing is about to happen. The story is not an upbeat one, yet not depressing either.

One time, I watched this film very early in the morning, something I rarely do, and with the subtitles on. It wasn't a bad way to watch it - a quiet film in the quiet of the pre-dawn hours . The film offers another demonstration of why doesn't have to shed all their clothes to be erotic. This inspired me to read the book, and I enjoyed that, too.