Lost in Translation

Being in a profession where there is constant noise, I enjoyed this movie for a very odd reason. The characters are pulling away from a hyped up society, away from a world, much of which is based on needless, trivial noise. Everywhere they go there is more numbing action. Watching the director of the commercial gyrating, trying to act like a real film director, despite the fact that they are doing a 30 second liquor commercial, typifies some of what this movie is about, a world where people are worn into the ground by a type A culture that is as vapid and unnecessary as we can imagine. I thought the Bill Murray character developed tremendously. While this trip to Japan was excruciatingly dull (money isn't everything), I believe that he began to see things he hadn't seen before. I liked that while he was struggling with his marriage, the crises were simple, day to day things that living brings to us. The young woman he meets shows through a whimsical kindness, that he is worth something. She is refreshing to look at an to be with. He, like many middle aged men, has self doubts. Because she has a sense of purity and can talk to him honestly about her world and his, he should go back to his life a little more sustained.

Lost in Translation (2003) Sofia Coppola's Lost in Translation is a wistful, beautifully observed meditation on loneliness, connection, and the strange spaces in between. Set in the neon-lit sprawl of Tokyo, the film captures the feeling of emotional dislocation-not just in a foreign land, but within one's own life.

Bill Murray stars as Bob Harris, a faded American movie star in Japan to film a whiskey commercial. He's adrift in his own midlife ennui, his marriage a distant echo. In the same hotel, young Charlotte (Scarlett Johansson), a philosophy graduate accompanying her busy photographer husband, wrestles with her own sense of purposelessness. When Bob and Charlotte meet, their quiet rapport forms the fragile soul of the film.

Their connection is delicate and undefined-somewhere between friendship, romance, and companionship. Coppola wisely avoids overt sentimentality or resolution, instead focusing on stolen moments: a shared silence, a glance across a crowded room, a night wandering Tokyo's surreal nightlife. The intimacy they share is about being seen and understood in a world that often doesn't listen.

Murray's performance is masterful-wry, tender, restrained. Johansson, luminous and introspective, brings quiet depth to Charlotte. The chemistry between them is electric in its understatement. Cinematographer Lance Acord captures Tokyo's glittering alien beauty, while the dreamy soundtrack-Air, Phoenix, The Jesus and Mary Chain-wraps the film in a haze of melancholy.

Lost in Translation isn't about dramatic events or revelations. It's about emotional nuance-the kind of aching solitude and brief human connections that leave lasting imprints. It lingers like a memory, especially the whispered final goodbye that remains one of cinema's most poignant mysteries.

A soulful, subtly profound film that captures the ache of being lost-and the beauty of being found, even briefly, by someone who understands.

Review written by artist jayakumar jrain.

When I used to think of what made a good movie, I would look at a movie from all aspects: direction, cinematography, editing, acting, story etc. The sum of all these parts make up the whole, and are also what lead me to my opinion of a film...

Then came Lost in Translation. The first time I watched this movie, I felt a strange sense of depression that lasted for a few days, but I couldn't put my finger on why. I watched it again and again, and felt the same way each time. I thought maybe it was because I have never traveled and would really like to, or that I have the desire to find the perfect woman in a strange world.

Whatever the case, I realized one thing. LOST IN TRANSLATION MADE ME THINK. It made me question my life, its purpose, whether I was happy or not, and what I want do with it. Never has a movie touched me in such a way, and for that reason, this is the one of the greatest movies I have ever seen. That doesn't mean its the best movie ever made, in fact, I can name many that are technically better than this film, like the one I named before. But I cannot name a movie that has had more effect on me than Lost in Translation, and that is why I love it and will love it forever.

Think of the last movie that really made you think, one that had such a great influence on you that it somehow changed your life, even for the littlest bit. That, to you, is a great movie...

It's very interesting to see all of the ratings that Lost In Translation received in different countries. In Canada it is only PG, while in America it's rated R! And really, the only explanation for this is a brief scene at a strip joint that shows some nudity. I really look down on that R rating because Lost In Translation is a good-hearted film that should be enjoyed by all ages. Notice how during the 2003 Oscar season two films played the "only one special effect: the effect on the audience" card; one being this film and the other being Mystic River. Both are great films, both are rated R in the U.S., but only one of them can carry along its story without brutal murders.

So what can I say about Lost In Translation that hasn't been said a million times already? It's all true. It's subtle, down-to-earth, and allows the audience to observe and relate to the characters, Bob and Charlotte. Both of them have a life crisis to deal with, and I guess if you're thousands and thousands of miles away from your problems it makes it easier to take an objective look at them, even if they do follow you. Bob and Charlotte confide in each other and develop a relationship. That's what it's all about, and every scene is precious. It's a real and true to life kind of film. We never hear the lines: "Oh, Charlotte, I'm so glad I went to Japan. You've changed my life in such a profound way and you'll always be in my heart." That's because that just isn't the way it goes in real life. The feeling is there, the characters know it, the audience knows it, so it has to be left at that.

So, yeah, I love this movie. It's clearly the highlight of Bill Murray's career and marks the perfect first real stand-out in Scarlett Johanson's. It's so rare to see a movie that only has an interest in its characters (and only two of them, at that!) and makes them so charming, lovable, and familiar. This is a great example of non-Hollywood Hollywood films: the well-known actors and producers going to the roots of independent film-making. In an age where half the movies out there are packed with CGI, this is refreshing to see.

My rating: 10/10

Few movies make you THINK long after they end. That's OK. Movies are supposed to entertain and most do so without requiring even one ounce of thought. It's sad that maybe some of you out there prefer movies- and life- that way. Thankfully this movie is all about thinking and feeling. This is not a chick flick. It's a human experience flick.

This film examines and lays bare the intricacies of love, life and loneliness; the claustrophobia, insomnia and disorientation of traveling to a foreign country. The loneliness that creeps in after life's normality starts to wear thin. The spark of promise that meeting someone new brings. This is what life is about and what this film so flawlessly portrays.

How many of you can relate to and have actually been that guy/girl on business, in the hotel in some foreign city, happily married yet feeling alone and beaten by life's banality? How many of us have been tempted in that very situation, to stray from the confines of moral adherence for the lure of a forbidden, if fleeting, joy? How many have felt that tingle- that spark- when a stranger smiles and you think, "you know, in another life..."? Change the time, place and all of us have been there whether we admit it or not. Maybe single people don't get this movie; maybe it's for those of us who have walked down that aisle and are wiser to the realities of life.

The characters here are true. Their dialog is true. The setting is true. It's all tirelessly fascinating because we can all relate to it and it involves us in a way that most movies do not. We find ourselves drawn to every moment these two experience together and apart. We are intrigued by the glances, nuances and words they share.

Johanssen is brilliant and beautiful as the lonely, young wife questioning her marriage. Her beauty is classic, not necessarily sexual, though she is obviously alluring in this role. Her bee-stung lips, perfect body and haunting eyes may have something to do with that. Still she's more sophisticated beauty than mindless hottie, even at 19. This is a role tailor-made for her. It could never have been Reese Witherspoon or Jessica Alba or - God forbid- Jessica Simpson, or anybody else in that realm.

Murray is simply at his best. He does "exasperated, middle-aged and depressed" better than most, with his receding hairline and frumpy body. You really believe that these two could connect in a physical and emotional way, as remote as that may seem on the surface. What other 50-something could ever be believed to be appealing to a young woman as pretty as Charlotte? That's a tough chemistry to fake and I can't think of a more perfect pair. What drives them to this attraction is what's intriguing to watch.

Go see this. Turn off your "Major Blockbuster-Tom Cruise-Action-Pop Culture Catch Phrase-Big Star" mind and tune in with a more searching self. Watch this with your soul and heart, not your eyes. If you look deeper than the surface you'll find yourself moved by the whole experience. Yes, it's THAT good.