The Boys & Girl from County Clare

A wonderful anti-dose to mainstream studio fare. This is a simple, but not simple-minded film that will make you laugh and cry. The performances are superb. Colm Meaney and Bernard Hill are a joy to watch, Charlotte Bradley delivers a masterful performance as the mother and Andrea Corr is a radiant presence. She is smart, direct and passioned. The contagious Ceili music will make you tap your foot long after the end of the film. You will come out of theater wanting to go to the nearest pub to have a pint of Guiness and hope to encounter there the characters from the film! What a wonderful treat this film delivers. Embrace it without any prejudice and you will experience a gentle and sweet ride.

A cutesy make ya feel good movie I enjoyed it just for the light entertainment no need to think point of view. The real downer for me - and this is because I play music - is that none of the musicians in this movie could play anything and it was painfully obvious. Most of them didn't even move their fingers on the fingerboards. I had expected and watched this movie to see some decent Irish musicians playing as the backdrop for the movie and there was none. How much more could it have cost the movie makers to have had some real musicians in here ? They would have loved the exposure and it would have been a win win situation.

Not much of a plot to this, most of my points are for the lovely Andrea Corr and the acting of the three brothers, Colm Meaney, Bernard Hill and Noel Bridgeman.

All plot lines are totally predictable if not contrived. The abandoning father, the bitter mother, the angry daughter. However, it is saved, and this is refreshing, by there being no mawkishness or melodrama.

Poor County Clare gets short shrift and never appears, Isle of Man and Northern Ireland stand in for it.

I don't know what the reasons for not filming it in today were. There are frequent references to the Beatles to remind us it is taking place in the sixties. But I know for a fact that a Clare man married five times in England and returning to County Clare in the sixties would have been met by the priest and run out of town on a rail as giving bad example to the young ones.

Also the single mother lying about her marital status (a widow), that was never clear, did she invent a man who died and a name for herself and her daughter? I don't like plot holes likes this. With such a simple storyline these should have been tightened up.

The ceili band and actors were badly out of synch in some of the scenes, feet tapping hopelessly out of rhythm. But that said all in all it was a pleasant little froth of a thing with lovely music.

7 out of 10.

For those of us lucky enough to have been "trapped" in a non-tourist, back-street pub in Limerick, the 'wrong side' of midnight and fallen under the spell of the traditional Irish ceilidh, will already have their radars up, on this gentle '60s set film from director John Irvin.

It's likable enough, if you don't dwell on its shortcomings too much. Read some of the reviews here and you'll be looking out for the faults only. There are far too many vomiting incidents to stomach, for instance and as many have said, Andrea Corr, obviously cast as a star-draw simply cannot marry up over-exaggerated facial expressions with her dialogue.

Whilst many swoon over the gorgeous landscapes and the photography will feel cheated by it actually being filmed on the Isle Of Man - there is a reason for this; IOM offered big tax breaks and incentives for film- makers, but this film is so promoted as being the Emerald Isle through and through, it's a natural disappointment to find out the truth.

Colm Meaney and his estranged brother Bernard Hill are fine as the two brothers, the former having left for Liverpool years before to make his fortune. They happen to both be going to the same ceilidh festival and as in the best traditions of cinema, they try and outwit each other to win the overall top trophy. Some of these scenes are amusing; I wouldn't describe the film as a comedy - take it as I did and you won't be disappointed with this aspect. Andrea Corr's character (minus the glamour and make-up) gets a little annoying and unbelievable and her whirlwind romance with Colm Meaney's son is bland and uninteresting (as is Shaun Evans, who plays him).

If you take the two brothers, the music, the craic, the (non-Irish) scenery and the family story you'll find a warming and invigorating Irish stew. However, the faults do mean it doesn't quite make four stars, for me.

Best line has to be - Colm and his mate sit down for breakfast at a B&B, Colm tucking in heartily, his friend feeling delicate, due to a hangover. The friend orders a pint of Guinness; Colm looks at him quizzically. 'Well, you can't eat on an empty stomach, can you?' the friend replies. I saw the film on BBC2.

If you like Irish music, that is, traditional Irish music, known to us who know, love and play, as sessions, then you'll love this little film. Colm Meaney, Jimmy, and Bernard Hill, Johnjoe are brothers in competition for winning a ceilidh band contest. Jimmy has immigrated and enjoys a modicum of success and Johnjoe has remained at home. The plot is thickened by the presence of Andrea Corr, Anne, who is Jimmy's daughter out of Charlotte Brtadley, Maisie, JohnJoe's piano player. The love interest is sparked by Jimmy's Liverpudlian flautist, Shaun Evans, Teddy, who falls heavily for Anne and were off the races. The dialogue is lively and the shenanigans are rampant. The payoff is fun and the music..., ah, the music. The music is aoibhinn ta gael. Under the wise baton of Fiachra Trench, the music is grand. Too, Andrea Corr of her own group, The Corrs, adds a bit of freshness to the pot with her perky Irish beauty. If you like sessions, you'll love this one. If you don't, well... listen anyway. The music is tops.