The Rocket Post

I saw this at the 2004 Stony Brook Film Festival in NY and it was very warmly received. In this pre-WW2 film, a pair of German rocket scientists are working on the Scottish Isle of Scarp as war looms on the horizon. The characters encountered on the island are priceless in their creation and their portrayal. Shauna MacDonald is particularly memorable

After getting up to speed on the "Scootish" accents, the viewer feel right at home with these folk who watch with amusement as the Germans work to link their isle with the mainland via a rocket-based mail delivery. As implausible as it seems, this film was based on an actual story.

All in all, a memorable film that will stay with you for some time thanks to its casting, its story or its scenery.

This film is about a German rocket scientist going to a remote Scottish island to help develop a rocket for improving the postal service.

As others have already commented, the scenery is breathtaking. Blue skies, white sand, green pastures and authentic cottages are just the few features of the film. However, I feel that the film heavily relies on the scenery to make it watchable. The pacing is incredibly slow, which is probably to mirror the way of life in the villages. The story is somewhat predictable, but still fresh in the sense of its rural setting. The ending is touching, both from Gerhard's plot and the villagers' story. I liked the soundtrack, which abundantly uses traditional folk music. It gives the film a touch of authenticity. It is a refreshing tale that I am glad to have watched.

A wonderfully thoughtful and involving movie that leaves an imprint well beyond it's initial liftoff. Based on a true story , one of the many "small" stories prior to WW II , that lend an understanding to the mindsets of the majority of common man cultures, impacted by others perceived as former enemies and perhaps future foes, with the darkening of war clouds on the horizon. Viewed at the Stony Brook Film festival, the film was enthusiastically received . Well written and expertly cast. The characters were most believable and drew one in to experience their trials and tribulations.

I enjoyed watching 'The Rocket Post'. Not because it was especially well made, well acted, original or gripping - it really wasn't. But because it had an unusual story set in a wonderful location, plus a certain charm that I found really engaging.

Sometimes a film can be low budget, predictable, a bit flakey in places, but still enjoyable. This is one of those.

The film supposedly tells the true story of German rocket scientist Gerhard Zucher, and his sidekick Heinz, who arrive on the remote Scottish Isle of Scarp just before the second world war. There they experiment with a rocket to deliver mail from the isle to the mainland, as well as getting to grips with the ways of the sceptical local islanders (there's at least a whiff of 'Whiskey Galore' about the residents of Scarp).

One of those locals is Catriona Mackay (played by a wide-eyed Shauna Macdonald). She provides a love interest for Gerhard which, although a little hard to believe, is essential to the success of the film. The movie is as much a love story as it is anything else.

How much of this tall tale is true might be debatable. Gerhart certainly existed and certainly did rocket experiments in Scotland and England to deliver letters, but there is probably a healthy dose of cinematic licence in the story telling. In any case, it really doesn't matter.

The cast deliver their roles well enough, but the real star has to be the setting - the wonderful scenery certainly steals the show.

A feel good film for the most part - with moments of gentle humour - it is not quite all lightness and sweet; the influence of Nazi Germany and that regime's interest in rocket technology provides another thread to the story.

All in all a modest and in places almost amateurish film that nevertheless was a lovely watch. Recommended if you're likely to enjoy a warm, easy-paced and slightly unusual tale.

This is the kind of film they used to make, amusing, heart-warming, troubling, authentic, with convincing performances by people without nose jobs, boob jobs, eye jobs, in other words real people. Shauna Macdonald plays the female love interest, and she is so real you want to give her a cuddle at the very least. Imagine that, a real girl in a movie, whatever next? Hollywood would hate her, because her freshness is a sharp rebuke to every false starlet in Tinseltown. This story has the same hilarious feel as Sandy Mackendrick's classic 'Whisky Galore', with the gnomic humour of remote Scottish islanders puncturing the pretensions of intruders from outside and enjoying a wee dram from time to time (the actual intervals between those times often being rather short). Director Stephen Whittaker displays a rare skill in pulling this off just right, and it is shocking to discover that he died before his film's release, aged only 56, which was clearly a substantial loss to the screen. Ulrich Thomsen does very well at playing a German rocket scientist who in the late 1930s goes to Scarp in the Isle of Harris to build a small rocket to carry postal packets between the islands. There he falls in love with the alluring Macdonald lass, and she reciprocates the affection. Some wonderfully colourful local characters decorate the tale, and the film is pure delight. There is of course the threat of imminent war with Hitler, and we learn that Hitler executed 1000 rocket scientists who refused to build weapons of war, which is a shocking statistic. Tragic love is never far from view, but lips must remain sealed in a review as to what happens in the end. This film is a magnificent example of just the kind of films which people in Britain should be making. But are they being properly released? In a nation whose tastes have been so corrupted by reality TV shows, where repulsive nonentities have become the national heroes, is there even a market anymore for a film like this? After all, there is no grunting sex, there are no close-ups of suppurating wounds or of anyone's genitals, there are no drugs taken, there are no mindless celebrities prancing around wanting to be looked at, and so one wonders whether there is anything to interest a public which has become so decadent and jaded that only the most extreme sensations can briefly alleviate the tedium of their pointless existence. Anyone who is looking for an antidote to the vacuity of contemporary Britain can take refuge in this refreshing and honest film.