A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.A quaint Australian fishing village is overcome by meteorites that turn its residents into the ravenous undead, leaving a small group of those unharmed to find a way out.
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Something is seriously wrong in the quiet Queensland hamlet of Berkeley: rocks are falling from the sky, carrying a virus that turns local residents into flesh-crazed fiends. And that's just the start of the powerhouse slam-bang debut from Brisbane twin filmmakers Peter and Michael Spierig, an audacious triumph of invention and imagination over budget and genre constraints. Even more remarkable is the fact that two local Brisbane boys have achieved the impossible and created an original Aussie zombie epic that is set to lay waste to the international horror community.
Ever the post-80s horror boom cultural vultures, Spierigs plunder shamelessly from the expected sources - the grey apocalypticism of George A Romero's Dead trilogy, the outrageous gore setpieces of Peter Jackson's blood-soaked Bad Taste and Braindead, the camera histronics of early Sam Raimi and Coen Brothers efforts - while breathing new life into the long-exhausted zombie cycle and making a film that is entirely their own. Undead marries a wholly unpredictable narrative, jawdropping effects (graphic enough for the most jaded of gorehounds) and a frighteningly assured grasp of cinematic language. As expected there's buckets of gallows humour, but the film never trades cheap laughs for its primary purpose: delivering good old-fashioned blood-curdling shocks.
If Aussie horror is a dead duck, Undead blows it out of the water.
Ever the post-80s horror boom cultural vultures, Spierigs plunder shamelessly from the expected sources - the grey apocalypticism of George A Romero's Dead trilogy, the outrageous gore setpieces of Peter Jackson's blood-soaked Bad Taste and Braindead, the camera histronics of early Sam Raimi and Coen Brothers efforts - while breathing new life into the long-exhausted zombie cycle and making a film that is entirely their own. Undead marries a wholly unpredictable narrative, jawdropping effects (graphic enough for the most jaded of gorehounds) and a frighteningly assured grasp of cinematic language. As expected there's buckets of gallows humour, but the film never trades cheap laughs for its primary purpose: delivering good old-fashioned blood-curdling shocks.
If Aussie horror is a dead duck, Undead blows it out of the water.
I caught Undead's second and final Festival screening last night, and it is just fantastic. I cannot understand how a film so cheap (cost about two million Australian, as I recall) could look so incredibly good. Most of the visual effects were done on a laptop, and they are just stunning. According to one of the Spierig brothers (the identical twins who wrote, directed, and produced the film, as well as managing the effects) the film contains 305 special effects, and maybe ten of those effects shots don't quite work.
Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.
It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.
I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.
Technicalities aside, it is also damned funny, extremely gory, and a whole lot of fun. The humour is not just slapstick gore, either - there are some priceless moments of character humour and a handful of absolutely classic lines, arguably the best of which can be heard at the end of the trailer. Surprisingly, the plot is quite strong, too, with a ripper of an ending that left me deeply impressed.
It isn't without its flaws - a few gags fall flat, the dialogue can be a bit hard to hear at times, the pacing is a tad shaky, and the final reel or two could do with a little bit of fat trimmed, plus the hero of the piece is just a bit annoying, with a whole lot of dialogue that is meant to be cheesy, but gets a bit TOO cheesy more than once - but for a first film made on a shoestring, it is just incredible. We are talking about the Bad Taste of the digital age.
I know it is getting a small mainstream cinema release here in Oz in early September, and I have heard it is getting a little release in the US and UK as well. Fans of early Peter Jackson, Sam Raimi, and George Romero owe it to themselves to go along and laugh themselves sick.
Why didn't anyone tell me about this film? It is 3 years old by the time I first watched it, having spent my horror-watching hours on hateful crap like 'Saw' and the other torture flicks Hollywood has been churning out in that time. This is a funny and creative gore flick along the lines of early Peter Jackson and Sam Raimi: 'Bad Taste' comes to mind.
I can't say this is a great film- but it does show great promise for the writer/directors. The effects are cheap but decent. Flawed in many respects, the kitchy attitude helps to gloss over the faults allowing an enjoyable experience.
If you enjoy gooey gore, over-the-top dialog and craziness- and willing to look past a low budget ... add another 2 stars and WATCH THIS FLICK.
I can't say this is a great film- but it does show great promise for the writer/directors. The effects are cheap but decent. Flawed in many respects, the kitchy attitude helps to gloss over the faults allowing an enjoyable experience.
If you enjoy gooey gore, over-the-top dialog and craziness- and willing to look past a low budget ... add another 2 stars and WATCH THIS FLICK.
I'm Australian, so i know what a bad movie is. this surprisingly enough isn't one. They only thing missing from this movie to keep it from touching the stars (so to speak) is originality. it has everything else, its funny and violent, and even thru bad acting you can see a great vision. but for me this movie was so good that i can hardly believe it was made by a couple of aussies. Aussie horror has not always been met with open arms by the horror fraternity but hopefully this will erase some of the embarrassment of the horrible horror we have produced.
on top of that this movie has aliens comfortable with being naked, i didn't see that in signs.
on top of that this movie has aliens comfortable with being naked, i didn't see that in signs.
Rene (Felicity Mason), the town beauty queen of Berkley, Austrailia, wants desperately to get out. But as her and her boyfriend are driving out of town, meteorites fall from the sky turning various town-folk into rampaging zombies. When Rene's boyfriend gets changed, she watches as a mysterious stranger (whom we later learn is the town 'crazy') dispatches the now zombiefied BF. She decides to hole up in the isolated farmhouse of said 'kook'. It's soon up to her, the guy, a husband, his pregnant wife, and two cops to survive long enough to figure what the hell is going on.
This Aussie film, while hopelessly derivative and ripping-off a great many great genre movies, is still a lot of fun. It looks far better than it's budget would imply and gore-hounds will be satisfied. That being said, the acting isn't the greatest and the movie pretty much loses steam towards the end when it veers decidedly off-course. But it's still very enjoyable for fans of the genre.
My Grade: B-
This Aussie film, while hopelessly derivative and ripping-off a great many great genre movies, is still a lot of fun. It looks far better than it's budget would imply and gore-hounds will be satisfied. That being said, the acting isn't the greatest and the movie pretty much loses steam towards the end when it veers decidedly off-course. But it's still very enjoyable for fans of the genre.
My Grade: B-
Did you know
- TriviaThe film was entirely funded by the directors and their family and friends.
- GoofsWhen the party enters the General Store, Marion walks in completely naked. In the next shot, inside the store, we can clearly see him wearing striped boxers.
- Alternate versionsThe original Australian version of the film had a runtime of 104 minutes (24fps). For the US release, about seven minutes of footage was removed for a runtime of 97 minutes (24fps). The following footage was removed for the US release. (Runtimes correspond to the 25fps PAL version.) 2:23 - 4:46: The introduction of Wayne's character working for charter flights and the introduction of Molly's character's with her first day on the job as a constable and being asthmatic. 27:18 - 30:07 The bunker scene is extended with more arguing between the characters and the police trying to confiscate Marion's guns. 31:14 - 31:54 In the bunker, Molly tries to offer calming words with an old memory, but does not help. 61:15 - 61:54 After driving away from the wall, the van scene is extended with the characters questioning about what happened to Molly and about the mysterious cloaked figure they saw. 63:14 - 64:06 Arriving back in town, there is an extended scene of the characters getting out of the van and Wayne nervously trying to take charge of the group.
- ConnectionsEdited into Cent une tueries de zombies (2012)
- SoundtracksLittle Green Men
Written by Cliff Bradley & Damien Taylor
Performed by Buttkrak
Recorded and Produced by Cliff Bradley
©Cliff Bradley 2002
Details
- Release date
- Country of origin
- Language
- Also known as
- Những Kẻ Không Chết
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- A$1,000,000 (estimated)
- Gross US & Canada
- $41,196
- Opening weekend US & Canada
- $8,527
- Jul 3, 2005
- Gross worldwide
- $187,847
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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